1,742,823 research outputs found
Deux-Aesbijbel 1562
No full textBIBLIA: Dat is, DE GANTSCHE HEYLIGHE SCHRIFT, grondelick ende trouvvelick verduydtschet, Met verklaringhe duysterer woorden, redenen ende spreucken, ende verscheyden Lectien, die in andere loflicke Ouersettinghen gheuonden, ende hier aen de kant toe ghesettet zijn: Met noch rijcke aenwijsinghen, der ghelijck ofte onghelijckstemmenden plaetsen, op het allerghewiste met scheydtletteren, ende versen ghetale (daer een yeghelick Cap. na Hebreischer wijse, mede onderdeylt is) verteeckent.
Ghedruckt te Embden, Anno, 1562. den 7. Martij
Transcriptie van de eerste druk
Column Erected by Ribaut in 1562
No full textPhotograph of a drawing of "Colonne Erigee par Ribaut en 1562", or Column Erected by Ribaut in 1562, c. 1837
Going Beyond Counting First Authors in Author Co-citation Analysis
Full text linkThe present study examines one of the fundamental aspects of author co-citation analysis (ACA) - the way co-citation
counts are defined. Co-citation counting provides the data on which all subsequent statistical analyses and mappings
are based, and we compare ACA results based on two different types of co-citation counting - the traditional type that
only counts the first one among a cited work's authors on the one hand and a non-traditional type that takes into
account the first 5 authors of a cited work on the other hand. Results indicate that the picture produced through this non-traditional author co-citation counting contains more coherent author groups and is therefore considerably clearer. However, this picture represents fewer specialties in the research field being studied than that produced through the traditional first-author co-citation counting when the same number of top-ranked authors is selected and analyzed. Reasons for these effects are discussed
Réforme du calendrier en 1562
No full textRéforme du calendrier en 1562. In: Bibliothèque de l'école des chartes. 1913, tome 74. p. 249
Réforme du calendrier en 1562
No full textRéforme du calendrier en 1562. In: Bibliothèque de l'école des chartes. 1913, tome 74. p. 249
Mandurama photograph collection [1562] [picture] /
No full textAlso available in an electronic version via the Internet at: http://nla.gov.au/nla.pic-an8526486-1562
Variations on the Author
Full text link“Variations on the Author” discusses two of Eduardo Coutinho’s recent films (Um Dia na Vida, from 2010, and Últimas Conversas, posthumously released in 2015) and their contribution to the general question of documentary authorship. The director’s filmography is characterized by a consistent yet self-effacing form of authorial self-inscription: Coutinho often features as an interviewer that rather than express opinions propels discourses; an interviewer that is good at listening. This mode of self-inscription characterizes him as an author who is not expressive but who is nonetheless markedly present on the screen. In Um Dia na Vida, however, Coutinho is completely absent form the image, while Últimas Conversas, on the contrary, includes a confessional prologue that moves the director from the margins to the center of his films. This article examines the ways in which these works stand out in the filmography of a director who offers new insights into the notion of cinematic authorship
Rudimenta linguae graecae ex primno libro institutionum Iacobi gretseri Societatis Iesu pro infima et media schola grammaticae
No full textEx-libris ms. de Silva ; Texto en latín y griego ; Port. enmarcada con grab. xil. con monograma del nombre de Jesú
- …
