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    Emotions in Europe, 1517-1914: Reformations, 1517-1602

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    This volume of primary sources focuses on the history of emotions in Europe and its empires between 1517 and 1602. The Reformation in 1517 was a key transformative moment in European history that required people to rethink the self, belief, and scientific knowledges – all of which shaped and were shaped by emotion. The study examines the subjects of the self, family and community, religion, politics and law, science and philosophy, and art and culture. Sources include letters, diaries, legal papers, institutional records, newspapers, science and philosophical writings, literature and art from a diversity of voices and perspectives. Accompanied by extensive editorial commentary, this collection will be of great interest to students of history and literature

    A thief's tale - Bern, 1517

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    Hans zum Brunnen had been a thief at least for four years when he confessed to his crimes in presence of the two councilmen Hans Tormann and Bartlome Steiger, of the chief bailif Hans Isenschmid, of Adrian Effinger, court clerk, and of all the baillifs of the Gentlemen of Bern – without torture, on August 1, 1517. Front page of the criminal proceedings concerning Hans zum Brunnen's thefts StaB, Urkunden (C I a), F. Urteilssprüche, 1517.08.01. Published with the authorization of the State ..

    Emotions in Europe 1517-1914: Transformations, 1789-1914

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    Emotions in Europe 1517-1914This volume of primary sources focuses on the history of emotions in Europe and its empires between 1714 and 1789. The study examines the subjects of the self, family and community, religion, politics and law, science and philosophy, and art and culture. Sources include letters, diaries, legal papers, institutional records, newspapers, science and philosophical writings, literature and art from a diversity of voices and perspectives. Accompanied by extensive editorial commentary, this collection will be of great interest to students of history and literature

    Teofilo Folengo 1517 Aquario Lodola Original and English

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    In 1517 Teofilo Folengo published an epic poem under the name Merlin. Another Folengo pseudonym (or heteronym) wrote a wildly creative account of the dicovery of this text and praise for the author

    New acala 1517 varieties for New Mexico

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    Circular containing brief, detailed information on the Acala 1517-75, Acala 1517E-1, and Acala 1517-77 varieties of cotton

    Tagungsband Reformacja protestancka 1517 roku. Zum 500. Jubiläum der Reformation

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    Tom pokonferencyjny Reformacja protestancka 1517 roku. 500. jubileusz reformacjiPost-conference volume Reformacja protestancka 1517 roku. 500th anniversary of the ReformationTom pokonferencyjny Reformacja protestancka 1517 roku. 500. jubileusz reformacjiPost-conference volume Reformacja protestancka 1517 roku. 500th anniversary of the ReformationTom pokonferencyjny Reformacja protestancka 1517 roku. 500. jubileusz reformacjiPost-conference volume Reformacja protestancka 1517 roku. 500th anniversary of the Reformatio

    Going Beyond Counting First Authors in Author Co-citation Analysis

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    The present study examines one of the fundamental aspects of author co-citation analysis (ACA) - the way co-citation counts are defined. Co-citation counting provides the data on which all subsequent statistical analyses and mappings are based, and we compare ACA results based on two different types of co-citation counting - the traditional type that only counts the first one among a cited work's authors on the one hand and a non-traditional type that takes into account the first 5 authors of a cited work on the other hand. Results indicate that the picture produced through this non-traditional author co-citation counting contains more coherent author groups and is therefore considerably clearer. However, this picture represents fewer specialties in the research field being studied than that produced through the traditional first-author co-citation counting when the same number of top-ranked authors is selected and analyzed. Reasons for these effects are discussed

    Variations on the Author

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    “Variations on the Author” discusses two of Eduardo Coutinho’s recent films (Um Dia na Vida, from 2010, and Últimas Conversas, posthumously released in 2015) and their contribution to the general question of documentary authorship. The director’s filmography is characterized by a consistent yet self-effacing form of authorial self-inscription: Coutinho often features as an interviewer that rather than express opinions propels discourses; an interviewer that is good at listening. This mode of self-inscription characterizes him as an author who is not expressive but who is nonetheless markedly present on the screen. In Um Dia na Vida, however, Coutinho is completely absent form the image, while Últimas Conversas, on the contrary, includes a confessional prologue that moves the director from the margins to the center of his films. This article examines the ways in which these works stand out in the filmography of a director who offers new insights into the notion of cinematic authorship
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