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    UMNH:Mamm:2189

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    UMNH:Mamm:2189 Voucher specimen study ski

    Dawson, 1/2189

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    This record was harvested from a previous catalogue system and will be withdrawn in 2025. Information in this record may be superseded or incomplete. Visit this record in UMA's new catalogue at: https://archives.library.unimelb.edu.au/nodes/view/427944Surname: Dawson. Given Name(s) or Initials: . Military Service Number or Last Known Location: 1/2189. Prisoner of War Enquiry Card Index Number: K278. Division Enquiry: BCOF-Qld. Rank: PTE. Unit: [No Unit]326701 Item: [2016.0049.60206] "Dawson, 1/2189

    2189. Marianus Scotus, moine irlandais

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    2189. Marianus Scotus, moine irlandais. In: Molinier Auguste. Les Sources de l'histoire de France - Des origines aux guerres d'Italie (1494). II. Époque féodale, les Capétiens jusqu'en 1180. Paris : A. Picard et fils, 1902. p. 307

    2189. Marianus Scotus, moine irlandais

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    2189. Marianus Scotus, moine irlandais. In: Molinier Auguste. Les Sources de l'histoire de France - Des origines aux guerres d'Italie (1494). II. Époque féodale, les Capétiens jusqu'en 1180. Paris : A. Picard et fils, 1902. p. 307

    Aegilops sharonesis accession 2189 leaf transcriptome

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    De novo transcriptome assembly of Aegilops sharonensis accession 2189 based on leaf RNAseq data (SRA ERR426404). Trinity v2.4.0 was used for assembly using default parameters, with Trimmomatic for trimming of reads before assembly.<br

    Other title: Report and Recommendation Concerning House Bill 2189 Other title: Report and Recommendation Concerning HB 2189 Other title: House Bill 2189 Other title: HB 2189

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    "January 18, 2018." Testimony before the Kansas Legislature, House Committee on Water and Environment, presented by Ryan A. Hoffman, Director, Conservation Division, Kansas Corporation Commission.Report of recommendations concerning HB 2189. "Staff recommends updating the Kansas Corporation Commission website to include information on the current regulatory and statutory protections afforded to surface owners in Kansas. Further, staff recommends a review of the current processes in place regarding surface owner notification established pursuant to the Kansas Surface Owner Notification Act of 2009.

    Going Beyond Counting First Authors in Author Co-citation Analysis

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    The present study examines one of the fundamental aspects of author co-citation analysis (ACA) - the way co-citation counts are defined. Co-citation counting provides the data on which all subsequent statistical analyses and mappings are based, and we compare ACA results based on two different types of co-citation counting - the traditional type that only counts the first one among a cited work's authors on the one hand and a non-traditional type that takes into account the first 5 authors of a cited work on the other hand. Results indicate that the picture produced through this non-traditional author co-citation counting contains more coherent author groups and is therefore considerably clearer. However, this picture represents fewer specialties in the research field being studied than that produced through the traditional first-author co-citation counting when the same number of top-ranked authors is selected and analyzed. Reasons for these effects are discussed

    Holland, James H. - Collector (SC 2189)

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    Finding aid only for Manuscripts Small Collection 2189. Postcards to addressees in Grayson, Lexington, and Louisville, Kentucky, relating primarily to orders for hemp seed, tobacco and whiskey. Includes notice of a teachers institute in Carter County, Kentucky and a card expressing affection for two-year-old Mary Lou Barker

    Variations on the Author

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    “Variations on the Author” discusses two of Eduardo Coutinho’s recent films (Um Dia na Vida, from 2010, and Últimas Conversas, posthumously released in 2015) and their contribution to the general question of documentary authorship. The director’s filmography is characterized by a consistent yet self-effacing form of authorial self-inscription: Coutinho often features as an interviewer that rather than express opinions propels discourses; an interviewer that is good at listening. This mode of self-inscription characterizes him as an author who is not expressive but who is nonetheless markedly present on the screen. In Um Dia na Vida, however, Coutinho is completely absent form the image, while Últimas Conversas, on the contrary, includes a confessional prologue that moves the director from the margins to the center of his films. This article examines the ways in which these works stand out in the filmography of a director who offers new insights into the notion of cinematic authorship
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