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Kajian Akulturasi Pada Aspek Intramusikal Dalam Komposisi Musik Program “Watu Pinawetengan”
Get PDFMusic as part of culture is always changing. These changes can occur due to several things, one of them through acculturation. Acculturation is the intercultural contact of culturally intercultural groups that leads to cultural change for the group.Acculturation can be seen in a musical genre that combines two cultural idioms. One of them is the musical composition of Watu Pinawetengan program which will be described in this article. The composition of Watu Pinawetengan music program is a music program with string quartet format and instrument of tambur (percussion instrument of Minahasa). This musical composition consists of three movements, where each movement is inspired from Minahasa folklore about the origin of the division of agricultural areas. The first movement tells the story of the daily life of the Minahasan people. The second move tells the story of the conflict that occurred in the fight over agricultural land. While the third movement tells about negotiations to resolve conflicts in the division of agricultural areas.The musical composition of the program combines the ethical idioms of Minahasa music and western music. These idioms are manifested in the intramusic aspect, whether they are realized as melodies or harmonies. The merging of these two idioms will result in an acculturation. This acculturation process will be described in this article. What intramusical aspects are acculturated, the extent to which acculturation causes change, and which culture is stronger in its influence on other cultures. Keywords: Music, Composition
Musik Tiban Dalam Ritual Mendatangkan Hujan di Desa Kerjo Kecamatan Karangan Kabupaten Trenggalek
Get PDFTiban is a tradition of the people of the village of Kerjo, Karangan, Trenggalek, East Java, which is held every year, especially when a long dry season strikes the area. Tradian Tiban aims to bring rain with the media, namely having to bleed as redeeming human error. The process of making blood come out of the body is done by the offender by whipping each other using whip. The result of the lash will scratch the body so that it becomes a wound so that it bleeds. The village of Kerjo village is a farming community that uses the Tiban facility to bring rain during a long dry season.The method used in this study is a qualitative method which is done by collecting data based on observations, literature, documentation, and interviews. The results of this study can trace a phenomenon that exists in the Tiban ritual that relates to the beliefs of the people. The syncretism that occurred in the Kerjo village community did not make a barrier in the implementation of the art
TANGGA NADA HIBRID MELALUI KONSEP PENCIPTAAN MUSIK
Get PDFThis writing is in the background of the phenomenon of existing phenomena of some composers making works of musical composition. Dominate the idea of story-based musical creation (ektramusikal) in the academic environment, resulting in an imbalance of explanations of the work. The purpose of the author is to create a concept of formation of hybrid tone, to participate as part of a musical discussion such as conceptualization before the embodiment of the work. Then to know that the many background ideas of the creation problem from the intramusical aspect of the creation dominance of the extramusical element. Combining elements of music from two different types of classification ladder. The process of making these hybrid tones is the result of developing the concept of a pre-existing hybrid scale, beginning with an experiment of tone interval combinations. Hybridity-related because it uses two elements of music combined, to underlie the exposure of concepts such as systematic flow of two elements of music mixed from two musical cultures. So with this intention as a trigger for writers and composers who want to do concept development also strengthen the intramusikal argument in the creation that is done, thus enriching the discourse in the field of musical composition. Keywords: Scale, Hybrid, Creative Ide
SEBUAH KESAN AKAN KEHENINGAN BUNYI
No full textAn Impression of the Silence of Sounds is the title of a musical composition that put emphasis on the silence in either a sensible or insensible reality. The phenomenon of sounds as both real and not-real is attempted to be expressed through this composition, after going through the stages of scientific study of acoustics (as represented in symbols) and imagination. This composition was inspired by the works of musical composition and natural phenomena that are identical to silence itself. This musical work was realized, first, through some processes or methods, such as initial stimulation, ideation, exploration, improvisation, and formation that ended up in presentation. The composition intends to integrate two musical media; of Western and Eastern (Gamelans). Moreover, it encompassing all three movements; adagio, allegro, and returns to the beginning of the adagio section. In its own context, the composition represents an affirmation of the existence of sounds in a silence as has been demonstrated in natural science disciplines. Further, it attempts to criticize public perception that the beauty of art is solely a sensual pleasure. Keywords: Impression, Silence, Sounds, acoustics, imagination
KESENIAN TERBANG MEDAL KERAMAT CEMPAKA MULYA DALAM UPACARA NGARUWAT BUMI DI DESA SUKAMUKTI KECAMATAN MAJALAYA KABUPATEN BANDUNG
No full textKesenian Terbang Medal Keramat Cempaka Mulya, in Sukamukti village, Majalaya subdistrict of Bandung regency, has a special presentation structure that still holding on to the traditions common to the ancestors in organizing the performance ensemble. This musical performance can be categorized as a multifunctional Tambourine ensemble performed not only in religious rituals, but also in other ceremonies for circumcision, wedding, ngaruwat bayi (ritual cleansing and purification for children), or ngaruwat bumi (earth cleansing and purification rituals), and so on. The problem to be studied comprises the function and structure of performance of Kesenian Terbang Medal Keramat Cempaka Mulya in Sukamukti village, Majalaya subdistrict, Bandung regency. The study employed an analytic descriptive method using an ethnomusicological approach. The data were collected through observation, interview, literature review, and documentation. By this method, the author can describe how the Kesenian Terbang Medal Keramat Cempaka Mulya in Sukamukti village, Majalaya subdistrict, Bandung regency performs in Ngaruwat Bumi ceremony. Ngaruwat Bumi ceremony starts with Ijab Qabul (Muslim marriage contract) and Tawasulan (Islamic prayer). In this event, Kesenian Terbang Medal Keramat Cempaka Mulya performs Terbang Buhun. Subsequently, the celebration event was held by involving the community to presents the songs of joy. In this event, Kesenian Terbang Medal Keramat Cempaka Mulya performs Terbang Bangreng and Terbang Akrobat.
SIALANG
No full textSialang is an ethnical music performance inspired by honey bees collecting nectars. The idea evolved into a concept of life that comprises three elements of the interacting and interdependent creatures. Sialang is a tree that shelters the bees until they produce honey; from early life into adulthood, they are persistent to deal with natural selection and to survive amidst the challenges they are facing such as bad weather, attacks from other animals, and uncertain climate. From the life they had never live before until the life with full of threats to their survival. Therefore, human, plant and animal should establish a mutually beneficial life in order to realize a harmonious life. Such phenomenon is manifested because of the tangle of three elements that play a major role in fostering a mutually beneficial relationship. The one and the other elements are welded together to form a unified whole. This phenomenon can be expressed in the form of intertwining circles as the food chain that works on a cyclical basis in an ecosystem. Keywords: honey, concept of life, Sialang
TETABUHAN DALAM UPACARA NGABEN SEBUAH TINJAUAN MUSIKOLOGIS
No full textThe study aims to explore the musical aspects of percussions in the process of Ngaben ritual with musicological approach. There are three types of percussion to be analyzed; Balaganjur Peponggangan, Gender Wayang, and Angklung. The analysis indicates that the processing of musical elements that include melody, rhythm, harmony, tempo, and dynamics established in the three types of percussions are quite harmonious with the ritual procession. This indicates a close relationship between the percussion and the ritual that reflects the concept of the Balinese Hindus on their culture and religion. Keywords: Tetabuhan, Ngaben, Musical Aspec
REPRODUKSI LAGU KR. KEMAYORAN: KONSTRUKSI SUBJEKTIVITAS NYAK INA RASEUKI (UBIET)
Get PDFThis article shows the knowledge and cultural perception of an Indonesian woman singer, Nyak Ina Raseuki (Ubiet), that was achieved through her musical experiences in social life and constructed her singing style as her aesthetic mastery (connoisseur). Her singing style is used to reproduce songs from the variety of musical genres so that constructed her subjectivity in Indonesian popular music. One of the songs is analyzed in this article is Kr. Kemayoran, a song in the genre of keroncong. The research questions focus on 1) the construction of knowledge and cultural perception of Ubiet to construct her subjectivity, and 2) Ubiet’s way to explore Kr. Kemayoran so that showed the difference from others. This research used the life history method to understand Ubiet’s knowledge and cultural perception and the critical musicology to analyze the song. The research findings are the connoisseur is not depend only on formal education, but on the variety of musical practices in Ubiet’s life. Besides it, Ubiet’s subjectivity more focused on her musical competencies, i.e. her wide vocal range, the ability to explore many songs with microtones, local ornaments, as well as her ability to follow the development of meter and tonalilty (modulation) that are preceded by the music accompaniment. Keyword: subjectivity, connoisseur, knowledge, cultural perceptio
MUSIK GAMBANG KROMONG DALAM MASYARAKAT BETAWI DI JAKARTA
Get PDFThe existence of Gambang Kromong music among Betawi people is well maintained. The traditional music has its own dynamics in the life of Betawi people. Betawi people expect that the traditional music could develop and be able to satisfy the musical tastes of its people by playing the composition with popular music and dangdut. It stimulates the creativity of the the traditional artists to combine the traditional music instrument of Grambang Kromong ensemble with Western music instruments. The dynamics of the traditional music results in the two categories of the Gambang Kromong, which are the genuine one and combined one. In spite of the dynamics, the supporting people of the traditional music remain to be faithful audience of the traditional ensemble that it is well-preserved up to the present time. Keywords: Gambang Kromong, Use and Function, Aesthetic, Societ
MENELUSURI ASAL MUASAL LAHIRNYA ORKES KOLINTANG MINAHASA
No full textKolintang is amusical genre. It is well known as a musical ensemble came from Minahasa, in North Celebes. But, many people do not know yet about the history of how this music was built, And why its construction and instrumens composition are as like as this time. This article describes about the contextual backround on how this music was builtand who are and the agents as the maker. Keywords: Kolintang, History, Minahas