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    Solutions to selected exercises from math 1274 textbook

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    Solutions to selected exercises from Mathematics 1274 : Calculus II - Economics & Business Application

    Mathematics 1274: Calculus II : econonomics & business applications

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    The first three chapters of this book are mainly taken from chapters 5, 6, and 7 of the open source calculus textbook titled APEX calculus, Version 5.0, by Gregory Hartman, department of applied mathematics, Virginia Military Institute. The chapter on differential equations is authored by Ross Magi, available in chapter 20 of this version of the text. The complete calculus book is under the Creative Commons Attribution- NonCommercial-Share-Alike 4.0 International License. It is available for free at www.apexcalculus.com. The chapters on more applications and multivariate calculus are taken from Math 1274 lecture notes and the Multivariate calculus notebook, by Pichmony Anhaouy, department of mathematics and statistics, Langara College. The exercises for each section of these chapters are taken from Math 1274 problems book and Exercises multivariate calculus, by Ken Collins and Pichmony Anhaouy

    IlluminierteUrkunden 1274-06-99_Haguenau

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    Diplôme d'Albert Ier (1255-1308), roi des Romains, portant confirmation et contenant la transcription in extenso d'un diplôme de Rodolphe de Habsbourg (1218-1291) le 12 des calendes de juin 1274, qui confirmait et transcrivait également in extenso les privilèges accordés à la ville par Frédéric Barberousse (vers 1122-1190) le 17 des calendes de juillet 1164. (source: Archives

    Judd, P L, 5/1274

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    This record was harvested from a previous catalogue system and will be withdrawn in 2025. Information in this record may be superseded or incomplete. Visit this record in UMA's new catalogue at: https://archives.library.unimelb.edu.au/nodes/view/428471Surname: Judd. Given Name(s) or Initials: P L. Military Service Number or Last Known Location: 5/1274. Prisoner of War Enquiry Card Index Number: K.87. Division Enquiry: WA. Rank: PTE. Unit: Korea327227 Item: [2016.0049.60733] "Judd, P L, 5/1274

    RAAPNOTITIE 1274

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    Robert de Sorbon 1201-1274

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    Adam Charles. Robert de Sorbon 1201-1274. In: Revue internationale de l'enseignement, tome 84,1930. pp. 241-265

    Going Beyond Counting First Authors in Author Co-citation Analysis

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    The present study examines one of the fundamental aspects of author co-citation analysis (ACA) - the way co-citation counts are defined. Co-citation counting provides the data on which all subsequent statistical analyses and mappings are based, and we compare ACA results based on two different types of co-citation counting - the traditional type that only counts the first one among a cited work's authors on the one hand and a non-traditional type that takes into account the first 5 authors of a cited work on the other hand. Results indicate that the picture produced through this non-traditional author co-citation counting contains more coherent author groups and is therefore considerably clearer. However, this picture represents fewer specialties in the research field being studied than that produced through the traditional first-author co-citation counting when the same number of top-ranked authors is selected and analyzed. Reasons for these effects are discussed

    Variations on the Author

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    “Variations on the Author” discusses two of Eduardo Coutinho’s recent films (Um Dia na Vida, from 2010, and Últimas Conversas, posthumously released in 2015) and their contribution to the general question of documentary authorship. The director’s filmography is characterized by a consistent yet self-effacing form of authorial self-inscription: Coutinho often features as an interviewer that rather than express opinions propels discourses; an interviewer that is good at listening. This mode of self-inscription characterizes him as an author who is not expressive but who is nonetheless markedly present on the screen. In Um Dia na Vida, however, Coutinho is completely absent form the image, while Últimas Conversas, on the contrary, includes a confessional prologue that moves the director from the margins to the center of his films. This article examines the ways in which these works stand out in the filmography of a director who offers new insights into the notion of cinematic authorship
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