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RESCRIPT OF POPE INNOCENT IV TO THE BISHOP OF SENJ (1248) UNDER THE PATRONAGE OF ST JEROME. THE FIRST PRIVILEGE OF SENJ FROM 1248
Full text linkAutorica u prilogu nastoji objediniti te sažeto i sustavno izložiti najvažnije spoznaje vezane uz otpis pape Inocenta IV. senjskomu biskupu Filipu iz godine 1248. Rad se ponajprije bavi pravnim
aspektima, odnosno sadržajem reskripta, koji je temelj kanonske egzistencije glagoljice na našim prostorima. Pritom se također osvrće i na neke momente bitne za kanonski položaj glagoljice u našim krajevima od njezina najranijega spomena do godine 1248. Potom nastoji izložiti crkveno-političke okolnosti tijekom prvih desetljeća 13. stoljeća koje su uvjetovale novi odnos Rima prema drugim (nelatinskim) liturgijskim jezicima i obredima, kao i one u hrvatskim
krajevima u doba papina otpisa u kojima je taj novi odnos zaživio upravo u vidu otpisa pape Inocenta IV. senjskom biskupu (1248.) i omišaljskim benediktincima (1252.). Autorica zaključuje rad nastojeći sabrati i prikazati značenje, odnosno dosege senjskoga i omišaljskoga
privilegija na svim onim područjima na kojima su oni utvrđeni.Content of this article is a concise overview of the most important information regarding the rescript of Innocent IV to Philip, bishop of Senj from 1248. Author analyzes legal aspects and content of the rescript, which is groundwork of the canon approval of the
usage of Glagolitic script in the historical Croatian lands. Moreover, author delivers and discusses some information regarding the canonical position of Glagolitic script in Croatia from its earliest usage up to 1248, which is followed by a contextualization regarding
ecclesiastical and political circumstances during the first decades of the thirteenth century. Namely, these circumstances shaped relations between Rome and other (non-Latin) liturgical languages and services, which included situation in Croatia, especially in the
time when the rescript was written, since similar letter pope Innocent IV has sent also to Benedictines from Omišalj in 1252. In the conclusion author summarizes various aspects of significance and influence of these privileges to Senj and Omišalj
Mandurama photograph collection [1248] [picture] /
No full textAlso available in an electronic version via the Internet at: http://nla.gov.au/nla.pic-an8526486-1248
Going Beyond Counting First Authors in Author Co-citation Analysis
Full text linkThe present study examines one of the fundamental aspects of author co-citation analysis (ACA) - the way co-citation
counts are defined. Co-citation counting provides the data on which all subsequent statistical analyses and mappings
are based, and we compare ACA results based on two different types of co-citation counting - the traditional type that
only counts the first one among a cited work's authors on the one hand and a non-traditional type that takes into
account the first 5 authors of a cited work on the other hand. Results indicate that the picture produced through this non-traditional author co-citation counting contains more coherent author groups and is therefore considerably clearer. However, this picture represents fewer specialties in the research field being studied than that produced through the traditional first-author co-citation counting when the same number of top-ranked authors is selected and analyzed. Reasons for these effects are discussed
19. Adachi Kagemori ( ?— 1248)
No full textIwao Seiichi, Sakamato Tarō, Hōgetsu Keigo, Yoshikawa Itsuji, Kobayashi Tadashi, Bonmarchand Georges, Kanazawa Shizue. 19. Adachi Kagemori ( ?— 1248). In: Dictionnaire historique du Japon, volume 1, 1963. Lettre A. p. 6
Variations on the Author
Full text link“Variations on the Author” discusses two of Eduardo Coutinho’s recent films (Um Dia na Vida, from 2010, and Últimas Conversas, posthumously released in 2015) and their contribution to the general question of documentary authorship. The director’s filmography is characterized by a consistent yet self-effacing form of authorial self-inscription: Coutinho often features as an interviewer that rather than express opinions propels discourses; an interviewer that is good at listening. This mode of self-inscription characterizes him as an author who is not expressive but who is nonetheless markedly present on the screen. In Um Dia na Vida, however, Coutinho is completely absent form the image, while Últimas Conversas, on the contrary, includes a confessional prologue that moves the director from the margins to the center of his films. This article examines the ways in which these works stand out in the filmography of a director who offers new insights into the notion of cinematic authorship
Appropriate Similarity Measures for Author Cocitation Analysis
Full text linkWe provide a number of new insights into the methodological discussion about author cocitation analysis. We first argue that the use of the Pearson correlation for measuring the similarity between authors’ cocitation profiles is not very satisfactory. We then discuss what kind of similarity measures may be used as an alternative to the Pearson correlation. We consider three similarity measures in particular. One is the well-known cosine. The other two similarity measures have not been used before in the bibliometric literature. Finally, we show by means of an example that our findings have a high practical relevance.information science;Pearson correlation;cosine;similarity measure;author cocitation analysis
Comparison between pTyr<sup>1248</sup>HER2 and HER2 AQUA.
No full text<p>Scatter plot of HER2 and pTyr<sup>1248</sup>HER2 AQUA scores (CNBs, open diamonds; Resections, filled triangles). Lines in the graph represent the noise cut points of either HER2 or pTyr<sup>1248</sup>HER2.</p
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