1,727,384 research outputs found
2740 A4BX6 structures
No full textThis dataset includes 2740 A4BX6 halide perovskite structures optimized using DMol3</p
Block Card 2740 Fellows Avenue
No full textThis image was produced by the Auditor's Office in Lucas County, Ohio for tax assessment purposes. Associated dates are approximate. Descriptive terms related to this photograph include: Gabled Ell | 2740 Fellows Avenue (Toledo, Ohio) | dwelling | Mills and Moss Addition | North Toledo (Toledo, Ohio
Block Card 2740 108th Street
No full textThis image was produced by the Auditor's Office in Lucas County, Ohio for tax assessment purposes. Associated dates are approximate. Descriptive terms related to this photograph include: Dwelling | Ranch houses | Shore Acres (Toledo, Ohio) | Point Place (Toledo, Ohio) | North Toledo Area (Toledo, Ohio) | 2740 108th Street (Toledo, Ohio
Block Card 2740 Medford Drive
No full textThis image was produced by the Auditor's Office in Lucas County, Ohio for tax assessment purposes. Associated dates are approximate. Descriptive terms related to this photograph include: Greek Revival Style | 2740 Medford Drive (Toledo, Ohio) | Dwelling | Beverly Place Addition (Toledo, Ohio) | South Toledo Area (Toledo, Ohio
Block Card 2740 Kingsford Drive
No full textThis image was produced by the Auditor's Office in Lucas County, Ohio for tax assessment purposes. Associated dates are approximate. Descriptive terms related to this photograph include: Shingle style | 2740 Kingsford Drive (Toledo, Ohio) | Dwelling | Beverly Place Addition (Toledo, Ohio) | South Toledo Area (Toledo, Ohio
Going Beyond Counting First Authors in Author Co-citation Analysis
Get PDFThe present study examines one of the fundamental aspects of author co-citation analysis (ACA) - the way co-citation
counts are defined. Co-citation counting provides the data on which all subsequent statistical analyses and mappings
are based, and we compare ACA results based on two different types of co-citation counting - the traditional type that
only counts the first one among a cited work's authors on the one hand and a non-traditional type that takes into
account the first 5 authors of a cited work on the other hand. Results indicate that the picture produced through this non-traditional author co-citation counting contains more coherent author groups and is therefore considerably clearer. However, this picture represents fewer specialties in the research field being studied than that produced through the traditional first-author co-citation counting when the same number of top-ranked authors is selected and analyzed. Reasons for these effects are discussed
Large Binocular Telescope observations of PSR J2043+2740
Get PDFWe present the results of deep optical imaging of the radio/γ-ray pulsar PSR J2043+2740, obtained with the Large Binocular Telescope (LBT). With a characteristic age of 1.2 Myr, PSR J2043+2740 is one of the oldest (non-recycled) pulsars detected in γ-rays, although with still a quite high rotational energy reservoir (Ė_rot=5.6×10³⁴ erg s⁻¹). The presumably close distance (a few hundred pc), suggested by the hydrogen column density (N_H ≲ 3.6 × 10²⁰ cm⁻²), would make it a viable target for deep optical observations, never attempted until now. We observed the pulsar with the Large Binocular Camera of the LBT. The only object (V = 25.44 ± 0.05) detected within ∼3 arcsec from the pulsar radio coordinates is unrelated to it. PSR J2043+2740 is, thus, undetected down to V ∼ 26.6 (3σ), the deepest limit on its optical emission. We discuss the implications of this result on the pulsar emission properties
Variations on the Author
Get PDF“Variations on the Author” discusses two of Eduardo Coutinho’s recent films (Um Dia na Vida, from 2010, and Últimas Conversas, posthumously released in 2015) and their contribution to the general question of documentary authorship. The director’s filmography is characterized by a consistent yet self-effacing form of authorial self-inscription: Coutinho often features as an interviewer that rather than express opinions propels discourses; an interviewer that is good at listening. This mode of self-inscription characterizes him as an author who is not expressive but who is nonetheless markedly present on the screen. In Um Dia na Vida, however, Coutinho is completely absent form the image, while Últimas Conversas, on the contrary, includes a confessional prologue that moves the director from the margins to the center of his films. This article examines the ways in which these works stand out in the filmography of a director who offers new insights into the notion of cinematic authorship
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