1,735,276 research outputs found
Other title: House Bill 2263: in Support
No full text"February 12, 2025."
Testimony before the Kansas Legislature, House Transportation Committee, presented by Brogan Andrews, Transportation Engineer, Lucas Smith, Professional Civil Engineer II, and Wayne R. Gudmonson, Retired District IV Engineer, Kansas Department of Transportation.Testimony in support of HB 2263 from 2 current and 1 retired engineer from Kansas Department of Transportation that had worked with Kris Norton, P.E., during their time at KDOT, and urging the committee to honor Kris Norton by approving House Bill 2263 for the dedication of the Kris Norton Memorial, naming the Wakarusa interchange after him.Testimony for the Record / Brogan Andrews
Testimony for the Record / Lucas Smith
House Bill No 2263: in Support / Wayne R. Gudmonso
Block Card 2263 Townley Road
No full textThis image was produced by the Auditor's Office in Lucas County, Ohio for tax assessment purposes. Associated dates are approximate. Descriptive terms related to this photograph include: Colonial Revival Style | Dwelling | Burnley Wood Addition (Toledo, Ohio) | South Toledo Area (Toledo, Ohio) | 2263 Townley Road (Toledo, Ohio
Ripartizione dei guadagni e delle perdite (art. 2263 c.c.)
No full textSi tratta del commento all'art. 2263 c.c. che disciplina la ripartizione dei guadagni e delle perdite nelle società semplic
Going Beyond Counting First Authors in Author Co-citation Analysis
Get PDFThe present study examines one of the fundamental aspects of author co-citation analysis (ACA) - the way co-citation
counts are defined. Co-citation counting provides the data on which all subsequent statistical analyses and mappings
are based, and we compare ACA results based on two different types of co-citation counting - the traditional type that
only counts the first one among a cited work's authors on the one hand and a non-traditional type that takes into
account the first 5 authors of a cited work on the other hand. Results indicate that the picture produced through this non-traditional author co-citation counting contains more coherent author groups and is therefore considerably clearer. However, this picture represents fewer specialties in the research field being studied than that produced through the traditional first-author co-citation counting when the same number of top-ranked authors is selected and analyzed. Reasons for these effects are discussed
Commento agli artt. 2262, 2263, 2264 e 2265 c.c.
No full textSi tratta del nuovo aggiornamento e rivisitazione dei commenti - già redatti dal medesimo autore anche nelle edizioni precedenti - agli artt. 2262, 2263, 2264 e 2265 c.c
Childress, Nellie J., 1883-1987 (SC 2263)
Get PDFFinding aid only for Manuscripts Small Collection 2263. Letters (2) written by Nell Childress, Auburn, Kentucky, to her friends Louise Blakey and Margie Helm in Bowling Green, Kentucky. The 1962 letter describes the commemorative locomotive The General that visited Auburn during the Civil War centennial. The other letter discusses community events, particularly information about the Auburn Baptist Church
Commento agli artt. 2262, 2263, 2264 e 2265 c.c.
No full textSi tratta del nuovo aggiornamento e rivisitazione dei commenti - già redatti dal medesimo autore anche nelle edizioni precedenti - agli artt. 2262, 2263, 2264 e 2265 c.c
Variations on the Author
Get PDF“Variations on the Author” discusses two of Eduardo Coutinho’s recent films (Um Dia na Vida, from 2010, and Últimas Conversas, posthumously released in 2015) and their contribution to the general question of documentary authorship. The director’s filmography is characterized by a consistent yet self-effacing form of authorial self-inscription: Coutinho often features as an interviewer that rather than express opinions propels discourses; an interviewer that is good at listening. This mode of self-inscription characterizes him as an author who is not expressive but who is nonetheless markedly present on the screen. In Um Dia na Vida, however, Coutinho is completely absent form the image, while Últimas Conversas, on the contrary, includes a confessional prologue that moves the director from the margins to the center of his films. This article examines the ways in which these works stand out in the filmography of a director who offers new insights into the notion of cinematic authorship
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