1,731,261 research outputs found
Union Pacific (UP) 2490
No full textA photograph print showing Union Pacific (UP) 2490, 2-8-2, on a passenger train, LaSalle, CO
รายงานการประชุมสภาผู้แทนราษฎร ครั้งที่ 24/วันที่ 5 สิงหาคม 2490
No full text1. ร่างพระราชบัญญัติกำหนดวิธีพิจารณาลงโทษข้าราชการและพนักงานเทศบาลผู้กระทำผิดหน้าที่หรือหย่อนความสามารถ พ.ศ. 2499 (ครั้งที่ 23/2490
รายงานการประชุมสภาผู้แทนราษฎร ครั้งที่ 24/วันที่ 5 สิงหาคม 2490
No full text1. ร่างพระราชบัญญัติกำหนดวิธีพิจารณาลงโทษข้าราชการและพนักงานเทศบาลผู้กระทำผิดหน้าที่หรือหย่อนความสามารถ พ.ศ. 2499 (ครั้งที่ 23/2490
2490. Processus contra hereticos Valdenses
No full text2490. Processus contra hereticos Valdenses. In: Molinier Auguste. Les Sources de l'histoire de France - Des origines aux guerres d'Italie (1494). III. Les Capétiens, 1180-1328. Paris : A. Picard et fils, 1903. pp. 76-77
Технологические решения для строительства разведочной вертикальной скважины глубиной 2490 метров на нефтяном месторождении (Томская область)
Full text linkТехнологические решения для строительства разведочной вертикальной скважины глубиной 2490 метров на нефтяном месторождении (Томская область).Technological solutions for the construction of an exploratory vertical well depth of 2490 meters at an oil field (Tomsk region)
[IO Islamic 2490] شرح ديوان حافظ
No full textSharḥ-i-Dîwân-i-Ḥâfiż.
This manuscript is now IO Islamic 1269 in the India Office collections.
[metadata: Hermann Ethé, Catalogue of Persian Manuscripts in the Library of the India Office, 2 vols. (Oxford: India Office, 1903): volume 1, number 2490 here with notations and hyperlinks].
1269
Sharḥ-i-Dîwân-i-Ḥâfiż (شرح ديوان حافظ).
A Persian commentary on the ghazals of Ḥâfiż, by an anonymous writer, compiled A.H. 1026 (see fol. 248b, l. 7) = A.D. 1617. It is the same commentary which is noticed by A. Sprenger, Catal., p. 416, l. 20, beginning: الا يا ايّها السّاقى ... دانا و آگاه باش اى رعنا كه الا حرف تنبيه است و يا حرف ندا ايّها كلمه ايست كه معرّف بلام الخ.
The explanations given are very elaborate and of a decided Ṣûfic character.
No date. Bibliotheca Leydeniana.
No. 2490, ff. 249, ll. 17; Nasta’lîḳ; worm-eaten in several places; size, 83/8 in. by 51/2 in
Going Beyond Counting First Authors in Author Co-citation Analysis
Full text linkThe present study examines one of the fundamental aspects of author co-citation analysis (ACA) - the way co-citation
counts are defined. Co-citation counting provides the data on which all subsequent statistical analyses and mappings
are based, and we compare ACA results based on two different types of co-citation counting - the traditional type that
only counts the first one among a cited work's authors on the one hand and a non-traditional type that takes into
account the first 5 authors of a cited work on the other hand. Results indicate that the picture produced through this non-traditional author co-citation counting contains more coherent author groups and is therefore considerably clearer. However, this picture represents fewer specialties in the research field being studied than that produced through the traditional first-author co-citation counting when the same number of top-ranked authors is selected and analyzed. Reasons for these effects are discussed
Other title: Testimony in Support of House Bill 2490 Other title: House Bill 2490
No full text"January 23, 2018."
Testimony before the Kansas Legislature, House Committee on Taxation, presented by Michael Hale, Kansas Department of Revenue.Testimony in support of HB 2490, which "adopts the definition of durable medical equipment (DME), found in the Streamlined Sales Tax Agreement (SSTA). Currently Kansas does not have a definition of DME. As a result, Kansas has administratively tried to shoe horn in some items as "prosthetic devices" that are more properly DME. ... The proposed legislation brings us into conformity with SSTA.
Variations on the Author
Full text link“Variations on the Author” discusses two of Eduardo Coutinho’s recent films (Um Dia na Vida, from 2010, and Últimas Conversas, posthumously released in 2015) and their contribution to the general question of documentary authorship. The director’s filmography is characterized by a consistent yet self-effacing form of authorial self-inscription: Coutinho often features as an interviewer that rather than express opinions propels discourses; an interviewer that is good at listening. This mode of self-inscription characterizes him as an author who is not expressive but who is nonetheless markedly present on the screen. In Um Dia na Vida, however, Coutinho is completely absent form the image, while Últimas Conversas, on the contrary, includes a confessional prologue that moves the director from the margins to the center of his films. This article examines the ways in which these works stand out in the filmography of a director who offers new insights into the notion of cinematic authorship
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