Revistas Científicas Complutenses
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Montero Cartelle, E. (ed.), "Carmina Burana (II). Poemas satírico-morales, lúdicos y de taberna", Madrid, Akal, 2017, 282 pp.
Get PDFIl sonetto conteso: la storia di ‘Naturalmente chere ogne amadore’ tra testo, contesto e finzione.
Get PDFThis paper aims to examine the attributive matter of Naturalmente chere ogni amadore, one of the three responsive sonnets to the Vita nova. The bi-partite textual tradition doesn’t allow an attributive certainty, and in this study the author recovers the different essays dedicated to the sequence of events, suggesting a few considerations on the literary context and on the connections among Dante, Cino da Pistoia, Terino da Castelfiorentino and the other corrispondents of A ciascun’alma presa.In questo contributo si prende in esame la questione attributiva di Naturalmente chere ogni amadore, sonetto responsivo alla Vita nova. La tradizione testuale, adiafora, non permette una certezza attributiva, e in questo studio, l’autore, recuperando i vari saggi dedicati alla vicenda, propone alcune riflessioni sul contesto letterario e sui legami tra Dante, Cino da Pistoia, Terino da Castelfiorentino e gli altri corrispondenti di A ciascun’alma presa.
I luoghi nella vita e nell’immaginario di Carlo Cassola
Get PDFTuscany is for Cassola, who was born and had long been living in Rome, a land of choice where he moved after his Twenties and set almost all his works. The paper explores, both from a biographical and a literary point of view, the writer’s attachment to places whose importance and inspirational value were such that he even thought of them as possible principles of thematic organization in cycles for his entire literary production, that is Cecina, Volterra, and the inland of Maremma. The literary transposition of these beloved places is informed by the astonishment he felt when he discovered them as an adolescent on holiday. The beauty of landscapes is described with the lyricism of his writing’s existential realism.La Toscana è per Cassola, nato e vissuto a lungo a Roma, terra elettiva: scelta come luogo di residenza dopo i vent’anni, diventa lo scenario di ambientazione di quasi tutti i suoi lavori. Si esamina qui, sui due fronti biografico e letterario, il legame dello scrittore con i luoghi che più hanno contato per lui e dai quali trae ispirazione: Cecina e Volterra, che insieme all’entroterra maremmano sono i luoghi più legati alle sue esperienze, vengono da lui assunti a categorie per raggruppare in cicli di differente tematica i propri testi, in una sua ipotesi di ordinamento dell’intera produzione. Nella trasposizione letteraria, i luoghi amati, recuperati con lo sguardo stupefatto con cui li scopriva in vacanza da adolescente, sono descritti anche nella loro bellezza paesaggistica, cui resta affidato il lirismo del realismo esistenziale della sua scrittura
God’s voice or man’s death in May 68. À propos of two short films of Bernardo Bertolucci and Pier Paolo Pasolini
Get PDFMay 1968 meant for youth a turn in their ways of representing and acting. Likewise, it meant the complex transformation of cultural, political and economic discourses of which the representation of the divinity was not an exception. This article will describe how Bernardo Bertolucci and Pier Paolo Pasolini represented the divine figure in the context of the Italian 68. As a song by Francesco Guccini states, God is dead but the desire for his resurrection still exists. The analysis focuses on two short films from the collective film Amore e rabbia (1969): "Agonia" by Bertolucci and "The sequence of the fiore di carta" by Pasolini. The analysis shows that far from wishing and declaring divinity’s their death, both authors call into question the divine existence and its relevance in a world characterized by suffering and injustice as well as by solidarity and love. It is in the contradictory interstice between love and rage that the relationship of these directors with the divinity happens.Mayo de 1968 significó para la juventud un giro en sus modos de representarse y actuar. Asimismo, significó la compleja transformación de discursos culturales, politicos y económicos de la que la representación de la divinidad no fue una excepción. El presente artículo describirá cómo Bernardo Bertolucci y Pier Paolo Pasolini representaron la figura divina en el contexto del 68 italiano. Como afirma una canción de Francesco Guccini, dios está muerto pero el deseo de su resurrección existe. El análisis se enfoca en dos cortometrajes del film colectivo Amore e rabbia (1969): Agonia de Bertolucci y La sequenza del fiore di carta de Pasolini. El análisis muestra que lejos de desear y declarar su muerte, ambos autores se cuestionan (cuestionándola) la existencia divina y su pertinencia en un mundo caracterizado tanto por el sufrimiento y la injustica como por la solidaridad y el amor. Es en el intersticio contradictorio entre el amor y la rabia que la relación de estos directores con la divinidad acaece
Dall'Appendicismo al Post-moderno al Neo-appendicismo. Letteratura e narrazioni televisive.
Get PDFThe success currently enjoyed by season upon season of TV dramas must not make us forget the “season” which originated them all: that is the heyday of the 19th century feuilleton, the seven decades of the popular serial novels one would find in the last pages of newspapers. It was a key moment in the bourgeois literary system, which paved the way for the audio-visual, theatrical and TV transformations of the written narrative. International hits like Lost, Game of Thrones or True Detective display a new level of authorship, complementing the makeshiftdevices of the original feuilleton writers with a much more aggressive host of multimedia skills and writing finesse. The traditional literary scene seems empoverished of real talents as the new wizards of storytelling move to the screen. The literary perimeter shrinks progressively as it loses aesthetic-functional layers and sub-layers, just as the galaxy of TV series grows larger and ever more layered. The regrets of the literary scholar are of little use: what we need is a new critique of the Post-Gutenberg Narrative.L’importanza che stanno assumendo ai nostri giorni le serie o stagioni televisive, non deve far dimenticare la “stagione” originaria da cui tutte discendono: vale a dire l’appendicismo ottocentesco, il settantennio del romanzo popolare, del feuilleton da reperirsi sulle pagine dei giornali. È questo un momento fondamentale per il sistema letterario borghese, che vale da battistrada per la riformulazione in senso audiovisivo, cine-televisivo, di ciò che una volta era la narrazione scritta. Successi internazionali come Lost, Game of Thrones o True Detective stanno mettendo in evidenza una nuova autorialità, che agli espedienti un po’ raffazzonati degli appendicisti storici sa aggiungere una somma di competenze multimediali e una sapienza costruttiva decisamente più agguerrite. La scena letteraria tradizionale sembra impoverirsi di veri talenti; mentre si trasferiscono sullo schermo i nuovi maghi del racconto. Il perimetro letterario si riduce, perde livelli e sottolivelli estetico-funzionali; mentre la galassia seriale e televisiva si espande e mostra un aspetto sempre più stratificato. I rimpianti del letterato accademico producono ben poco: serve una nuova critica della Narratività post-gutenberghiana
Superfluous men in Twentieth-Century Spanish Novel
Get PDFUna de las figuras más significativas de la literatura moderna es el hombre inútil, profundamente observado por la filología eslava. Sin embargo, en otras culturas occidentales, como la española, esta figura ha sido relacionada con atributos parciales y aspectos esencialmente improductivos. Quedaría por tanto pendiente un acercamiento de mayor calado a este personaje, acorde con su innegable relevancia, en términos cuantitativos y cualitativos. Este artículo pretende recordar las características que sobre esta figura han sido ya advertidas por la crítica y al mismo tiempo ofrecer algunas pistas nuevas para ampliar esa mirada.The superfluous man is one of the most significant modern literature characters, soundly observed by Slavic philology. Nevertheless, other western cultures, such as Spanish, have associated this character with essentially unproductive aspects. Therefore, deeply approach to superfluous man in Spanish literature remains to be studied. This article wants to underline several important findings about the character which have already been pointed out by the critics, as well as giving some new clues to an overall view
Martín Ezpeleta, G., "Max Aub, historiador de la prosa contemporánea. Estudio y edición de “La prosa española del siglo XIX” y del “Discurso de la novela española contemporánea”", Analecta Malacitana, Anejo XCVIII, Málaga, 2014, 287 pp.
Get PDFLe séminaire de lectura aux cours universitaires. Une proposition: "Le bal", de Irène Némirovsky
Get PDFRecent studies have highlighted the poor reading habits of Spanish university students, as well as their lack of solid literary competence. These limitations evidence the need for guided reading, an instructional approach which is usually associated with earlier learning stages, but that is urgently required in higher education. In this context, the following article offers the reading seminar as one of the most effective and stimulating strategies to accompany the students in their learning process. As a suggestion to the lecturer, we develop an example from Le bal, from Irène Némirovsky.Recientes estudios han demostrado el escaso hábito lector de los estudiantes universitarios españoles, así como la falta de solidez de su competencia literaria. Estas limitaciones ponen de relieve la necesidad de la lectura guiada, una propuesta didáctica que suele relacionarse con los niveles iniciales de la enseñanza, pero cuya necesidad se hace cada vez más imperiosa en la educación superior. En este contexto, el presente artículo apuesta por el seminario de lectura como una de las estrategias más efectivas, a la par que estimulantes, para acompañar a los universitarios en ese aprendizaje. Como sugerencia para el docente, desarrollamos un ejemplo a partir de El baile, de Irène NémirovskyDes études récentes ont prouvé que les étudiants universitaires espagnols ont rarement l’habitude de lire, et le manque de solidité de sa compétence littéraire. Ces limitations mettent en relief la nécessité de la lecture guidée, une proposition didactique laquelle est souvent rattachée à l’enseignement primaire et secondaire, mais qui devient de plus en plus nécessaire dans l’enseignement universitaire. Dans ce contexte, l’article suivant met l’accent sur le séminaire de lecture pour le souligner comme une des plus solides et encourageantes stratégies pour accompagner aux universitaires dans cet apprentissage. À titre de proposition pour l’enseignant, on a développé un modèle à partir de Le bal, de Irène Némirovsky
Los foros de la prensa digital dedicados al turismo: organización del texto, unidad argumentativa y dispersión temática
Get PDFMassive use of online media in recent decades favours the transformation of traditional media, including the creation of new platforms of expression, such as digital forums, in many cases including a section devoted to tourism. In this way, digital tourist contributes to the configuration of news or reportages, qualifying or facing the contents offered by the media. In this paper, we study the strategies of organization of the texts that compose the forums, focusing on the difficulties that can be observed in the discursive coherence and argumentative unit of comments in a forum.El uso masivo de los cibermedios en las últimas décadas favorece la transformación de los medios tradicionales de comunicación, incluyendo la creación de nuevas plataformas de expresión, como los foros de la prensa digital, que en muchos casos incluyen secciones dedicadas al turismo. De este modo, el turista digital contribuye mediante su participación en los foros a la configuración de la noticia o reportaje, matizando o enfrentándose a los contenidos ofrecidos por los medios. En este artículo estudiamos las estrategias de organización de los textos que componen los foros, centrándonos en las dificultades que pueden observarse en la coherencia discursiva y en la unidad argumental de los comentarios de un foro
La construcción jurídica de la propiedad intelectual: del privilegio a la propiedad
Get PDFIntellectual property is a legal figure whose existence and configuration has not been called into question until a few years ago, especially as a result of certain technological changes, such as the expansion of computers and the internet. In spite of this, it is a legal institution that has an important weight of acceptance in the collective imagination in our societies. The present work tries to show that its origin, far from being in the protection of the authors or the diffusion of their intelectual works, coincides with the appearance of the liberal notion of the private property. This historic origin configured the characteristic features of an institution that was inserted in an increasingly widespread capitalism, and explains the gradual commodification of cultural goods throughout the nineteenth and twentieth centuries. It was, in fact, an achievement of the booming bourgeoisie to control with the new concept of private property what until then had been considered a monarchical privilege.La propiedad intelectual es una figura jurídica cuya existencia y configuración no se ha puesto en cuestión hasta hace unos años, sobre todo a raíz de determinados cambios tecnológicos como la expansión de la informática e internet. A pesar de ello, se trata de una institución que cuenta con un importante peso y aceptación en el imaginario colectivo. El presente trabajo trata de mostrar que su origen, lejos de estar en la protección de los autores o la difusión de las obras, coincide con la aparición de la noción liberal de la propiedad privada. Ello configuró los rasgos característicos de una institución que se insertó de lleno en un capitalismo cada vez más extendido, y explica la paulatina mercantilización de los bienes culturales a lo largo de los siglos XIX y XX. Se trató, en realidad, de un logro de la pujante burguesía por controlar mediante propiedad privada lo que hasta el momento había consistido en un privilegio monárquico