1,721,323 research outputs found
Anthony Munday’s Palmerin d’Oliva and ‘Ogyer the Dane in Færia’
Research for this note was funded by the Ministry of Science and Innovation (ref. FFI2011–22811)
James Mabbe. 2013. The Spanish Bawd. Edited by José María Pérez Fernández. London: Modern Humanities Research Association. MHRA Tudor & Stuart Translations, 10
Review of edition of Mabbe's translation of La Celestina.Research for this review was funded by the Spanish Ministry of Science and Innovation (ref. FFI2011-22811)
A Critical Edition of Anthony Munday's Palmerin d'Oliva
This is an accurate and fully annotated text of the first romance in the Palmerin cycle, which was translated into English (from a French version) by Anthony Munday, who has also been the focus of much critical interest recently. [Este registro contiene únicamente la portada e índice de la obra]Ministerio de Ciencia e Innovación (FFI2011-22811
Plant Records Accession Log 26, 22811 - 23410, 1905-05-13 - 1905
Plant Records Accession Log 26. Accession numbers begin with 22811 and ends with 23410. Accession dates start May 13, 1905 and end in 1905
Going Beyond Counting First Authors in Author Co-citation Analysis
The present study examines one of the fundamental aspects of author co-citation analysis (ACA) - the way co-citation
counts are defined. Co-citation counting provides the data on which all subsequent statistical analyses and mappings
are based, and we compare ACA results based on two different types of co-citation counting - the traditional type that
only counts the first one among a cited work's authors on the one hand and a non-traditional type that takes into
account the first 5 authors of a cited work on the other hand. Results indicate that the picture produced through this non-traditional author co-citation counting contains more coherent author groups and is therefore considerably clearer. However, this picture represents fewer specialties in the research field being studied than that produced through the traditional first-author co-citation counting when the same number of top-ranked authors is selected and analyzed. Reasons for these effects are discussed
Variations on the Author
“Variations on the Author” discusses two of Eduardo Coutinho’s recent films (Um Dia na Vida, from 2010, and Últimas Conversas, posthumously released in 2015) and their contribution to the general question of documentary authorship. The director’s filmography is characterized by a consistent yet self-effacing form of authorial self-inscription: Coutinho often features as an interviewer that rather than express opinions propels discourses; an interviewer that is good at listening. This mode of self-inscription characterizes him as an author who is not expressive but who is nonetheless markedly present on the screen. In Um Dia na Vida, however, Coutinho is completely absent form the image, while Últimas Conversas, on the contrary, includes a confessional prologue that moves the director from the margins to the center of his films. This article examines the ways in which these works stand out in the filmography of a director who offers new insights into the notion of cinematic authorship
Zelauto’s Polinarda and the Palmerin Romances
In his Zelauto, published in 1580, Anthony Munday alludes to a character called Polinarda. In fact, he borrowed this name from the Palmerin cycle of romances, which originated in the Iberian Peninsula in 1511. After analysing the narrative context in which Polinarda appears in Zelauto, this note identifies parallel episodes in Palmerin d’Oliva and Palmerin of England that may have inspired Munday. This discussion also reveals how in 1580 Munday was acquainted with the Palmerin romance narratives and how his project of translating the Iberian books of chivalry was subordinate to the commercial strategy of his printer, John Charlewood.Research for this article was funded by the Spanish Ministry of Science and Innovation (ref. FF12011-22811), whose support is herewith gratefully acknowledged
Appropriate Similarity Measures for Author Cocitation Analysis
We provide a number of new insights into the methodological discussion about author cocitation analysis. We first argue that the use of the Pearson correlation for measuring the similarity between authors’ cocitation profiles is not very satisfactory. We then discuss what kind of similarity measures may be used as an alternative to the Pearson correlation. We consider three similarity measures in particular. One is the well-known cosine. The other two similarity measures have not been used before in the bibliometric literature. Finally, we show by means of an example that our findings have a high practical relevance.information science;Pearson correlation;cosine;similarity measure;author cocitation analysis
Dispelling the Myths Behind First-author Citation Counts
We conducted a full-scale evaluative citation analysis study of scholars in the XML research field to explore just how different from each other author rankings resulting from different citation counting methods actually are, and to demonstrate the capability of emerging data and tools on the Web in supporting more realistic citation counting methods. Our results contest some common arguments for the continued
use of first-author citation counts in the evaluation of scholars, such as high correlations between author rankings by first-author citation counts and other citation
counting methods, and high costs of using more realistic citation counting methods that are not well-supported by the ISI databases. It is argued that increasingly available digital full text research papers make it possible for citation analysis studies to go beyond what the ISI databases have directly supported and to employ more
sophisticated methods
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