1,756,264 research outputs found
The Reformation in Fife, 1560-1640
No full textThis thesis traces the establishment and development of a functioning reformed
church in the parishes of Fife after the official Reformation of 1560. Based
principally on archival sources, especially the records of the kirk sessions which
governed the church at parish level, it examines how ecclesiastical institutions
developed and interacted with laypeople, and evaluates the progress made in the
challenging task of inculcating Protestant values and identity in Fife’s parishioners.
The first section examines the development of the reformed church in three chapters
on the parish ministry, church discipline, and reformed worship respectively. The
progress made in providing parish ministers and establishing kirk sessions was
hesitant, and it took several decades before the church’s institutions were functioning
healthily across Fife. This gradual process of reformation was not what the original
reformers wanted, but it may have in fact eased the transition to the more firmly
Protestant parish culture that emerged around the turn of the century.
The second section looks more thematically at three key aspects of the church,
focusing mainly on this latter period. The fourth chapter analyses the ministry as a
profession, while the fifth chapter goes on to discuss the efforts made to instruct the
laity in more detailed Protestant understandings from the 1590s onwards. The sixth
and final chapter returns to the subject of discipline, describing the main targets of the
disciplinary regime and evaluating the effectiveness of discipline. The church that
emerged in the seventeenth century was relatively healthy, staffed by a stable and
well-educated ministry, and was starting to make much stronger efforts to educate and
discipline the laypeople of Fife.
The thesis concludes that while the Scottish Reformation still emerges as an
ultimately successful transformation, the path to religious change was more
complicated than has been appreciated by historians
Capitulos y leyes discedidos en las cortes que su Magestad del Rey don Phelipe nuestro señor tuuo y celebro en la ciudad de Toledo q[ue] se començaron el año passado de M.D.LIX y se fenescieron y acabaron este presente año de mil y quinientos y sesenta
No full textObra perteneciente al Fondo Antiguo de la Biblioteca de la USA
A new version of the Scots Confession, 1560
No full textIan Hazlett’s chief aim in producing this new version of one of the key Reformation documents is to make the Scots Confession accessible to a new generation of readers. By carefully updating its language he has allowed the authentic voice of the Scots Reformers to come through to us loud and clear. He has also provided an extremely valuable introduction which will guide readers in exploring the Confession’s theological context more extensively.Publisher PD
IlluminierteUrkunden 1560-05-19_Innsbruck
No full textChristoph Hillinger, [Passauer] Offizial zu Wien, bekam vom päpstlichen Gesanten Stanislaus, Bischof von Ermland, den gegenwärtigen [unten abgedruckten] Ablass, den er befehlsgemäss Kraft seines Amtes publiziert von wort zu wort auf unser teutsch: Papst Pius [IV.], Ablass zur Förderung eines heiligen Konzils (Rom, 1560-03-24)
Édict du Roy. François II. Concernant les secondes nôces . Du mois de juillet 1560
No full text[Acte royal. 1560-07-00. Fontainebleau]Avec mode text
Manuel Godinho de Erédia (c. 1560-1623)
No full textBiografia do cartógrafo e desenhador luso-malaio Manuel Godinho de Erédia (c. 1560-1623), autor de uma série de corografias sobre territórios asiáticos e de uma extensa obra cartográficas, sobretudo relevante pelos planos de fortalezas e cidades e um valioso conjunto de levantamentos topográficos e hidrográficos (Malásia, Guzerate, Goa, entre outros).Biography of the Luso-Malaysian cartographer and draughtsman Manuel Godinho de Erédia (c. 1560-1623), author of a series of choreographies on Asian territories and of an extensive cartographic work, particularly relevant for the plans of fortresses and cities and a valuable set of surveys topographical and hydrographical (Malaysia, Gujarat, Goa, among others).info:eu-repo/semantics/publishedVersio
1560
No full text[Handwritten] "Curious deed of the reign of Queen Elizabeth with autograph of the celebrated Robert Holland. Date 1560." But no deed or otherwise herewith
Going Beyond Counting First Authors in Author Co-citation Analysis
Get PDFThe present study examines one of the fundamental aspects of author co-citation analysis (ACA) - the way co-citation
counts are defined. Co-citation counting provides the data on which all subsequent statistical analyses and mappings
are based, and we compare ACA results based on two different types of co-citation counting - the traditional type that
only counts the first one among a cited work's authors on the one hand and a non-traditional type that takes into
account the first 5 authors of a cited work on the other hand. Results indicate that the picture produced through this non-traditional author co-citation counting contains more coherent author groups and is therefore considerably clearer. However, this picture represents fewer specialties in the research field being studied than that produced through the traditional first-author co-citation counting when the same number of top-ranked authors is selected and analyzed. Reasons for these effects are discussed
Variations on the Author
Get PDF“Variations on the Author” discusses two of Eduardo Coutinho’s recent films (Um Dia na Vida, from 2010, and Últimas Conversas, posthumously released in 2015) and their contribution to the general question of documentary authorship. The director’s filmography is characterized by a consistent yet self-effacing form of authorial self-inscription: Coutinho often features as an interviewer that rather than express opinions propels discourses; an interviewer that is good at listening. This mode of self-inscription characterizes him as an author who is not expressive but who is nonetheless markedly present on the screen. In Um Dia na Vida, however, Coutinho is completely absent form the image, while Últimas Conversas, on the contrary, includes a confessional prologue that moves the director from the margins to the center of his films. This article examines the ways in which these works stand out in the filmography of a director who offers new insights into the notion of cinematic authorship
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