1,775,673 research outputs found
Some hints respecting the proper mode of inuring tender plants to our climate, 1805 [manuscript].
Manuscript reference no.: MS 692.; Manuscript lecture comprising three separate leaves, measuring 30.4 x 20.2 cm. Written in a neat hand in ink, with text on five pages that are numbered 22-25.; Also available in an electronic version via the Internet at: http://nla.gov.au/nla.ms-ms692. MS 692 comprises the paper read before the Royal Society, on 3 December 1805, containing an account of the settlement at New Holland, plants from the region and plants from Van Diemen's Land (1 folder)
Johann Gottfired Seume: Kesä 1805
Arvostelu teoksesta Johan Gottfired Seume: Kesä 1805, matka Saksasta Baltian ja Venäjän halki Suomeen, Ruotsiin ja Tanskaan. Suom. Suvi Valli, Poesia 2018nonPeerReviewe
Rabais considérable, jusqu'au 10 floréal (1er mai 1805), des livres qui se trouvent chez Lefèvre, libraire, rue Hautefeuille, n° 29, à Paris
[Catalogue de libraire. Paris. Lefèvre, Jean-Jacques. 1805]Avec mode text
Allgemeine Geographische Ephemeriden : XVI. Bds. Zweites Stück. Februar 1805
Offprint from: Allgemeine Geographische Ephemeriden ; XVI. Bds., Zweites Stück, Februar 1805.Handwritten text on the cover: Ueber Finlands Bevölkerung.Author: Jacob Tengström, p. 136.Digital reproduction, The National Library of Finland, Centre for Preservation and Digitisation, MikkeliStatistical information about Finland and the Finns by Jacob Tengström.TravelEuropeanaP. 135-140: Ueber Finlands Bevölkerung.Tengström, Jacob (1755-1832
Neuer Sackkalender auf das Jahr Christi 1805 (1805)
NEUER SACKKALENDER AUF DAS JAHR CHRISTI 1805
Neuer Sackkalender auf das Jahr Christi (-)
Neuer Sackkalender auf das Jahr Christi 1805 (1805) ( - )
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Title page ( - )
Quatember. Bedeutung der zeichen. ( - )
Die zwölf himmlischen Zeichen . ( - )
[Kalender 1805]: ( - )
Astrologische Praktika auf das Jahr 1805, und zwar von den Finsternissen. ( - )
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Job’s Gethsemane: tradition and imagination in William Blake’s illustrations for the book of job
Blake created two versions of his Illustrations of the Book of Job, and it is now agreed that about twenty years separates his first watercolour series and the final engraved set of plates. The first chapter is biographical and technical: it establishes that the Butts series of water-colours was the product of the tumultuous and creative years 1805-10, following a time wh6n Blake experienced a strong sense of vision and Christian regeneration; whereas the engraved set was produced 1821-1826, at the end of his life. It also reviews all Blake's treatments of the Job theme. The friends-turned-accusers seem to have been a central pre-occupation. Blake's illustrations contain important elements which are not found in the Old Testament text. I have followed Bo Lindberg's principle that explanation should be sought in the artistic tradition, and in the work itself The second chapter concentrates on the tradition available to Blake, following and supplementing Lindberg's examination of the influence of the apocryphal Testament of Job, and of the artistic tradition of seeing Job as alter Christus and as Christian. Chapters three to five, interpreting Blake's imaginative use of this material, are new both in focussing on the Butts set, and in exploring the importance to Blake of St.Teresa, Fenelon, Mme. Guyon, Hervey and other people of prayer. Also discussed are Joseph Hallett's radical biblical commentary, of which Blake owned a copy, variant proofs discovered by Robert Essick of the first and last engraved plates, and the thirteenth century Job wall- paintings discovered in 1800 in St. Stephen's Chapel, Westminster. Blake's Job was unique in the corpus of his work. Previous studies have followed Wicksteed in concentrating on the engraved set, and no one has explored the implications of the earlier dating now agreed for the watercolour series. The thesis is essentially concerned with Blake's Christocentric theme, and Job's inner journey of prayer, in these illustrations. Conclusions drawn differ substantially from Wicksteed's
The metric tun : standardisation, quantification and industrialisation in the British brewing industry, 1760-1830
This thesis considers the British beer-brewing industry around 1800 as a case study exploring current themes in the history of science and technology: the imposition of
reliable standards, the use of instruments and quantities, and the nature of industrial growth. I begin by addressing Michael Combrune, author of the first thermometric
brewing account, showing the influence of Boerhaavian fermentation theory and the eighteenth-century agenda for "commercial chemistry" on his work: Combrune's
fellow brewers, however, did not generally rely on the chemical scheme of management he had established, developing instead highly localised thermometric
operations which did not challenge established understandings. Next, I consider the determination of beer strength, focusing here on the brewer John Richardson's
innovation of the saccharometer, a gravimetric philosophical instrument. I show how Richardson presented both the device and the quantity in which it was scaled, later termed the `brewer's pound, ' as offering brewery-specific advantages, in order to ensure its acceptance whilst at the same time denying its roots in the disputatious field of spirits hydrometry. Richardson did not achieve his wider goal of monopolist control over the device, but his project of saccharometric determination was widely taken up, contributing to a significant change in the composition of beer, as brewers moved from using traditional brown- malts to the saccharometrically preferable pales. This development is then reviewed in the context of an analysis of the identity of London porter, the staple brown beer of London: I investigate the relationship of porter's identity to the uniquely vast and industrialised plants which produced it. Finally, I highlight the ambiguous nature of appeals to `science' or `chemistry' before 1830 by discussing the widespread contemporary panic over adulteration, popularly assumed to
be practised by those who associated with chemists and did not pursue a `traditional' approach to brewing. This controversy was settled, I contend, only with the later
development of a common laboratory-analytical context between brewers, pharmacists and public analysts who were able to redefine the concept of adulteration itself
Going Beyond Counting First Authors in Author Co-citation Analysis
The present study examines one of the fundamental aspects of author co-citation analysis (ACA) - the way co-citation
counts are defined. Co-citation counting provides the data on which all subsequent statistical analyses and mappings
are based, and we compare ACA results based on two different types of co-citation counting - the traditional type that
only counts the first one among a cited work's authors on the one hand and a non-traditional type that takes into
account the first 5 authors of a cited work on the other hand. Results indicate that the picture produced through this non-traditional author co-citation counting contains more coherent author groups and is therefore considerably clearer. However, this picture represents fewer specialties in the research field being studied than that produced through the traditional first-author co-citation counting when the same number of top-ranked authors is selected and analyzed. Reasons for these effects are discussed
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