1,721,719 research outputs found
La Queste 12599. Quête tristanienne insérée dans le ms BnF fr. 12599. Éd. critique par D. de Carné
Get PDFDamien de Carné attribue l’intitulé conventionnel Queste 12599 à une Quête du graal à laquelle il est le premier à reconnaître une «identité textuelle» (p. vii) au sein d’un codex autrement bien connu, le manuscrit fr. 12599 de la BnF, qui transmet entre autres des extraits du Guiron et du Tristan en prose. L’édition fournie ici est aussi complète qu’achevée. D. de Carné reprend les études précédentes en rappelant les acquis et en y apportant, le moment venu, des rectifications ou des précisi..
Un nouveau regard sur la composition et l’organisation du manuscrit BnF, fr. 12599
No full textOn voit dans le manuscrit BnF, fr. 12599 un des premiers exemples de collaboration éditoriale destinée à édifier une compilation arthurienne : le Tristan en prose y est copié avec d’autres récits. Cet article reconstitue autrement la composition du manuscrit. Celui-ci est formé à partir d’un exemplaire tristanien lacunaire, qu’un duo de copistes a scindé et colmaté en y insérant pages tristaniennes et extraits allogènes. Ce dispositif réalise une mise en cycle a posteriori d’une copie du Tristan.It is agreed that the BnF fr. 12599 manuscript is one of the first examples of an editorial collaboration aiming to build up an arthurian compilation, since the prose Tristan is copied in it along with other narratives. This paper reconstructs in a different way the making of the manuscript : it was an incomplete copy of the Tristan, which two scribes split and filled up with missing parts of the Tristan and other excerpts, thus retrospectively transforming a copy of the Tristan into a cycle
Il senso di una riscrittura: la fine del Tristan in prosa secondo il ms. Paris, BnF, fr. 12599
No full textL’articolo presenta e tenta di inquadrare l’ultima parte ancora XII inedita del Roman de Tristan in prosa contenuta nel ms. BnF, fr. 12599. Poco conosciuta in tutte le sue particolarità editoriali e linguistiche, la sequenza appartiene a un testimone per altri versi molto presente sia nella storia linguistica italiana sia negli studi arturiani.The contribution offers and attempts to frame the still unpublished last part of the Roman de Tristan in prose contained in the ms. BnF, fr. 12599. Little known in all its editorial and linguistic particularities, the sequence belongs to a witness in other respects very present in both history Italian language and Arthurian studies
Un nouveau regard sur la composition et l’organisation du manuscrit BnF, fr. 12599
No full textInternational audienceIt is agreed that the BnF fr. 12599 manuscript is one of the first examples of an editorial collaboration aiming to build up an arthurian compilation, since the prose Tristan is copied in it along with other narratives. This paper reconstructs in a different way the making of the manuscript : it was an incomplete copy of the Tristan, which two scribes split and filled up with missing parts of the Tristan and other excerpts, thus retrospectively transforming a copy of the Tristan into a cycle.On voit dans le manuscrit BnF, fr. 12599 un des premiers exemples de collaboration éditoriale destinée à édifier une compilation arthurienne : le Tristan en prose y est copié avec d’autres récits. Cet article reconstitue autrement la composition du manuscrit. Celui-ci est formé à partir d’un exemplaire tristanien lacunaire, qu’un duo de copistes a scindé et colmaté en y insérant pages tristaniennes et extraits allogènes. Ce dispositif réalise une mise en cycle a posteriori d’une copie du Tristan
Going Beyond Counting First Authors in Author Co-citation Analysis
Get PDFThe present study examines one of the fundamental aspects of author co-citation analysis (ACA) - the way co-citation
counts are defined. Co-citation counting provides the data on which all subsequent statistical analyses and mappings
are based, and we compare ACA results based on two different types of co-citation counting - the traditional type that
only counts the first one among a cited work's authors on the one hand and a non-traditional type that takes into
account the first 5 authors of a cited work on the other hand. Results indicate that the picture produced through this non-traditional author co-citation counting contains more coherent author groups and is therefore considerably clearer. However, this picture represents fewer specialties in the research field being studied than that produced through the traditional first-author co-citation counting when the same number of top-ranked authors is selected and analyzed. Reasons for these effects are discussed
Variations on the Author
Get PDF“Variations on the Author” discusses two of Eduardo Coutinho’s recent films (Um Dia na Vida, from 2010, and Últimas Conversas, posthumously released in 2015) and their contribution to the general question of documentary authorship. The director’s filmography is characterized by a consistent yet self-effacing form of authorial self-inscription: Coutinho often features as an interviewer that rather than express opinions propels discourses; an interviewer that is good at listening. This mode of self-inscription characterizes him as an author who is not expressive but who is nonetheless markedly present on the screen. In Um Dia na Vida, however, Coutinho is completely absent form the image, while Últimas Conversas, on the contrary, includes a confessional prologue that moves the director from the margins to the center of his films. This article examines the ways in which these works stand out in the filmography of a director who offers new insights into the notion of cinematic authorship
La Folie Lancelot. A Hitherto Unidentified Portion of the « Suite du Merlin » Contained in Mss. B.N. fr. 112 and 12599, éd. Fanny Bogdaxow
No full textMicha Alexandre. La Folie Lancelot. A Hitherto Unidentified Portion of the « Suite du Merlin » Contained in Mss. B.N. fr. 112 and 12599, éd. Fanny Bogdaxow. In: Cahiers de civilisation médiévale, 10e année (n°38), Avril-juin 1967. pp. 221-224
Appropriate Similarity Measures for Author Cocitation Analysis
Get PDFWe provide a number of new insights into the methodological discussion about author cocitation analysis. We first argue that the use of the Pearson correlation for measuring the similarity between authors’ cocitation profiles is not very satisfactory. We then discuss what kind of similarity measures may be used as an alternative to the Pearson correlation. We consider three similarity measures in particular. One is the well-known cosine. The other two similarity measures have not been used before in the bibliometric literature. Finally, we show by means of an example that our findings have a high practical relevance.information science;Pearson correlation;cosine;similarity measure;author cocitation analysis
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