1,745,264 research outputs found
Testimony for HB 2158
No full textTestimony presented to the Kansas Senate Committee on Ethics, Elections and Local Government regarding HB 2158
[Conclavi de Pontefici Romani] (Ms. 2155-2158)
No full textManuscritos número 2155-2158 de la Biblioteca Histórica de la USAL4 v. (1 h.+464 f.+1 h. ; 382 f.+2 h. ; 1 h.+414 f.+2 h. ; 1 h.+ 347 f.+1 h.) : papel ; 290x200 mmLetra itálica de varias manos. - Cortes doradosContiene : Vol. I (Ms. 2155): Nicolás V-Clemente VII --- Vol. II (Ms. 2156): Pablo III-Sixto V --- Vol. III (Ms. 2157): Urbano VII-León XI --- Vol. IV (Ms. 2158): Pablo V-Urbano VII
Block Card 2158 Hawthorne Street
No full textThis image was produced by the Auditor's Office in Lucas County, Ohio for tax assessment purposes. Associated dates are approximate. Descriptive terms related to this photograph include: Gabled Ell | 2158 Hawthorn Street (Toledo, Ohio) | Dwelling | Lincolns Subdivision | Auburndale Area (Toledo, Ohio
Block Card 2158 Rowland Road
No full textThis image was produced by the Auditor's Office in Lucas County, Ohio for tax assessment purposes. Associated dates are approximate. Descriptive terms related to this photograph include: Dwelling | 2158 Rowland Road (Toledo, Ohio) | Side gabled | Craftsman Style | Hopeland (Toledo, Ohio) | Greenwood Area (Toledo, Ohio) | West Toledo Area (Toledo, Ohio
Block Card 2158 Mellwood Court
No full textThis image was produced by the Auditor's Office in Lucas County, Ohio for tax assessment purposes. Associated dates are approximate. Descriptive terms related to this photograph include: dwelling | 2158 Mellwood Court (Toledo, Ohio) | Bungalow Style | Craftsman Style | DeVeaux (Toledo, Ohio) | Extension of Mellwood (Toledo, Ohio
Block Card 2158 Fairfax Road
No full textThis image was produced by the Auditor's Office in Lucas County, Ohio for tax assessment purposes. Associated dates are approximate. Descriptive terms related to this photograph include: box house | Apartment houses | 2158 Fairfax Road (Toledo, OhioJ) | Dauer Gardens Addition (Toledo, Ohio) | Deveaux Area (Toledo, Ohio) | West Toledo (Toledo, Ohio
Going Beyond Counting First Authors in Author Co-citation Analysis
Get PDFThe present study examines one of the fundamental aspects of author co-citation analysis (ACA) - the way co-citation
counts are defined. Co-citation counting provides the data on which all subsequent statistical analyses and mappings
are based, and we compare ACA results based on two different types of co-citation counting - the traditional type that
only counts the first one among a cited work's authors on the one hand and a non-traditional type that takes into
account the first 5 authors of a cited work on the other hand. Results indicate that the picture produced through this non-traditional author co-citation counting contains more coherent author groups and is therefore considerably clearer. However, this picture represents fewer specialties in the research field being studied than that produced through the traditional first-author co-citation counting when the same number of top-ranked authors is selected and analyzed. Reasons for these effects are discussed
Pharmacokinetic study of human V2i mAb 2158 and V3 mAb 2219 in NSG mice.
No full textEach mice was given V2i mAb 2158 and V3 mAb 2219 (700 μg per mAb) intraperitoneally. Plasma was collected and monitored for the concentration of V2i mAb 2158 and V3 mAb 2219 from day 0 to day 14 using ELISA with V1V2-1FD6 or peptide V3 antigens and the respective mAbs as standard. Based on the average values, the half life was estimated to be >14 days for V2i mAb 2158 and 11 days for V3 mAb 2219. (PDF)</p
Variations on the Author
Get PDF“Variations on the Author” discusses two of Eduardo Coutinho’s recent films (Um Dia na Vida, from 2010, and Últimas Conversas, posthumously released in 2015) and their contribution to the general question of documentary authorship. The director’s filmography is characterized by a consistent yet self-effacing form of authorial self-inscription: Coutinho often features as an interviewer that rather than express opinions propels discourses; an interviewer that is good at listening. This mode of self-inscription characterizes him as an author who is not expressive but who is nonetheless markedly present on the screen. In Um Dia na Vida, however, Coutinho is completely absent form the image, while Últimas Conversas, on the contrary, includes a confessional prologue that moves the director from the margins to the center of his films. This article examines the ways in which these works stand out in the filmography of a director who offers new insights into the notion of cinematic authorship
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