1,747,211 research outputs found
British Drama 1533–1642: A Catalogue. Volume I: 1533–1566
No full textThis review considers British Drama 1533–1642: A Catalogue. Volume I: 1533–1566
La mouche de Lucian, et La manière de parler et de se taire . La Mousche est translatée de grec et latin en langaige françois. La Manière de parler et se taire est translatée seullement de latin en françois. Le tout par maistre Geofroy Tory de Bourges,...
No full text[Éloge de la mouche (français moyen). 1533]Comprend : Manière de parler et se taire, translatée de latin en langage françoisAppartient à l’ensemble documentaire : Centre
The Winds (and Strings) of Change: Italian music at the end of the Renaissance Saturday, April 13, 1991 7:00 p.m. in Farnsworth Pavilion
No full textPresented by Schola Pastoris Early Music EnsembleProgram: La barbisona from Canzoni da sonare a quattro et otto voci, Floriano Canali (active 1575-1603) -- Fantasia quinta from Fantasia overo canzoni alla francese, Adriano Banchieri (1568-1634) -- Canzon ottava: Erina from Il primo libro de ricercari et canzoni a quattro voci, Aurelio Bonelli (1569-) -- Fantasia quinta decima from Fantasia overo canzoni alla francese, Adriano Banchieri (1568-1634) -- Canzona, Claudio Merulo (1533-1604) -- La rosa from Verona, Biblioteca Capitolare, cod. MCXXVIII, Claudio Merulo (1533-1604) -- Ricercar del nono tuono from Madrigali et ricercari a quattro voci, Andrea Gabrieli (approximately 1533-1585) -- Two sinfonias from Sinfonie, gagliarde, canzone, Salamone Rossi (1570?-approximately 1630) -- L'Alessandrina, Girolamo Frescobaldi (1583-1643) -- Canzona quarta a 4 from Il primo libro delle canzoni, Girolamo Frescobaldi (1583-1643) -- Canzon la grileta a doi violini in ecco, Giovanni Battista Riccio (active 17th century) -- Canzon la grimaneta, Giovanni Battista Riccio -- Canzon la rizza a doi violini from Il terzo libro delle divine lodi musicali, Giovanni Battista Riccio
Wabash (WAB) 1533
No full textA photograph print showing the Wabash (WAB) 1533, 0-8-0 (class C-3) on a freight train, Chicago. IL
Going Beyond Counting First Authors in Author Co-citation Analysis
Get PDFThe present study examines one of the fundamental aspects of author co-citation analysis (ACA) - the way co-citation
counts are defined. Co-citation counting provides the data on which all subsequent statistical analyses and mappings
are based, and we compare ACA results based on two different types of co-citation counting - the traditional type that
only counts the first one among a cited work's authors on the one hand and a non-traditional type that takes into
account the first 5 authors of a cited work on the other hand. Results indicate that the picture produced through this non-traditional author co-citation counting contains more coherent author groups and is therefore considerably clearer. However, this picture represents fewer specialties in the research field being studied than that produced through the traditional first-author co-citation counting when the same number of top-ranked authors is selected and analyzed. Reasons for these effects are discussed
Criminaliteit in Leiden, 1533-1838
No full textThis dataset contains three files on criminals and crimes in Leiden during the 1533-1838 period. Personal data of criminals and data on the type of offences and judgements provide a view of criminal justice in Leiden during that period. The file 'Criminal justice in Leiden, 1533-1811' is based on the book of H.M. van den Heuvel, 'De Criminele Vonnisboeken van Leiden, 1533-1811'. Originally the data in the files 'Rechtbank van Eerste Aanleg' and 'Hof van Assissen' data was subdivided in a number of subfiles, according to the number of parts of the source. In 'Rechtbank van Eerste Aanleg' the information was divided in eighteen parts (the eighteen volumes of the source) and in 'Hof van Assissen' there were two times 49 files (one for data on criminals and one for data on the crimes and judgments. After reorganisation there are now only two files: 'Rechtbank van Eerste Aanleg'(F02) and 'Hof van Assissen'(F03)
Galeno latino, 1490-1533
No full textL’articolo esamina le prime edizioni latine dell’opera omnia di Galeno, dal 1490 al 1533, alcune delle quali non sono neppure citate nel censimento di Richard Durling, pubblicato nel Journal of the Warburg and Courtald Institutes del 1961. Queste edizioni sono molto interessanti per la circolazione di Galeno nel Rinascimento, avvenuta principalmente in latino e non in greco, e per la costituzione del suo corpus: la prima edizione del 1490 è in due volumi con tutte traduzioni medievali dal greco e dall’arabo, mentre l’edizione del 1528 è in quattro volumi, a cui si aggiungono due volumi supplementari nel 1531 e nel 1533 contenenti soltanto traduzioni umanistiche
Variations on the Author
Get PDF“Variations on the Author” discusses two of Eduardo Coutinho’s recent films (Um Dia na Vida, from 2010, and Últimas Conversas, posthumously released in 2015) and their contribution to the general question of documentary authorship. The director’s filmography is characterized by a consistent yet self-effacing form of authorial self-inscription: Coutinho often features as an interviewer that rather than express opinions propels discourses; an interviewer that is good at listening. This mode of self-inscription characterizes him as an author who is not expressive but who is nonetheless markedly present on the screen. In Um Dia na Vida, however, Coutinho is completely absent form the image, while Últimas Conversas, on the contrary, includes a confessional prologue that moves the director from the margins to the center of his films. This article examines the ways in which these works stand out in the filmography of a director who offers new insights into the notion of cinematic authorship
EC73-1533 Stinging and Biting Pests
Get PDFExtension circular 73-1533 is about stinging and biting pests
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