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2009 Author Recognition Bibliography
No full texthttps://scholarworks.gvsu.edu/authorrecognition/1005/thumbnail.jp
Going Beyond Counting First Authors in Author Co-citation Analysis
No full textThe present study examines one of the fundamental aspects of author co-citation analysis (ACA) - the way co-citation
counts are defined. Co-citation counting provides the data on which all subsequent statistical analyses and mappings
are based, and we compare ACA results based on two different types of co-citation counting - the traditional type that
only counts the first one among a cited work's authors on the one hand and a non-traditional type that takes into
account the first 5 authors of a cited work on the other hand. Results indicate that the picture produced through this non-traditional author co-citation counting contains more coherent author groups and is therefore considerably clearer. However, this picture represents fewer specialties in the research field being studied than that produced through the traditional first-author co-citation counting when the same number of top-ranked authors is selected and analyzed. Reasons for these effects are discussed
Sm.1005+
No full textSm.1005 + Sm.1924
Photographs by the Shumma alu team (FNS projects nos. 175970 and 205122
Author Recognition Image 6
No full textThis image was taken at the Author Recognition Reception March 20, 2012.https://scholarworks.gvsu.edu/author_images/1005/thumbnail.jp
Variations on the Author
No full text“Variations on the Author” discusses two of Eduardo Coutinho’s recent films (Um Dia na Vida, from 2010, and Últimas Conversas, posthumously released in 2015) and their contribution to the general question of documentary authorship. The director’s filmography is characterized by a consistent yet self-effacing form of authorial self-inscription: Coutinho often features as an interviewer that rather than express opinions propels discourses; an interviewer that is good at listening. This mode of self-inscription characterizes him as an author who is not expressive but who is nonetheless markedly present on the screen. In Um Dia na Vida, however, Coutinho is completely absent form the image, while Últimas Conversas, on the contrary, includes a confessional prologue that moves the director from the margins to the center of his films. This article examines the ways in which these works stand out in the filmography of a director who offers new insights into the notion of cinematic authorship
Appropriate Similarity Measures for Author Cocitation Analysis
No full textWe provide a number of new insights into the methodological discussion about author cocitation analysis. We first argue that the use of the Pearson correlation for measuring the similarity between authors’ cocitation profiles is not very satisfactory. We then discuss what kind of similarity measures may be used as an alternative to the Pearson correlation. We consider three similarity measures in particular. One is the well-known cosine. The other two similarity measures have not been used before in the bibliometric literature. Finally, we show by means of an example that our findings have a high practical relevance.information science;Pearson correlation;cosine;similarity measure;author cocitation analysis
Dictionaries [1005] القاموس
No full textDictionaries. القاموس
This manuscript is now IO Islamic 2233 in the India Office collections.
[metadata: Otto Loth, A Catalogue of the Arabic Manuscripts in the Library of the India Office, (volume 1), no. 1005 here with further notations and hyperlinks].
1005.
2233. Size 111/4 in. by 71/2 in.; foll. 676. Twenty-eight lines in page.
The Ḳâmûs, or Arabic Dictionary of Majd al-dîn Abu Ṭâhîr Muḥammad b. Ya’ḳûb FÎRÛZÂBÂDÎ (d. A.H. 817). Cf. Cat. St. Petersb. 197 sqq., etc. Printed at Calcutta, 1877, in two vols.
Well written by several hands, with frequent vowel-points. Divided into four parts, according to the partition of the archetype. The first part, which goes as far as وجد (fol. 140 ), concludes with the date of the author, viz. Dhu’l- ḥijjah, 768, after which comes the date of transcription, Tuesday, 20th Ramaḍân, 955. Part II. Ends with ساع (fol. 331), and is dated Friday, 13th Rabî’ I., 955. Part III. ends with ضال (fol. 492), and is dated Sunday, 28th Ṣafar, 976. Part IV. Is not quite complete.
[College of Fort William, 1825.
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