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Selected papers from the 15th Annual Bio-Ontologies special interest group meeting
© 2013 Soldatova et al; licensee BioMed Central Ltd. This is an Open Access article distributed under the terms of the Creative Commons Attribution License (http://creativecommons.org/licenses/by/2.0), which permits unrestricted use, distribution, and reproduction in any medium, provided the original work is properly cited.Over the 15 years, the Bio-Ontologies SIG at ISMB has provided a forum for discussion of the latest and most innovative research in the bio-ontologies development, its applications to biomedicine and more generally the organisation, presentation and dissemination of knowledge in biomedicine and the life sciences. The seven papers and the commentary selected for this supplement span a wide range of topics including: web-based querying over multiple ontologies, integration of data, annotating patent records, NCBO Web services, ontology developments for probabilistic reasoning and for physiological processes, and analysis of the progress of annotation and structural GO changes
IlluminierteUrkunden 1480-03-03_Muenchen
Papst Sixtus IV. überträgt den Jubelablass (von 1475) mit der Bulle „Pastoris aeterni“ vom 10. Mai 1479 auf zu nennende andere Orte, hier für das Kloster Hohenburg am Odilienberg im Elsass. Burcardus Stör verkündigt die Bulle in Schlettstadt am 3. März 1480 und fügt einen eigenen Ablass hinzu
Going Beyond Counting First Authors in Author Co-citation Analysis
The present study examines one of the fundamental aspects of author co-citation analysis (ACA) - the way co-citation
counts are defined. Co-citation counting provides the data on which all subsequent statistical analyses and mappings
are based, and we compare ACA results based on two different types of co-citation counting - the traditional type that
only counts the first one among a cited work's authors on the one hand and a non-traditional type that takes into
account the first 5 authors of a cited work on the other hand. Results indicate that the picture produced through this non-traditional author co-citation counting contains more coherent author groups and is therefore considerably clearer. However, this picture represents fewer specialties in the research field being studied than that produced through the traditional first-author co-citation counting when the same number of top-ranked authors is selected and analyzed. Reasons for these effects are discussed
Southern (SOU) 1480
A photograph print showing the Southern (SOU) 1480, 4-8-2 (class TS-1), Salisbury, NC
Die Meisterbilder von Lotto (1480-1556)
DIE MEISTERBILDER VON LOTTO (1480-1556)
Die Meisterbilder von Lotto (1480-1556) ( - )
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Werbung ( - )
Abbildung ([2])
Titelblatt ([3])
Vorwort ([5])
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Werbung (65)
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Bible (latin) 1480
Date de création : [pas après 1480]Empreinte : uiat :*ra s.uz cuna (C) 1480 (Q)2 col. de 38-46 lignes pour le texte, 74 lignes pour la glose ; caractères gothiques.
Mention de publication prise à l'ISTC
Texte en rouge et noir.
Titre pris à l'ISTC
Propriété et historique de la conservation : Marque d'appartenance manuscrite du Couvent des Croisiers de Huy
Reliure : Reliure de Croisiers de Huy. Fermoir
Southern (SOU) 1480
A photograph print showing the Southern (SOU) 1480, 4-8-2 (class TS-1), Spencer, NC
Variations on the Author
“Variations on the Author” discusses two of Eduardo Coutinho’s recent films (Um Dia na Vida, from 2010, and Últimas Conversas, posthumously released in 2015) and their contribution to the general question of documentary authorship. The director’s filmography is characterized by a consistent yet self-effacing form of authorial self-inscription: Coutinho often features as an interviewer that rather than express opinions propels discourses; an interviewer that is good at listening. This mode of self-inscription characterizes him as an author who is not expressive but who is nonetheless markedly present on the screen. In Um Dia na Vida, however, Coutinho is completely absent form the image, while Últimas Conversas, on the contrary, includes a confessional prologue that moves the director from the margins to the center of his films. This article examines the ways in which these works stand out in the filmography of a director who offers new insights into the notion of cinematic authorship
Appropriate Similarity Measures for Author Cocitation Analysis
We provide a number of new insights into the methodological discussion about author cocitation analysis. We first argue that the use of the Pearson correlation for measuring the similarity between authors’ cocitation profiles is not very satisfactory. We then discuss what kind of similarity measures may be used as an alternative to the Pearson correlation. We consider three similarity measures in particular. One is the well-known cosine. The other two similarity measures have not been used before in the bibliometric literature. Finally, we show by means of an example that our findings have a high practical relevance.information science;Pearson correlation;cosine;similarity measure;author cocitation analysis
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