1,740,506 research outputs found
Moïse Maïmonide (1138-1204) . Commentaire de la Michnah. משה בן מימון, 1138-1204. פרוש המשנה לרמב"ם
No full textNumérisation effectuée à partir d'un document original
THX 1138: (Re-) Made in God’s Image
No full textIt is, perhaps, a little, hyperbolic to refer to George Lucas as ‘the greatest artist of our time’, responsible for closing ‘the gap between art and technology more successfully’ (Paglia, 2012) than any other; yet it is impossible to avoid the impact Lucas’ films have had on both multiple generations of imaginations, and on a generation of film-makers and practitioners. However, what must also be noted is Lucas’ role in the rise of the director’s cut as a form of continuous textual revision. Lucas’ perhaps perverse, certainly onanistic, fiddling with his texts, and the responses these alterations generate, provide innumerable examples of the fact that audiences are highly attuned to the manner with which their experiences and, specifically, their memories of their experiences, alter in line with the alterations he performs. But these alterations do more than merely make the films more of what they were always (apparently) intended to be. Instead, the alterations, additions and deletions create films that could be better considered as distinct and separate; not made anew but which are new – all over again. In this fashion, Lucas’ alterations create new texts with, crucially, new narratives and new politics, all of which is troubling if these alterations render the films more in line with Lucas’ original vision. To that end, an exploration of THX 1138 (1971 / 1977 / 2004), Lucas’ first commercial release, will demonstrate my concerns as a fan of the original and a disappointed consumer of the revised versio
Gordon, Tom (SC 1138)
Full text linkFinding aid only for Manuscripts Small Collection 1138. Desert Storm pictorial postcard with message from Tom Gordon to B.J. Senior of LaGrange, Kentucky
Going Beyond Counting First Authors in Author Co-citation Analysis
Full text linkThe present study examines one of the fundamental aspects of author co-citation analysis (ACA) - the way co-citation
counts are defined. Co-citation counting provides the data on which all subsequent statistical analyses and mappings
are based, and we compare ACA results based on two different types of co-citation counting - the traditional type that
only counts the first one among a cited work's authors on the one hand and a non-traditional type that takes into
account the first 5 authors of a cited work on the other hand. Results indicate that the picture produced through this non-traditional author co-citation counting contains more coherent author groups and is therefore considerably clearer. However, this picture represents fewer specialties in the research field being studied than that produced through the traditional first-author co-citation counting when the same number of top-ranked authors is selected and analyzed. Reasons for these effects are discussed
Variations on the Author
Full text link“Variations on the Author” discusses two of Eduardo Coutinho’s recent films (Um Dia na Vida, from 2010, and Últimas Conversas, posthumously released in 2015) and their contribution to the general question of documentary authorship. The director’s filmography is characterized by a consistent yet self-effacing form of authorial self-inscription: Coutinho often features as an interviewer that rather than express opinions propels discourses; an interviewer that is good at listening. This mode of self-inscription characterizes him as an author who is not expressive but who is nonetheless markedly present on the screen. In Um Dia na Vida, however, Coutinho is completely absent form the image, while Últimas Conversas, on the contrary, includes a confessional prologue that moves the director from the margins to the center of his films. This article examines the ways in which these works stand out in the filmography of a director who offers new insights into the notion of cinematic authorship
339. Hōjō Tokimasa (1138-1215)
No full textIwao Seiichi, Sakamato Tarō, Hōgetsu Keigo, Yoshikawa Itsuji, Akiyama Terukazu, Iyanaga Teizō, Iyanaga Shōkichi, Matsubara Hideichi, Kanazawa Shizue. 339. Hōjō Tokimasa (1138-1215). In: Dictionnaire historique du Japon, volume 8, 1982. Lettre H (2) pp. 76-77
Appropriate Similarity Measures for Author Cocitation Analysis
Full text linkWe provide a number of new insights into the methodological discussion about author cocitation analysis. We first argue that the use of the Pearson correlation for measuring the similarity between authors’ cocitation profiles is not very satisfactory. We then discuss what kind of similarity measures may be used as an alternative to the Pearson correlation. We consider three similarity measures in particular. One is the well-known cosine. The other two similarity measures have not been used before in the bibliometric literature. Finally, we show by means of an example that our findings have a high practical relevance.information science;Pearson correlation;cosine;similarity measure;author cocitation analysis
- …
