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Analisis Bentuk Musik pada Prelude dalam Partita No.3 untuk Violin Solo
Full text linkAbstrakSonata dan Partita tanpa iringan karya Johann Sebastian Bach merupakan repertoar utama yang selalu digunakan dalam proses pembelajaran biola. Karya ini memiliki nilai artistik, keindahan karya, serta aspek teknis dengan tingkat keterampilan yang tinggi. Terdapat lebih dari satu suara pada bagian Prelude di partita untuk biola ini, yaitu melodi kontrapung atau polifoni dalam satu baris instrumen. Penelitian ini bertujuan untuk menganalisis bentuk musik Partita E mayor gubahan J.S Bach pada bagian Prelude. Menurut kritikus musik bernama Wilhelm Tappert, keaslian Partita dalam E mayor diciptakan untuk instrumen lute, selain itu terdapat transkripsi komposisi Prelude untuk solo organ obbligato dan iringan orkestra. Prelude untuk instrumen biola berisi melodi dengan nilai nada seperenambelas dalam keseluruhan bagian dan disusun dalam melodi tunggal tanpa iringan suara bas yang cenderung monoton. Penelitian ini menggunakan metode penelitian kualitatif dengan menganalisis skor. Teori yang digunakan adalah teori melodi oleh Dieter Mack, teori bentuk musik oleh Leon Stein, dan teori harmoni oleh Karl-Edmund Prier. Analisis skor dilakukan dengan pendekatan musikologi. Hasil penelitian menunjukkan bahwa Prelude dalam Partita No.3 karya Bach mempunyai bentuk musik biner, yang dibentuk dengan stuktur musik menggunakan motif-motif sebagai materi musiknya. Selain itu karya ini mengandung harmoni yang tersembunyi yang menciptakan keindahan karya. Sebagai karya dengan melodi tunggal, Prelude menunjukkan kesatuan struktural di dalam susunannya. Kata kunci: Bentuk musik, Melodi tunggal, Violin, Partita, Prelude. AbstractSonata and Partita without accompaniment by Johann Sebastian Bach are the main repertoire used in violin learning. This work has artistic value, beauty, and technical aspects with a high skill level. There is more than one voice in the Prelude section in this partita for violin: counterpoint melody or polyphony in one row of instruments. This study aims to analyze the musical form of the Partita E major composed by J.S Bach in the Prelude section. According to music critic Wilhelm Tappert, the originality of the Partita in E major was created for the lute instrument; in addition, there is a transcription of the Prelude composition for solo organ obbligato and orchestral accompaniment. The Prelude for violin contains a melody with a sixteenth note value in the entire section. It is arranged in a single melody without bass accompaniment, which tends to be monotonous. This study uses a qualitative research method by analyzing scores. The theories used are the melody theory by Dieter Mack, the theory of musical form by Leon Stein, and the theory of harmony by Karl-Edmund Prier. The score analysis is carried out based on a musicology approach. The study results show that the Prelude in Bach's Partita No. 3 has a binary musical form, which is formed with a musical structure using motifs as its musical material. In addition, this work contains hidden harmonies that create the beauty of the work. As a work with a single melody, the Prelude shows structural unity in its composition. Keywords: Music form, Single melody, Violin, Partita, Prelude
Kidung Nusaraya: Penciptaan Komposisi Musik berlandaskan Konsep Multikulturalisme Nasionalistik
No full textMusic Composition based on the Concept of Nationalistic Multiculturalism. This paper aims at analyzing textually the music composition of Kidung Nusaraya. Kidung or tembang (Javanese) means a song, but then the meaning changes into 'something beautiful'.For that reason, all songs or something beautiful can be called as a kidung, including the instrumental music composition entitled Nusaraya. The word Nusaraya is related to the word Nusantara or Indonesia that is abundant with various culture and art potentials; a nation that must realize its potentials including the music to be promoted nationally and internationally.Viewed from the musical perspective, the slogan Bhinneka Tunggal Ika shows that Indonesians are very open in enriching their national music because of their idiomatic variation. The orchestra symphony composition of Nusaraya presents a combination between some Western instruments with the instruments of Nusantara ethnical music to produce beautiful symphonic sounds. Kidung Nusaraya consists of five parts, namely 1) Dialogue, 2) Adaptation, 3) Tolerance, 4) Introspection, 6) Convention, 7) My Country Symphony 8) My Tribute, and 9) My Hope. Keywords: Kidung, music composition, multiculturalism
Eksperimentasi Penggunaan Kayu Mangga sebagai Inovasi Alternatif Pengganti Kayu Maple dalam Pembuatan Violin
Full text linkPenelitian ini merupakan upaya eksplorasi yang mendalam terhadap proses pembuatan biola menggunakan kayu mangga dengan desain model Stradivarius tahun 1703, serta analisis terperinci terhadap karakteristik akustik yang dihasilkan. Penelitian ini menggunakan pendekatan eksperimental untuk menguji kelayakan kayu mangga sebagai bahan dasar violin, menggantikan kayu maple, yang tidak tersedia secara luas di Indonesia. Model yang digunakan adalah Violin model Stradivarius tahun 1703. Hasil penelitian menunjukkan bahwa kayu mangga dapat dianggap sebagai alternatif yang potensial untuk bahan pembuatan biola, meskipun terdapat perbedaan signifikan dibandingkan dengan biola yang menggunakan kayu maple. Uji frekuensi resonansi dan analisis kekerasan suara menunjukkan bahwa biola dari kayu mangga mampu menghasilkan suara yang mampu bersaing, namun masih memerlukan pengembangan lebih lanjut untuk meningkatkan stabilitas harmonik dan respons frekuensi tinggi. Secara keseluruhan, penelitian ini memberikan saran bahwa dengan penyesuaian teknik konstruksi yang tepat, potensi kayu mangga sebagai bahan baku untuk pembuatan biola bisa dioptimalkan. Temuan ini tidak hanya memberikan wawasan baru dalam bidang pembuatan alat musik tradisional, tetapi juga mengilustrasikan pentingnya eksplorasi bahan baku alternatif dalam konteks modern yang mengutamakan keberlanjutan dan ketersediaan bahan.Kata kunci: Violin, kayu mangga, frekuensi, eksperimentasi AbstractExperimental Use of Mango Wood as an Alternative Innovation to Maple Wood in Violin Construction. This study presents an in-depth exploration of the process of constructing violins using mango wood, modeled on the 1703 Stradivarius design, along with a detailed analysis of the resulting acoustic characteristics. An experimental approach was adopted to assess the viability of mango wood as a primary material in violin production, substituting the traditionally used maple wood, which is not widely available in Indonesia. The model applied was a 1703 Stradivarius-style violin. Findings indicate that mango wood has potential as an alternative material for violin making, although notable differences were observed when compared to violins crafted with maple wood. Resonance frequency tests and sound hardness analyses revealed that mango wood violins can produce competitive sound quality, yet further refinements are necessary to enhance harmonic stability and high-frequency response. Overall, this study suggests that with appropriate construction technique adjustments, the potential of mango wood as a violin-making material could be maximized. These findings not only provide new insights into traditional musical instrument manufacturing but also underscore the importance of exploring alternative materials in a modern context that prioritizes sustainability and material availability.Keywords: violin, manggo wood, frequency, experimentatio
Revitalisasi Seni Pertunjukan Rakyat Kethoprak di Yogyakarta
No full textKethoprak revitalization in Yogyakarta. This writing scrutinize kethoprak as one of the performing art varieties that develops along with the age transformation. It is because of its devotees ensure the kethoprak revitalization process to take place. The process is carried out both textually and contextually. The revitalization is not merely done by repeating the show as an action to perpetuate the tradition but also covers undertaking the efforts to improve and to renew it, in its textual as well as contextual aspects, to fulfill the existing demand. Keywords: kethoprak, revitalization, textual, contextua
Diskontinuitas Perkembangan Sejarah Musik Barat dan Pengaruhnya terhadap Eksistensi Musik Gereja
Full text linkPerjalanan sejarah musik Barat pada dasarnya merupakan sejarah perkembangan dialektika musikal. Satu periode sebagai “tesis” berhadapan dengan suatu keadaan lain sebagai “antitesis”, dan melahirkan sintesis baru, yakni sebuah periode baru, yang mencakup nilai-nilai estetis dan segi bentuk dan isi. Sejak Periode Abad Pertengahan sampai Periode Romantik, dialektika ini berjalan secara linear. Inilah sejarah “Musik Klasik”. Linearitas ini bersentuhan dengan eksistensi liturgi gereja Kristen, sehingga hasil-hasil sintesis musikal itu dipakai oleh gereja dalam membangun sistem liturginya. Musik/komposisi ciptaan dari high culture dipakai oleh gereja yang melahirkn “simbiosis mutualisme”. Akan tetapi menghadapi fase Periode Modern, kenyaaan itu berubah. “kemesraan” antara gereja dangan high culture ini hilang, dan gereja mulai menggunakan bentuk-bentuk musikal yang lazim di dalm low culture, yang telah muncul di Abad Pertengahan Fase III. Hasil analisis menyatakan bahwa faktor eksternal memang peranan penting di dalam fenomena perubahan itu. Kata kunci: sejarah musik, musik klasik, musik gereja, periodisasi, perubahan. AbstractDiscontinuities in the Historical Development of Western Music and Their Impact on the Existence of Church Music. The course of Western music history is basically a history of the development of musical dialectics. One period as a "thesis" faces another condition as an "antithesis", and gives birth to a new synthesis, namely a new period, which includes aesthetic values and aspects of form and content. From the Middle Ages to the Romantic Period, this dialectic runs linearly. This is the history of "Classical Music". " This linearity touches on the existence of the liturgy of the Christian church, so that the results of the musical synthesis are used by the church in building its liturgical system. Music/compositions created from high culture are used by the church which gives birth to "mutualistic symbiosis". However, facing the Modern Period phase, this reality changes. The "intimacy" between the church and high culture is lost, and the church begins to use musical forms that are common in low culture, which have emerged in the Middle Ages Phase III. The results of the analysis state that external factors do play an important role in the phenomenon of change Keywords: music history, classical music, church music, periodization, change
Pemeranan Tokoh Sherina dalam Drama Musikal Petualang Sherina-2 Karya Riri Riza
Full text linkDrama Musikal “Petualangan Sherina 2” karya Riri Riza merupakan alih wahana dari film “Petualangan Sherina 2”. Drama musikal memaparkan tentang aksi heroik terhadap kepedulian lingkungan melalui tokoh Sherina. Teori yang dipakai dalam memerankan tokoh Sherina adalah acting in musical. Acting in musical merupakan penggabungan antara akting, tari, dan nyanyian. Ini yang menjadi tantangan bagi aktor, di mana harus menyeimbangkan ketiga unsur tersebut. Metode akting yang dipakai dalam memerankan tokoh Sherina adalah metode akting presentasi. Metode akting presentasi aktor berusaha mengidentifikasi perilaku dan intelektual dirinya sendiri dan juga tokoh yang akan diperankan. Oleh karena itu, capaian aktor bukan kapasitas menjadi ‘orang lain’ namun merupakan ‘penyesuaian’ terhadap situasi dan kondisi baru, melalui tabungan- tabungan emosi yang dimiliki penulis secara pribadi. Kata kunci: Sherina, Drama musikal, Presentasi AbstractPlaying the Character of Sherina in the Musical Drama "Petualang Sherina-2" by Riri Riza. Drama Musical “The Adventure of Sherina 2” is an adaptation of the movie “The Adventure of Sherina 2”. The drama musical describes the heroic action towards environmental awareness through the character Sherina. The theory used in portraying Sherina's character is acting in musical. Acting in musical is a combination of acting, dance, and singing. This is a challenge for actors, who must balance these three elements. The acting method used in playing the character Sherina is the presentation acting method. Presentation acting method actors try to identify the behavior and intellect of themselves and also the character they will play. So that the actor's achievement is not the capacity to become 'someone else' but is an 'adjustment' to new situations and conditions, through the emotional savings that the author personally has. Keywords: Sherina, Drama Musical, Presentatio
Register Periklanan
No full textThe Registerin Advertising. Register is one of the language variations determined by certain occupational or social groups. The most obvious difference in register is shown by the lexical discrepancy. A same word may have different meaning when it is used in distinct profession. The meaning of each word usage in each occupational field can be comprehended when it is used in context. This study aim at describing the register, in terms of lexical variation, in advertisingfield. The analysis on the data gathered indicates that: first, grammatically the words used come from English that are either borrowed, adapted, or translated into Indonesian. This fact resulted in the occurance of word derivation process by employing Indonesian grammar rule to the English words. Second, the meanings of the advertising registers are close to the meanings of the terms used in the fields offine art, communication, and commerce. Finally, those registers can be at least classified into four class namely types of advertisement, technical terms, professional position, and types of media. Keywords: Register, occupational field, advertising
Wayang dan Perkembangannya
No full textShadow Puppet Theatre and Its Development. Wayang (shadow puppet show) has developed and changed in forms, performing techniques, types, and details. The wayang show refers to the values of life and is an interpretation of life that is actualized through the art of shadow play puppetry. Because of it, wayang show presents a number of values, the ones that are related to various matters that are revealed in real forms as well as the ones that are associated with the customs and manners of the society. In addition to other objectives, such as providing information, delivering propaganda, critisizing the social life, entertaining and so on, each show is hoped to be able to deliver motivating messages to the audiences so that they can get satisfying aesthetics experience.The show is a value resource that can express a message artistically and aesthetically.Javanese Wayang Kulit Purwa still exist in the era of globalization for it is not merely seen from its visual or aesthetical aspects, but also the meanings behind it. For Javanese people, wayang functions as a performance, a life teaching, and a life arrangement. For that reason, in 2003, UNESCO declared wayang as an intangible world heritage. keywords: puppet theatre, wayang, keli
Proses Produksi Musik Latar “Maleo Tidak Sendiri” dalam Program Magang Bersertifikat Kampus Merdeka 2023 di PT. Selingkar Literasi Sayang Keluarga
Full text linkDunia pendidikan tinggi di tanah air mengalami perubahan paradigma sejak diselenggarakannya kebijakan Merdeka Belajar Kampus Merdeka. Program MSIB (Magang dan Studi Independen Bersertifikat) adalah salah satu program unggulan Kementerian Pendidikan, Kebudayaan, Riset, dan Teknologi yang bertujuan untuk mempersiapkan mahasiswa dalam lingkungan dunia kerja nyata. Artikel ini mendeksripsikan proses produksi luaran dari Kegiatan MSIB 2023 yang dilakukan di PT. Selingkar Literasi Sayang Keluarga (Mitra PT. Sebangku Jaya Abadi). Musik Latar “Maleo Tidak Sendiri” disusun berdasarkan penugasan Peserta Program MSIB 2023 yaitu Produser Musik. Musik disusun sebagai musik latar untuk Project Motion comic berjudul Maleo Tidak Sendiri yang diproduksi oleh Yuniar Khairani, penulis naskah segaligus Kepala Divisi Kreatif PT. Selingkar Literasi Sayang Keluarga. Penelitian menggunakan metode artistik dengan pendekatan Practice Based Research. Tahapan penelitian yaitu: perancangan, pengadaptasian, uji-coba, dan penerapan. Hasil penelitian menunjukkan adanya manfaat dari program MSIB yaitu menjembatani kesenjangan antara pembelajaran akademis dan penerapan dunia nyata dengan memungkinkan individu untuk mengembangkan keterampilan di bidang produksi musik. Program MSIB juga memungkinkan penulis menjalin hubungan dengan profesional, mentor, dan sesama peserta magang.Kata kunci: Musik latar, Maleo Tidak Sendiri, Motion comic, Practice Based Research, Produksi Musik
Penerapan Alat Musik Tradisional Cak dan Cuk dengan Alat Musik Modern dalam Peribadatan di HKBP Yogyakarta
Full text linkMusik memiliki peran yang sama penting dengan khotbah di dalam berjalannya suatu ibadah. Berkembangnya zaman, gereja pun berkembang ke semua penjuru dunia dan mengalami inkulturasi budaya musik. Gereja HKBP juga mengalami inkulturasi budaya, alat musik Jawa (Keroncong) yaitu Cak dan Cuk dipilih untuk mengiringi ibadah 17.30 di HKBP Yogyakarta. Penelitian ini bertujuan untuk mengetahui alasan gereja HKBP Yogyakarta menerapkan alat musik tradisional Cak dan Cuk dengan alat musik modern pada peribadatan 17.30 dan proses penerapannya. Penelitian ini menggunakan metode penelitian kualitatif deskriptif untuk memperoleh data penelitian. Penelitian ini dapat memberikan pengetahuan kepada gereja HKBP Yogyakarta tentang penerapan alat musik Cak dan Cuk dengan alat musik modern dalam peribadatan. Dapat disimpulkan alasan penerapan alat musik tradisional Cak dan Cuk dikarenakan adanya program kerja pemusik pada setiap minggu ke-5 yang menerapkan ibadah etnik. Penerapan musik Cak dan Cuk dengan alat musik modern dapat menciptakan nuansa ibadah etnik Jawa yang cukup dan tidak terlalu susah untuk diterapkan. Kekurangan SDM dan alat mempengaruhi performa penyajian musik iringan ibadah pada ibadah etnik Jawa. Kata kunci: Musik tradisional, Cak Cuk, Musik gereja, Peribadatan, HKBP Yogyakarta AbstractMusic has an equally important role as the sermon in the course of a service. As time progressed, the church expanded to all corners of the world and experienced inculturation in musical culture. The HKBP Church also experienced cultural inculturation, Javanese musical instruments (Keroncong), namely Cak and Cuk, were chosen to accompany the 17.30 worship service at HKBP Yogyakarta. This research aims to find out the reasons why the HKBP Yogyakarta church uses traditional Cak and Cuk musical instruments with modern musical instruments in the 17.30 worship service and the implementation process. This research uses descriptive qualitative research methods to obtain research data. This research can provide knowledge to the HKBP Yogyakarta church about the application of Cak and Cuk musical instruments with modern musical instruments in worship. It can be concluded that the reason for using the traditional Cak and Cuk musical instruments is because there is a work program for musicians every 5th week that implements ethnic worship. The application of Cak and Cuk music with modern musical instruments can create a sufficient nuance of Javanese ethnic worship and is not too difficult to implement. The lack of human resources and tools affects the performance of the presentation of worship music at Javanese ethnic worship services. Keywords: Traditional music, Cak Cuk, Church music, Worship, HKBP Yogyakart