1,783,149 research outputs found
Monks and markets : Durham Cathedral-Priory, 1460-1520.
SIGLEAvailable from British Library Document Supply Centre-DSC:DXN039285 / BLDSC - British Library Document Supply CentreGBUnited Kingdo
IlluminierteUrkunden 1520-06-99_Paris
Ratification par François Ier, roi de France, duc de Milan et seigneur de Gênes ("Franciscus, Dei gratia, Francorum rex, Mediolani dux et Genue dominus") du traité de mariage ("matrimonium") conclu entre son fils, le dauphin François ("illustrisimus princeps Franciscus Delphinus primogenitus nostre"), et Marie Tudor ("illustrissima principe domina Maria, dicti Anglie regis potentissimi confederati carissimi filia"), fille d’Henri VIII, roi d’Angleterre ("carissimum et confederatum nostrum Anglie regem"), à la suite du Camp du drap d’or (7-24 juin 1520).Jonathan Dumont
Chile: 1520 dias, da ilusão à esperança
The author seeks to interpret the complexity of the Chilean political process in the light of the last 1520 days of its history. In order to do so, he tries to escape from the current interpretations of the left, making use of extensive statistical data on the monitoring of the Chilean situation.El autor busca interpretar la complejidad del proceso político chileno, a la luz de los últimos 1520 días de su historia. Para ello, pretende huir de las interpretaciones actuales de la izquierda, haciendo uso de extensos datos estadísticos sobre el seguimiento de la sit uación chilena. O autor procura interpretar a complexidade do processo político chileno à luz dos últimos 1520 dias da sua história. Para tal, procura evitar as interpretações correntes da esquerda, recorrendo a dados estatísticos exaustivos sobre o acompanhamento da situação chilena
Artistic patronage in late medieval Troyes, 1380-1520
This thesis explores the development of artistic patronage in the city of Troyes
between 1380 and 1520. It takes into consideration the patrons and artists involved in the creation of manuscript illumination, sculpture, metalwork, panel painting, stained glass, tapestry and textiles. As a localised study it draws source documentation from the Bibliothèque municipale, Archives de l’Aube and museum collections in Troyes. The theme of ‘patronage’ is the basis for examination of visual culture produced locally during the late middle ages. I acknowledge the drive behind patronage involved the notion of enhancement, whether individual or institutional, that required the need for visual display. The role of the artists was an integral part of the performative process that shaped the development of this system and fulfilled the cultural impulse toward the outward expression of devotion, power
and prestige. I argue that these works relate to the individual and community they represent as the product of a compound relationship between the process of art production and a movement toward visual display. In light of this it can be concluded that the manufacture of
art and impulse to produce and collect it had connections to the cultural, social and economic climate. The dissemination of patronage in the city denotes an increasing degree of organisation in the complexity of artistic practices at local level. This evidence therefore represents a microcosm of greater developments witnessed in late medieval France
The Agency of Art Objects in Northern Europe, 1380–1520
This monograph book offers a new interpretation of northern European art of the fifteenth century. The author presents it as a conglomerate of objects-things which act on the recipient in a specific – material and spatial – way. He analyzes macro-scale objects that impose movement on the viewer, and micro-scale objects that encourage manipulation. Inspired by the anti-anthropocentric concept of “returning to things” (B. Latour, A. Gell and others), the author searches for the “agency of things” in late-medieval art objects, which evoke specific liturgical, devotional, propaganda-political behaviors, or establish the status of social owner of the object that once co-created the network of material and spiritual culture. This methodologically innovative approach is part of the latest research in early art in Western Europe and the United States
Luthers persoenliche Glaubenssatellung vor 1520
Luthers persoenliche Glaubenssatellung vor 1520 (Luther\u27s personal beliefs before 1520
Pronoun in Abel Matthieu’s linguistic concept (1520? - 1572?)
The aim of the article is to describe the system of pronouns in the linguistic concept of Abel Matthieu (1520? - 1572?), a French humanist, legal adviser and author of the treatise "Devis de la langue francoyse" (1559, 1560, 1572
Going Beyond Counting First Authors in Author Co-citation Analysis
The present study examines one of the fundamental aspects of author co-citation analysis (ACA) - the way co-citation
counts are defined. Co-citation counting provides the data on which all subsequent statistical analyses and mappings
are based, and we compare ACA results based on two different types of co-citation counting - the traditional type that
only counts the first one among a cited work's authors on the one hand and a non-traditional type that takes into
account the first 5 authors of a cited work on the other hand. Results indicate that the picture produced through this non-traditional author co-citation counting contains more coherent author groups and is therefore considerably clearer. However, this picture represents fewer specialties in the research field being studied than that produced through the traditional first-author co-citation counting when the same number of top-ranked authors is selected and analyzed. Reasons for these effects are discussed
Beatrice Powell, 1520 8th Ave
Beatrice Powell, 1520 8th Ave, Aug 19, 1943. Label on original sleeve : Beatrice Powell, 1520 8th Ave, 8-19-43https://mds.marshall.edu/carl_photograph_collection/1205/thumbnail.jp
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