1,729,356 research outputs found
Block Card 2278 108th Street
No full textThis image was produced by the Auditor's Office in Lucas County, Ohio for tax assessment purposes. Associated dates are approximate. Descriptive terms related to this photograph include: Dwelling | 2278 108th Street (Toledo, Ohio) | Ranch houses | Parkview Addition (Toledo, Ohio) | Point Place (Toledo, Ohio) | North Toledo Area (Toledo, Ohio
Block Card 2278 Kneer Drive
No full textThis image was produced by the Auditor's Office in Lucas County, Ohio for tax assessment purposes. Associated dates are approximate. Descriptive terms related to this photograph include: 2278 Kneer Drive (Toledo, Ohio) | Heatherwoods (Toledo, Ohio) | South Toledo Area (Toledo, Ohio) | Split-Level Style | Dwellin
Jean-Jacques Maffre, L'art grec (Que Sais-je ? 2278)
No full textDelvoye Charles. Jean-Jacques Maffre, L'art grec (Que Sais-je ? 2278). In: L'antiquité classique, Tome 57, 1988. pp. 548-549
Quantitative Bewertung von Rettungswegen in Gebaeuden Abschlussbericht
No full textTIB: RN 5905(2278) / FIZ - Fachinformationszzentrum Karlsruhe / TIB - Technische InformationsbibliothekSIGLEDEGerman
Going Beyond Counting First Authors in Author Co-citation Analysis
Get PDFThe present study examines one of the fundamental aspects of author co-citation analysis (ACA) - the way co-citation
counts are defined. Co-citation counting provides the data on which all subsequent statistical analyses and mappings
are based, and we compare ACA results based on two different types of co-citation counting - the traditional type that
only counts the first one among a cited work's authors on the one hand and a non-traditional type that takes into
account the first 5 authors of a cited work on the other hand. Results indicate that the picture produced through this non-traditional author co-citation counting contains more coherent author groups and is therefore considerably clearer. However, this picture represents fewer specialties in the research field being studied than that produced through the traditional first-author co-citation counting when the same number of top-ranked authors is selected and analyzed. Reasons for these effects are discussed
Block Card 2278 Torrey Hill Drive
No full textThis image was produced by the Auditor's Office in Lucas County, Ohio for tax assessment purposes. Associated dates are approximate. Descriptive terms related to this photograph include: Modern Colonial Style | 2278 Torrey Hill Road (Toledo, Ohio) | apartment houses | Raffensperger, Kelly, and Grims Addition to Auburndale | Auburndale Area (Toledo, Ohio
Message from the Governor Regarding Senate Substitute For House Bill 2278. [issued 2017]
No full text"Dated June 15, 2017.
"Accordingly, pursuant to Article 2, Section 14( a) of the Constitution of the State of Kansas, I will allow Senate Substitute for House Bill 2278 to become law without my signature.House Bill 2278 makes it unlawful for individuals to carry a firearm into a state or municipal-owned medical care facility, including the Kansas University Hospital. In addition, HB 2278 prevents the carry of a firearm into community health centers and state or municipal-owned adult care homes
Variations on the Author
Get PDF“Variations on the Author” discusses two of Eduardo Coutinho’s recent films (Um Dia na Vida, from 2010, and Últimas Conversas, posthumously released in 2015) and their contribution to the general question of documentary authorship. The director’s filmography is characterized by a consistent yet self-effacing form of authorial self-inscription: Coutinho often features as an interviewer that rather than express opinions propels discourses; an interviewer that is good at listening. This mode of self-inscription characterizes him as an author who is not expressive but who is nonetheless markedly present on the screen. In Um Dia na Vida, however, Coutinho is completely absent form the image, while Últimas Conversas, on the contrary, includes a confessional prologue that moves the director from the margins to the center of his films. This article examines the ways in which these works stand out in the filmography of a director who offers new insights into the notion of cinematic authorship
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