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    Histoire Generale De La Danse

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    Bonnet, Jacques (1664-1724) À Paris, Chez d\u27Houry fils... 1724 avec Privilège du Roy Jacques Bonnet described the dances of antiquity, listed the ballets performed at European courts between 1450 and 1723, and described several of these in detail. The treatise was put together from the manuscripts of Pierre Bourdelot, and it was itself later regarded as an authoritative source by Louis de Cahusac and others

    [Berent Lehman certificate of protection].

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    Photocopy of a certificate of protection (Schutzbrief) written in Warsaw (1724), signed by Augustus II.Behrend Lehmann, also known as Isachar Bärmann, was born in Halberstadt. He was a "court-Jew" and supporter of Jewish causes and religious life.Processed for digitizationdigitize

    World 1716

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    Relief shown pictorially. Includes text, two celestial insets, two insets of solstices, two panoramic views, and illustrations. Acquired by gift Feb 19 1924 from Mr. F.W. Lafrentz, New York.Here is a 1716 map by Johann Baptist Homann from a period in history when geographic knowledge was often unknown. The Australia, New Guinea and New Zealand coastlines are all incomplete, though they include some place names, notes of the early discoverers and tracks of Magellan's (1522) and Tasman's (1642) voyages. Cartographic inaccuracies can be seen on this map such as the east-west trend of the northwest coast of North America, the distorted treatment of Japan, and the absence of an Antarctic continent. However, California does appear as a peninsula. In spite of the inaccuracies, the map is appealing through the detailed use of decorative vignettes: two celestial hemispheres, an eruption of Mt. Etna, an earthquake, the tides, a whirlpool off the Norwegian coast, and diagrams explaining the seasons add interest. Numerous cherubs and windheads, representations of the stars, sun and moon and other decorative features also give the map added visual appeal. Planiglobii Terrestris was produced by Johann Homann (1663-1724) and first appeared in his Neuer Atlas (1707). Homann was a leading figure in the scientific community of Nuremburg and the preeminent German cartographic publisher of his time.Colo

    Going Beyond Counting First Authors in Author Co-citation Analysis

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    The present study examines one of the fundamental aspects of author co-citation analysis (ACA) - the way co-citation counts are defined. Co-citation counting provides the data on which all subsequent statistical analyses and mappings are based, and we compare ACA results based on two different types of co-citation counting - the traditional type that only counts the first one among a cited work's authors on the one hand and a non-traditional type that takes into account the first 5 authors of a cited work on the other hand. Results indicate that the picture produced through this non-traditional author co-citation counting contains more coherent author groups and is therefore considerably clearer. However, this picture represents fewer specialties in the research field being studied than that produced through the traditional first-author co-citation counting when the same number of top-ranked authors is selected and analyzed. Reasons for these effects are discussed

    IX A 1 - Alte Stadtrechnungen (1724 - 1725)

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    IX A 1 - ALTE STADTRECHNUNGEN (1724 - 1725) IX A 1 - Alte Stadtrechnungen (1724 - 1725) ( -

    IX A 1 - Alte Stadtrechnungen (1724)

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    IX A 1 - ALTE STADTRECHNUNGEN (1724) IX A 1 - Alte Stadtrechnungen (1724) ( -

    Pieces // de clavecin // avec // deux fug.u.es p.r. l'orgue // par // le s.r. Balbastre // Organiste de la cathedral.e // de Dijon

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    Titre uniforme : Balbastre, Claude (1724-1799). Compositeur. [Pièces (17). Clavecin, orgue]Titre uniforme : Balbastre, Claude (1724-1799). Compositeur. [Airs. Clavecin. No 1. La mineur]Titre uniforme : Balbastre, Claude (1724-1799). Compositeur. [Sonates. Clavecin. No 1. Sol majeur]Titre uniforme : Balbastre, Claude (1724-1799). Compositeur. [Airs. Clavecin. Sol majeur]Titre uniforme : Balbastre, Claude (1724-1799). Compositeur. [Sonates. Clavecin. No 2. Sol majeur]Titre uniforme : Balbastre, Claude (1724-1799). Compositeur. [Menuets. Clavecin. Ré majeur]Titre uniforme : Balbastre, Claude (1724-1799). Compositeur. [Rondeaux. Clavecin. Sol mineur]Titre uniforme : Balbastre, Claude (1724-1799). Compositeur. [Menuets. Clavecin. La majeur]Titre uniforme : Balbastre, Claude (1724-1799). Compositeur. [Sonates. Clavecin. No 1. Fa majeur]Titre uniforme : Balbastre, Claude (1724-1799). Compositeur. [Rondeaux. Clavecin. Do majeur]Titre uniforme : Balbastre, Claude (1724-1799). Compositeur. [Gavottes. Clavecin. Do mineur]Titre uniforme : Balbastre, Claude (1724-1799). Compositeur. [Sonates. Clavecin. Si bémol majeur]Titre uniforme : Balbastre, Claude (1724-1799). Compositeur. [Airs. Clavecin. Ré majeur]Titre uniforme : Balbastre, Claude (1724-1799). Compositeur. [Badines. Clavecin. No 1. La majeur]Titre uniforme : Balbastre, Claude (1724-1799). Compositeur. [Rondeaux. Clavecin. La mineur]Titre uniforme : Balbastre, Claude (1724-1799). Compositeur. [Airs. Clavecin. No 1. La mineur]Titre uniforme : Balbastre, Claude (1724-1799). Compositeur. [Fugues. Orgue. No 1. Ré mineur]Titre uniforme : Balbastre, Claude (1724-1799). Compositeur. [Fugues. Orgue. No 2. Ré mineur]Au bas de la p. de t. : "Lan 1748". - Contient 4 airs, 4 sonates, 2 menuets, 4 rondeaux, 1 gavotte pour clavecin et 2 fugues pour orgue. - F. 15v° et 16r° blancs. - Rel. en veau marbré. - Relié avec Rés. 1471Appartient à l’ensemble documentaire : RISM1Appartient à l’ensemble documentaire : RISMMssOrgue, Musique d'Clavecin, Musique d
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