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    Boston & Maine (B&M) 1426

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    A photograph print showing Boston & Maine (B&M) 1426, 2-6-0 (class B-15), Somerville, MA. (Note: roundhouse in background

    Kazanie kanonika Mikołaja Ciotczanego na zgon biskupa poznańskiego Andrzeja Łaskarzyca (1426)

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    Die Predigt des Domherren Nikolaus Ciotczany auf den Tod des Posener Bischofs Andreas Lascarii (1426)ZusammenfassungDer Text umfaßt die Edition der Predigt, die während der Exequien nach dem Tod des Posener Bischofs Andreas Lascarii (1414-1426) gehalten wurde. Dieser berühmte Diplomat und Gelehrte, Teilnehmer an den Konzilen in Konstanz und Pavia, einer der Schöpfer des polnischen politischen Gedankens und der Doktrin des internationalen Rechts ist am 23.–24. August 1426 gestorben. Der Autor der Predigt war höchstwahrscheinlich der Posener Kanoniker Nikolaus Ciotczany. Die Predigt hat sich in einer Handschrift der Staatsbibliothek Berlin, Preußischer Kulturbesitz, Sign. Ms. Theol. Lat. Fol. 408, unter mehreren anderen Predigten aus seiner Feder erhalten. Diese Handschrift, zweifelsohne Posener Provenienz, die außer diesen Predigten zahlreiche andere theologische Texte enthält, verdient eine genauere Untersuchung. The sermon of canon Mikołaj Ciotczany on the death of Andrzej Lascarii, bishop of Poznań (1426)AbstractThe text contains an edition of the sermon given during the exequies after the death of Andrzej Lascarii, bishop of Poznań (1414-1426), a notable diplomat, scholar, participant of the councils in Constance and Pavia, one of the architects of Polish political thought and the doctrine of the rights of nations, who died on 23/24 August 1426. The author of the sermon was most probably Mikołaj Ciotczany, canon of Poznań. Besides lengthy theological and philosophical refl ections, the sermon also contains interesting biographical information about the deceased. The sermon survives together with several others by Ciotczany in the manuscript Staatsbibliothek zu Berlin, Preußischer Kulturbesitz, sygnatura Ms. Theol. Lat. Fol. 408. That manuscript, certainly produced in Poznań, contains also several theological texts and merits further study.Die Predigt des Domherren Nikolaus Ciotczany auf den Tod des Posener Bischofs Andreas Lascarii (1426)ZusammenfassungDer Text umfaßt die Edition der Predigt, die während der Exequien nach dem Tod des Posener Bischofs Andreas Lascarii (1414-1426) gehalten wurde. Dieser berühmte Diplomat und Gelehrte, Teilnehmer an den Konzilen in Konstanz und Pavia, einer der Schöpfer des polnischen politischen Gedankens und der Doktrin des internationalen Rechts ist am 23.–24. August 1426 gestorben. Der Autor der Predigt war höchstwahrscheinlich der Posener Kanoniker Nikolaus Ciotczany. Die Predigt hat sich in einer Handschrift der Staatsbibliothek Berlin, Preußischer Kulturbesitz, Sign. Ms. Theol. Lat. Fol. 408, unter mehreren anderen Predigten aus seiner Feder erhalten. Diese Handschrift, zweifelsohne Posener Provenienz, die außer diesen Predigten zahlreiche andere theologische Texte enthält, verdient eine genauere Untersuchung. The sermon of canon Mikołaj Ciotczany on the death of Andrzej Lascarii, bishop of Poznań (1426)AbstractThe text contains an edition of the sermon given during the exequies after the death of Andrzej Lascarii, bishop of Poznań (1414-1426), a notable diplomat, scholar, participant of the councils in Constance and Pavia, one of the architects of Polish political thought and the doctrine of the rights of nations, who died on 23/24 August 1426. The author of the sermon was most probably Mikołaj Ciotczany, canon of Poznań. Besides lengthy theological and philosophical refl ections, the sermon also contains interesting biographical information about the deceased. The sermon survives together with several others by Ciotczany in the manuscript Staatsbibliothek zu Berlin, Preußischer Kulturbesitz, sygnatura Ms. Theol. Lat. Fol. 408. That manuscript, certainly produced in Poznań, contains also several theological texts and merits further study

    EC71-1426 Nebraska Roaster Production Prospectus

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    Extension Circular 71-1426 deals with the prospects of developing a chicken roaster industry in Nebraska

    Going Beyond Counting First Authors in Author Co-citation Analysis

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    The present study examines one of the fundamental aspects of author co-citation analysis (ACA) - the way co-citation counts are defined. Co-citation counting provides the data on which all subsequent statistical analyses and mappings are based, and we compare ACA results based on two different types of co-citation counting - the traditional type that only counts the first one among a cited work's authors on the one hand and a non-traditional type that takes into account the first 5 authors of a cited work on the other hand. Results indicate that the picture produced through this non-traditional author co-citation counting contains more coherent author groups and is therefore considerably clearer. However, this picture represents fewer specialties in the research field being studied than that produced through the traditional first-author co-citation counting when the same number of top-ranked authors is selected and analyzed. Reasons for these effects are discussed

    Chicago, Rock Island & Pacific(RI) 1426

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    A photograph print showing Chicago, Rock Island (CRIP, RI, or ROCK) "Rock Island" 1426, 4-6-0, being scrapped. Shawnee, OK

    Chicago, Rock Island & Pacific (RI) 1426

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    A photograph print of Chicago, Rock Island & Pacific (CRIP, RI, or ROCK) 1426, 4-6-0 (Alco/Brooks), Shawnee, OK. [side rods and piston missing for parts?

    Kazanie kanonika Mikołaja Ciotczanego na zgon biskupa poznańskiego Andrzeja Łaskarzyca (1426)

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    Der Text umfaßt die Edition der Predigt, die während der Exequien nach dem Tod des Posener Bischofs Andreas Lascarii (1414-1426) gehalten wurde. Dieser berühmte Diplomat und Gelehrte, Teilnehmer an den Konzilen in Konstanz und Pavia, einer der Schöpfer des polnischen politischen Gedankens und der Doktrin des internationalen Rechts ist am 23.–24. August 1426 gestorben. Der Autor der Predigt war höchstwahrscheinlich der Posener Kanoniker Nikolaus Ciotczany. Die Predigt hat sich in einer Handschrift der Staatsbibliothek Berlin, Preußischer Kulturbesitz, Sign. Ms. Theol. Lat. Fol. 408, unter mehreren anderen Predigten aus seiner Feder erhalten. Diese Handschrift, zweifelsohne Posener Provenienz, die außer diesen Predigten zahlreiche andere theologische Texte enthält, verdient eine genauere Untersuchung. The text contains an edition of the sermon given during the exequies after the death of Andrzej Lascarii, bishop of Poznań (1414-1426), a notable diplomat, scholar, participant of the councils in Constance and Pavia, one of the architects of Polish political thought and the doctrine of the rights of nations, who died on 23/24 August 1426. The author of the sermon was most probably Mikołaj Ciotczany, canon of Poznań. Besides lengthy theological and philosophical refl ections, the sermon also contains interesting biographical information about the deceased. The sermon survives together with several others by Ciotczany in the manuscript Staatsbibliothek zu Berlin, Preußischer Kulturbesitz, sygnatura Ms. Theol. Lat. Fol. 408. That manuscript, certainly produced in Poznań, contains also several theological texts and merits further study

    La Monnaie d'Arras de 1420 à 1426

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    Fig. 1. — Florette d'Arras, BN 1084.Giard Jean-Baptiste. La Monnaie d'Arras de 1420 à 1426. In: Revue numismatique, 6e série - Tome 4, année 1962 pp. 193-202

    Variations on the Author

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    “Variations on the Author” discusses two of Eduardo Coutinho’s recent films (Um Dia na Vida, from 2010, and Últimas Conversas, posthumously released in 2015) and their contribution to the general question of documentary authorship. The director’s filmography is characterized by a consistent yet self-effacing form of authorial self-inscription: Coutinho often features as an interviewer that rather than express opinions propels discourses; an interviewer that is good at listening. This mode of self-inscription characterizes him as an author who is not expressive but who is nonetheless markedly present on the screen. In Um Dia na Vida, however, Coutinho is completely absent form the image, while Últimas Conversas, on the contrary, includes a confessional prologue that moves the director from the margins to the center of his films. This article examines the ways in which these works stand out in the filmography of a director who offers new insights into the notion of cinematic authorship
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