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references-AC19-1116-Piezoelectricity a literature review for power generation support.doc
No full textreferences-AC19-1116-Piezoelectricity a literature review for power generation support.do
Resolución CDEyVE Nº 99/2017. Refrendar Resolución Rectoral Nº 1116/2017.
No full textFil: Consejo de Docencia, Extensión y Vida Estudiantil (D). Universidad Nacional de Río Negro. Río Negro, ArgentinaResolución CDEyVE Nº 99/2017. Refrendar Resolución Rectoral Nº 1116/2017
1st Floor: University Author Reception, 2013
No full texthttps://digitalcommons.pittstate.edu/unihistoryphotos/1116/thumbnail.jp
(1116-1308)
No full textXI. yüzyılın ilk yarısından itibaren başlayan Selçuklu-Bizans münasebetleri Anadoluʼda bağımsız bir Selçuklu Devletiʼnin kurulmasının ardından yoğunluk kazanmıştır. Anadoluʼdaki topraklarının büyük bir kısmını Selçuklulara kaptıran Bizanslılar, bu toprakları geri almak ve Türkleri Anadoluʼdan tamamen atmak düşüncesinden hiçbir zaman vazgeçmemişler ve bu amaç doğrultusunda sürekli olarak faaliyetlerde bulunmuşlardır. Öte yandan Anadoluʼyu kendilerine yurt edinen ve bu topraklar üzerinde bir devlet kuran Selçuklular, Bizansın tüm bu çabalarını sonuçsuz bırakmış ve Haçlı Seferleri gibi dıştan gelen büyük bir etkiye rağmen Anadoluʼdaki varlıklarını korumayı başarmışlardır. Uzun süre aynı coğrafyayı paylaşmış olan iki devlet arasındaki siyasî münasebetleri incelediğimiz “Selçuklu-Bizans Münasebetleri (1116-1308)” adlı tezimizde Büyük Selçuklu devletinin kurulmasının ardından Anadoluʼya düzenlenen Selçuklu akınları, Bizans ile olan ilk temaslar ve genel olarak 1116 yılına kadar olan ilişkileri verdiğimiz giriş bölümünün ardından asıl tez konumuzu oluşturan 1116-1308 tarihleri arasında Selçuklular ile Bizans İmparatorluğu arasındaki antlaşmalar, ittifaklar ve mücadeleleri dönemin Bizans, Ermeni, Süryanî, Arap, Fars ve Türk kaynaklarını kullanmak suretiyle ele aldık
Mandurama photograph collection [1116] [picture] /
No full textAlso available in an electronic version via the Internet at: http://nla.gov.au/nla.pic-an8526486-1116
EC56-1116 Furniture Arrangement
Get PDFExtension Circular 56-1116: This is about furniture arrangement which includes how to arrange for comfort, convenience, and arrange for beauty
Going Beyond Counting First Authors in Author Co-citation Analysis
Get PDFThe present study examines one of the fundamental aspects of author co-citation analysis (ACA) - the way co-citation
counts are defined. Co-citation counting provides the data on which all subsequent statistical analyses and mappings
are based, and we compare ACA results based on two different types of co-citation counting - the traditional type that
only counts the first one among a cited work's authors on the one hand and a non-traditional type that takes into
account the first 5 authors of a cited work on the other hand. Results indicate that the picture produced through this non-traditional author co-citation counting contains more coherent author groups and is therefore considerably clearer. However, this picture represents fewer specialties in the research field being studied than that produced through the traditional first-author co-citation counting when the same number of top-ranked authors is selected and analyzed. Reasons for these effects are discussed
Variations on the Author
Get PDF“Variations on the Author” discusses two of Eduardo Coutinho’s recent films (Um Dia na Vida, from 2010, and Últimas Conversas, posthumously released in 2015) and their contribution to the general question of documentary authorship. The director’s filmography is characterized by a consistent yet self-effacing form of authorial self-inscription: Coutinho often features as an interviewer that rather than express opinions propels discourses; an interviewer that is good at listening. This mode of self-inscription characterizes him as an author who is not expressive but who is nonetheless markedly present on the screen. In Um Dia na Vida, however, Coutinho is completely absent form the image, while Últimas Conversas, on the contrary, includes a confessional prologue that moves the director from the margins to the center of his films. This article examines the ways in which these works stand out in the filmography of a director who offers new insights into the notion of cinematic authorship
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