1,738,074 research outputs found
Northern Pacific (NP) 2228
A photograph print showing the Northern Pacific (NP) 2228, 4-6-2, on a passenger train, Thompson Falls, MT
Art. 2228 c.c.
Una analisi della dottrina e della giurisprudenza più recente sulla interpretazione dell'art.2228 del codice civile
Other title: House Bill 2228
"February 7, 2023."
Testimony before the Kansas Legislature, House Energy, Utilities and Telecommunications Committee, by Patrick Orr, Regulatory Analyst, Citizens' Utility Ratepayer Board.Citizens' Utility Ratepayer Board legislative testimony ; 2023Neutral testimony concerning House Bill 2228. "HB 2228 amends several Kansas statutes as they pertain to net metering associated with customer-generators, as defined by the bill, to provide for more favorable terms for retail electric customers who choose to offset their electric utility bills with renewable energy. ... HB 2228 also amends K.S.A. 66-1265 to require the utility to offer all customer-generators a tariff or contract that is identical in electric rates, rate structure and monthly charges to the contract or tariff that the customer would be assigned if the customer were not an eligible customer-generator, regardless of whether the customer-generator began operating its renewable energy resource under an interconnect with the utility on or before July 1, 2014, or after that date
Block Card 2228 Academy Avenue
This image was produced by the Auditor's Office in Lucas County, Ohio for tax assessment purposes. Associated dates are approximate. Descriptive terms related to this photograph include: Gable front houses | 2228 Academy Avenue (Toledo, Ohio) | Dwelling | Amended Plat of Gretna Green Addition (Toledo, Ohio) | Auburndale Area (Toledo, Ohio) | Folk House Styl
Block Card 2228 Goddard Road
This image was produced by the Auditor's Office in Lucas County, Ohio for tax assessment purposes. Associated dates are approximate. Descriptive terms related to this photograph include: Modern Colonial Style | 2228 Goddard Road (Toledo, Ohio) | Dwelling | Barton Place Addition (Toledo, Ohio) | Old Orchard Area (Toledo, Ohio
Going Beyond Counting First Authors in Author Co-citation Analysis
The present study examines one of the fundamental aspects of author co-citation analysis (ACA) - the way co-citation
counts are defined. Co-citation counting provides the data on which all subsequent statistical analyses and mappings
are based, and we compare ACA results based on two different types of co-citation counting - the traditional type that
only counts the first one among a cited work's authors on the one hand and a non-traditional type that takes into
account the first 5 authors of a cited work on the other hand. Results indicate that the picture produced through this non-traditional author co-citation counting contains more coherent author groups and is therefore considerably clearer. However, this picture represents fewer specialties in the research field being studied than that produced through the traditional first-author co-citation counting when the same number of top-ranked authors is selected and analyzed. Reasons for these effects are discussed
Other title: Estimate for House Bill 2228
application/pdf
May 05, 2017.
Presentation date and committee name taken from Kansas Legislature website.
Information presented to the Kansas Legislature, Senate Committee on Assessment and Taxation, by Justin Carroll, Financial Economist, Office of Research and Analysis, Kansas Department of Revenue.Information giving a rough estimate of the revenue generated and cost to the state of HB 2228
Variations on the Author
“Variations on the Author” discusses two of Eduardo Coutinho’s recent films (Um Dia na Vida, from 2010, and Últimas Conversas, posthumously released in 2015) and their contribution to the general question of documentary authorship. The director’s filmography is characterized by a consistent yet self-effacing form of authorial self-inscription: Coutinho often features as an interviewer that rather than express opinions propels discourses; an interviewer that is good at listening. This mode of self-inscription characterizes him as an author who is not expressive but who is nonetheless markedly present on the screen. In Um Dia na Vida, however, Coutinho is completely absent form the image, while Últimas Conversas, on the contrary, includes a confessional prologue that moves the director from the margins to the center of his films. This article examines the ways in which these works stand out in the filmography of a director who offers new insights into the notion of cinematic authorship
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