ISLLAC : Journal of Intensive Studies on Language, Literature, Art, and Culture
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233 research outputs found
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THE FUNCTIONS OF DISCOURSE MARKER LIKE IN THE DEBATE OF THE U.S. PRESIDENTIAL CANDIDATES
This study aims to investigate the functions of discourse marker like used by presidential candidates in debate. It is a descriptive qualitative method. The source of data in this study is The First U.S Presidential Debate 2020, while the data are the utterances of both Donald Trump and Joe Biden which contain the use discourse marker like. The results show five out of six functions of discourse marker like found in the debate. They are introducing an explanation, introducing an example, marking an approximate number or quantity, marking lexical focus, discourse linking and restarting. One of the functions which mostly used by presidential candidates is introduction an explanation. However, one out of six functions that is not found in the debate is searching for the appropriate expression
SIMILARITIES AND DIFFERENCES BETWEEN INDONESIAN AND ENGLISH PHONOLOGY: IMPLICATIONS IN TEACING ENGLISH PHONOLOGY TO STUDENTS
This research describes the phonological comparison between Indonesian and English, both the similarities and differences, as well as the implications for language teaching and learning. This research uses contrastive analysis. The result analysis shows that both Indonesian and English exhibit notable similarities and differences in their phonology, influencing language acquisition and communication for learners. While they both utilize the Latin alphabet and share identical letters, aiding in written comprehension, their phoneme systems differ. Indonesian has a simpler system with fewer vowel phonemes, whereas English presents a wider range, including long and short phonemes. Pronunciation patterns in English are more intricate, often varying based on word position, while Indonesian maintains a more straightforward approach. Additionally, English has more exceptions to spelling rules, contributing to its complexity compared to Indonesian. Differences in accent, intonation, and word stress patterns further distinguish the two languages. English speakers may exhibit distinct accents and intonation, impacting pronunciation. The differences in language structure between Indonesian and English also contribute to their phonological differences. Indonesian has a simpler structure than English, which also influences the arrangement and pronunciation of sounds in the language. Understanding these disparities is crucial for learners to navigate the nuances of each language effectively. Despite these differences, the shared phonological foundations offer significant advantages for learners, facilitating proficiency in both Indonesian and English phonology. Effective teaching of English phonology for Indonesian students involves addressing both similarities and differences between the two languages. Teachers should raise awareness of shared phonological features like the Latin alphabet and common consonants/vowels, while also focusing on unique English concepts such as long and short vowels and complex spelling patterns. Specific exercises, a structural approach, contextual learning, technology integration, drills, and relevant materials enhance phonological skills development
ANALYSIS OF CODE-SWITCHING (ENGLISH-BALINESE) UTTERANCES IN THE TICKET TO PARADISE MOVIE
An American romantic comedy, Ticket to Paradise Movie, provides a unique context for investigating code-switching. It portrays a divorced couple collaborating to disrupt their daughter’s wedding in Bali. Beyond its entertaining storyline, the movie features a multilingual phenomenon, with characters utilizing the Balinese language for authenticity. This study aims to analyse the types and Reasons for Code-Switching. This study uses a qualitative approach. The primary data was collected from film transcripts and secondary data from literature reviews. The result of this study reveals the types and reasons for code-switching utterances in the Ticket to Paradise Movie. This study can contribute to broader language use comprehension in multilingual settings by exploring code-switching in this cinematic context
HOW EXPLORING BODY EXPERIMENTATION IN MODERN THEATER OF WEST SUMATRA: A TWO-DECADE STUDY (1990-2010) PRESENTED?
This article examines the emergence of body experimentation in modern theater groups in West Sumatra from 1990 to 2010, focusing on the motives behind using the body as a communicative medium in theatrical performances. The study aims to comprehend the conceptualization and factors contributing to the presence of innovative theatrical presentations. The literature review explores existing studies on Indonesian theater, particularly modern theater, and relevant works related to West Sumatra theater. Due to limited literature on West Sumatran theater, the study utilizes secondary data from journals, magazines, newspaper clippings, and the internet. The research employs a qualitative methodology, incorporating literature review, observation of selected theater groups engaging in body experimentation, and interviews with key figures. Data analysis involves transcribing interviews, selecting relevant information, categorizing data, and conducting a thorough analysis, revealing the evolution of body experimentation in West Sumatran theater. The discussion section delves into three key themes: the influence of traditional spirit on modern Sumatran theater, body exploration within modern theater groups, and the notable rise of body-centric theater in West Sumatra. The article emphasizes the interconnectedness of these themes and their impact on the dynamic theatrical landscape in the region. In conclusion, the research highlights the significance of body experimentation in West Sumatran modern theater, contributing to a broader understanding of evolving theatrical practices in Indonesia, offering valuable insights for scholars, practitioners, and enthusiasts interested in the dynamic intersection of tradition and innovation in performing arts
THEMATIC VIDEO STIMULATES STUDENT IMAGINATION FOR POETRY WRITING COURSE
nnovation in the field of learning is needed so that learning becomes interesting and fun. The development of learning innovations in the form of thematic videos stimulating students' imagination to write poetry is one of the efforts to make learning to write poetry fun and make it easy to write poetry. The method used to develop thematic videos stimulating students' imagination to write poetry is the ADDIE method. Imagination-stimulating thematic videos cover four broad themes: nature, events, self-portraits, and fiction. Each theme consists of five videos with a duration of 5 minutes so the total videos produced are 20 videos. Imagination-stimulating thematic videos are accompanied by guidebooks and even complete with course descriptions, semester learning plans, and lecture units of the first to sixteenth meetings. Video thematic imagination stimulants proved to be able to arouse the imagination of students before writing poetry, in fact when the video I tested in a poetry writing class in 2018, they were so absorbed that even some students were moved and cried when watching the imagination-stimulating video of the self-portrait theme, namely 'mother'. The results of the trial showed that thematic videos stimulating imagination were able to provoke students to be more productive in writing poetry
REVEALING JAVANESE TRADITIONAL ORCHESTRA SONGS MEANING DURING THE VILLAGE PURIFYING RITUAL 'NYADRAN'
Indonesia, as a multicultural country, has many indigenous cultures; one of those cultures is the village purifying ritual usually held by Javanese society. This study investigates the relationship between the Javanese traditional orchestra songs meaning and the village purifying ritual in Sonoageng Village, Nganjuk Regency. This study employs the descriptive qualitative method with a narratological approach. The results show a relationship between the implicit meaning of analyzed gendhing and the village purifying ritual
SUICIDE AS A RESULT OF RELIGIOUS TRAUMA IN COPPOLA’S THE VIRGIN SUICIDES
The objective of this research is to examine the disproportionate id and superego that results in religious trauma, which is the trigger of the Lisbon sisters to commit suicide. To conduct this research, qualitative method was used to analyze The Virgin Suicides (2000) by Sofia Coppola. Following the investigation, the researcher identified five elements that contributed to the sisters' religious trauma throughout the film
THE SOCIOLINGUISTIC STUDY OF TABOO WORDS IN GRAND THEFT AUTO V PROLOGUE STORY MISSION
This research objective is to find out what types of taboo words and function used in the game Grand Theft Auto V. This research use theory based on Battistella’s theory on taboo words types, Wardhaugh’s theory on the function of taboo words and to bridge between types and function using Lyon’s theory on contextual analysis. The researcher found that the character in this game tend to use obscenity (48.57%) on types of taboo words and draw attention (48.57%) as the function of taboo words
PATRIARCHAL CULTURE IN THE MOVIE THE PREY (2022)
This research aims to analyze the portrayal of a female character in fighting patriarchal culture in the film The Prey (2022). This research uses the theory of patriarchy by Allan G. Johnson and qualitative method by John Fiske's semiotics. This uses The Codes of Television, which are divided into three levels: reality, representation, and ideology. The results of this study show that in the movie The Prey (2022), patriarchal culture has become the root of life in the Comanche tribe. Therefore, a movement against patriarchy is required, as demonstrated by the character Naru in the film The Prey (2022).
PRINCIPLES OF SCIENTIFIC ETHICS IN THE BAD GENIUS SERIES FILM (ROLAND BARTHES SEMIONTIC ANALYSIS)
Film mass media was chosen as the most effective medium in conveying messages, because films can be used as learning media through messages that are represented in scenes or story narratives. The lessons that can be taken are in the form of moral messages, or one of them is about the moral messages of scientific ethics contained in Bad Genius. This film discusses the life of students who play with the world of education, with the vulnerabilities that are committed and get an imbalance in the form of money used to meet their needs. The type of research used is qualitative with descriptive research nature. This study uses the semiotic analysis method of Roland Barthes, in this analysis there are three core things that are the focus, namely denotative, connotative, and mythical meanings which are used as a guide to see the depiction of scientific moral messages depicted in each film scene. The data obtained in this study were sourced from the We TV application which broadcasts the Bad Genius film and was combined with books discussing films and scientific moral messages. The results of the study show that the representation of scientific moral messages shown in the Bad Genius film is how science should be used. Such as the obligation to (1) maintain an attitude in making ethical decisions related to etiquette, (2) maintain attitudes in related ethical decisions, and (3) maintain attitudes related to ethical decisions related to law. In this film, I want to highlight the side of how a student who is categorized as a genius must maintain their ethics by combining the values of education in Thailand and the values of education globally which can be used as lessons for the audience of the film Bad Genius. In addition, this film not only has a moral message of scientific ethics, but there are other moral messages related to everyday life.