Journal of Visual Art and Design
Not a member yet
274 research outputs found
Sort by
Bhayangkara (Tafsir Visual Peristiwa Sejarah Perang Bubat)
Get PDFAbstrak. Menelusuri lebih jauh sejarah kepolisian, nama Bhayangkara yang tersemat di korps Kepolisian Republik Indonesia berasal dari nama pasukan Bhayangkara yang merupakan pasukan khusus yang dipimpin oleh Patih bernama Gajah Mada di masa Kerajaan Majapahit. Adanya kesamaan nama Bhayangkara yang menjadi nama lain korps Polisi Republik Indonesia dengan Bhayangkara yang merupakan pasukan khusus Kerajaan Majapahit, serta adanya kesamaan unsur penyalahgunaan kekuasaan yang dilakukan oleh oknum-oknum Bhayangkara di dua masa yang berbeda tersebut mendorong penulis untuk melakukan peninjauan kembali terhadap konsep Bhayangkara dulu dan sekarang. Pada karya tugas akhir ini penulis memposisikan diri sebagai penafsir sebuah peristiwa sejarah yang dituliskan secara visual berdasarkan intensi penulis sebagai otoritas yang berkuasa atas karya yang merupakan manifestasi penafsiran peristiwa sejarah. Penulis mempertanyakan identitas dan kuasa polisi melalui sebuah penafsiran kembali peristiwa sejarah Perang Bubat yang terjadi di abad ke-14, melalui medium seni grafis cetak tinggi cukilan kayu yang dalam sejarah perkembangannya digunakan juga sebagai media propaganda untuk menyebarkan sebuah pandangan terhadap suatu wacana sosial politik dalam sistem berpikir khalayak. Karya ini diharapkan dapat menjadi bahan tinjauan kritis dan pembelajaran atas kejadian yang terjadi berabad-abad silam dalam konteks kesekarangan untuk dimaknai sebagai peristiwa sejarah yang perlu dipahami dalam menyikapi masa depan.Kata kunci: bhayangkara; penafsiran; polisi; propaganda; sejarah; seni grafis.Bhayangkara (Visual Interpretation of the Bubat War Historical Event)Abstract. Exploring the history of the Indonesian Police, the name Bhayangkara as contained in the Indonesian National Police corps comes from Bhayangkara, the elite guard in the Majapahit Kingdom that was commanded by Patih Gajah Mada. The similarity of the name Bhayangkara, which is another name of the Indonesian National Police corps, and Bhayangkara, the elite guard in the era of the Majapahit Kingdom, and the similarity of power abuse by several people or parties inside Bhayangkara in these two different eras pushed the authors to re-observe the concept of Bhayangkara in the past and today. In this artwork, the authors position themselves as interpreters of a historical event represented visually based on the authors' intention as an authority over the artwork as a manifestation of the interpretation of a historical event. About the authors question the police's identity and power through the reinterpretation of the historical event of the Bubat War in the 14th Century. Using a xylography woodcut printmaking technique that historically was developed as a propaganda medium to influence the audience's perception on social and political issues. This artwork is intended as a substance of critical observation and a learning material about the historical event that happened centuries ago in a contemporary context to be interpreted in facing the future.Keywords: bhayangkara; history; interpretation; police; printmaking; propaganda
Knowledge of Art in Malaysian Contemporary Visual Art
Get PDFMalaysia has a scarcity in the presentation of art knowledge through visual art. Therefore, this study aims to investigate the importance of art knowledge in the field of visual art. In fact, Malaysian contemporary visual artists appear to have insufficient values of intellectualism and lack shared vision. The intention of this study was to reveal the factors in Malaysian visual arts that led to the crisis in art knowledge development. This project uses a qualitative triangulation method in order to reveal similarities from face-to-face interviews and document studies. The analysis was supported by evidence obtained from observation of several art discourses. The findings of this study revealed the importance of world knowledge and perception of art based on critical thinking. In addition, the results of this study also present the awareness of the valuable contributions of art knowledge in visual art. This paper revealed the factors that lead to the unconvincing development of art knowledge, specifically in Malaysia. The importance of art knowledge can be investigated further in order to validate visual art as an intellectual product that communicates knowledge
Pengaruh Elemen Interior Restoran Terhadap Pengalaman Nostalgia Konsumen
Get PDFAbstrak. Selama beberapa tahun terakhir, restoran bertema "nostalgia"menjadi populer di Bandung. Penelitian ini bertujuan untuk mengeksplorasi unsur-unsur lingkungan yang disukai konsumen di restoran yang dapat mempengaruhi respon pengalaman nostalgia konsumen di restoran. Penelitian ini menggunakan metode deskriptif eksploratif untuk menentukan variabel yang dapat digunakan sebagai stimulus eksperimen berikutnya guna mendapatkan respon persepsi, emosi, dan sikap. Data hasil eksperimen dianalisis menggunakan ANOVA, menunjukkan bahwa (1) elemen interior restoran yang paling mempengaruhi pengalaman nostalgiakonsumen di restoran;(2)meskipun gaya modern dapat membangkitkan respon persepsi, emosi dan sikap nostalgia, elemen dekoratif dan furnitur kolonial paling efektif dapat membangkitkan pengalaman nostalga; (3) ditemukan juga hubungan antara persepsi, emosi, dan sikap kaitannya dengan proses persepsi, emosi dapat mempengaruhi sikap konsumen di restoran, hal ini sejalan dengan mekanisme persepsi dimana kontribusi pengalaman masa lalu dapat membangkitkan emosi sehingga mempengaruhi persepsi dan munculnya sikap konsumen di restoran.Kata kunci: elemen interior; gaya kolonial; nostalgia; pengalaman konsumen; restoran.Effect of Restaurant Interior Elements on Consumer Nostalgic ExperienceAbstract.In the last few years, 'nostalgic' restaurants have become quite popular in Bandung. This study was aimed at exploring interior elements that may evoke a nostalgic experience in consumers in a restaurant. In this study, an exploratory descriptive method was applied to determine the variables to be used as stimulus in the experiment to get perception, emotion, and attitude responses. The data of this research were analyzed by ANOVA and showed that: (1) interior elements of the restaurant influenced the nostalgic experience by consumers; (2) colonial decorative elements and colonial style furniture, even if other interior elements have a modern style, can evoke nostalgic perceptions, emotions, and attitudes; (3) a link was found between perceptions, emotions and attitudes and the perception process. Emotion can influence consumer attitudes in the restaurant in line with the mechanism of perception where past experiences influence consumer attitudes that are formed in the restaurant.Keywords: consumer experience; colonial style; interior elements; nostalgia; restaurant
Visualisasi Tenun Baduy
Get PDFAbstrak. Kegiatan menenun sudah melekat di setiap jiwa perempuan di Suku Baduy mulai dari umur tiga tahun. Rumusan permasalahan dalam penelitian ini adalah: 1) Bagaimana visualisasi tenun yang diproduksi Masyarakat Baduy? 2) Bagaimana pewarisan dalam hal membuat kain tenun ditransmisikan pada masyarakat Baduy? Penelitian ini menggunakan metodologi etnografi dengan pendekatan kualitatif. Data didapat dengan teknik observasi partisipan, tersamar, wawancara mendalam, Studi dokumentasi, dan Studi pustaka. Penelitian ini fokus pada visualisasi tenun Suku Baduy, meliputi filosofi menenun, proses pembuatan motif, teknik menenun, pola pewarisan tenun, dan faktor pendukung lestarinya tenun Suku Baduy. Filosofi dan tata cara membuat motif tenun Suku Baduy merupakan amanat dari para leluhur. Motifnya diambil dari pencerminan alam dan pikukuh Suku Baduy, dan ada juga yang merupakan kreasi sendiri. Teknik menenun berupa teknik buatan tangan yang menggunakan ATBM (Alat Tenun Bukan Mesin) atau dikenal dengan sebutan pakara tinun (peralatan tenun). Pola pewarisan dilakukan dengan cara patuh terhadap pandangan hidup atau pikukuh Suku Baduy, setiap ibu mengajarkan kepada anaknya, serta anak sendiri belajar dengan teman sebayanya di sosompang atau teras rumah. Tenun Baduy hingga sekarang masih bisa bertahan disebabkan oleh beberapa faktor, diantaranya penduduk Suku Baduy sangat taat kepada amanat para leluhurnya, untuk memenuhi kebutuhan sandang, faktor keyakinan dan filosofi Baduy, faktor geografi, keterbatasan interaksi, identitas, faktor ekonomi, dan kemitraan.Kata kunci: Baduy; perempuan; sejarah; tenun; visualisasi.Visualizing Baduy WeavingAbstract. Weaving is engraved in the soul of every Baduy woman, who start learning this skill from the age of three. The problem formulation of this study is twofold: 1) How can Baduy weaving be visualized? 2) How are the inherited weaving skills transferred by the Baduy people? The data used in this study were collected through blind participant observation, in-depth interviews, a documentation study and a literature review. This study focused on visualizing Baduy weaving, including the philosophy of weaving, the process of pattern making, weaving techniques, inherited weaving patterns, and factors supporting the preservation of Baduy weaving. The philosophy and procedure of Baduy weaving are inherited from ancestors. The patterns originate from reflection on nature and the Baduy way of life (pikukuh), and also own creations are produced. The Baduy people practice handweaving using a handloom (no machine tools), known in their language as pakara tinun. The transfer of inherited patterns happens through the adherence to the Baduy way of life. Every mother teaches her children, who then develop their skill by themselves together with their peers on a porch (sosompang). Baduy weaving until now has survived due to several factors, including the Baduy people being very obedient to the mandates of their ancestors with regards to clothing, their beliefs and philosophy, their geographical location which limits interaction with the outside world, Baduy identity, economic factors, and partnerships.Keywords: Baduy; history; visualization; weaving; women