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PENERAPAN DINAMIKA ALAMIAH PADA LAGU-LAGU YANG TIDAK BERTANDA DINAMIKA
Get PDFMusic is expression in sound. Sound without expression is not music. In music we express the idea. Dynamic is a musical elemen, that has function to express the idea and the soul of the sound, so the sound can be music. This article gives a practical direction about how we can applicate dynamic in a musical composition naturally so the idea of music can we hear, feel, and enjoy. Keywords: Dynamic, Music, Compositio
TEPAK KENDANG JAIPONGAN DALAM LAGU DAUN PULUS KÉSÉR BOJONG
No full textThe drum beat of Daun Pulus Keser Bojong or Keser Bojong is the most popular drum beat in West Java in 1980s. This paper aims to explore a variety of Jaipongan drum beats in the Daun Pulus Keser Bojong composition on descriptive analytic basis. By this method, the author explored a variety of musical elements that characterized the song with its particular drum beats, either in their forms and structures. Further, other musical instruments such as bonang, kecrek, lagu, gending, kempul, and goong were also taken into account. Among those characteristics is the dominant improvised drum beats at the beginning of the song (pangkat) with a quite long duration, which is nine times of gong sounding that never existed in other previous traditional ensembles. Keywords: strokes, jaipongan, késér bojon
GONDANG SITOLUPULU TOLU DALAM UPACARA PESTA TUGU RAJA SILAHISABUNGAN
No full textGondang SitolupuluTolu is a type of traditional music ensemble comprised of three instruments namely; Sarunei, taganing, Gordang and Ogung instruments. The existence Gondang SitolupuluTolu today, still considered important in the social culture of the region Silahisabungan Medan North Sumatra province, because music is considered as a medium of expression that can describe the disclosure of customs value and as a manifestation of religious communities Silahisabungan. Gondang SitolupuluTolu traditional music is one that can survive in their communities, because music is still used as the primary means sacred or media that can not be separated King Memorial Ceremony celebration party Silahisabungan which hitherto still exist conducted in each year based on custom and tradition that still applies in the community or clan groups Silahisabungan in Medan North Sumatra province. Keywords: Gondang Sitolupupu Tolu, Pesta Tugu, Functio
KARAWITAN WAYANG WALISANGA SEBAGAI MANIFESTASI MUSIK SENI ISLAMI
No full textThe Walisanga’s puppet performance has its uniqueness which is able to distinguish to another type of puppet performance. One of the uniqueness is the song or the piece. In accordance with the identity, song, and the lyric has to be appropriate with the Islamic religion. This phenomenon is very interesting to investigate as long as the song appropriate with the Islamic value. In order to understand the object, this investigation uses gamelan music knowledge and hermeneutic. The result is a synergy correlation between gamelan music pieces with the Islamic religious proselytizing using gamelan music performance, as a form of specific Javanese culture to the Indonesian society which is majority consist of Moslems community. Keywords: Karawitan, Walisanga Puppets, Islamic Musi
SENI RESITASI ROYONG DALAM RITUAL DAUR HIDUP ETNIS MAKASSAR DI KABUPATEN GOWA
No full textRoyong recital performance art is a song or chanting in an artistic lyric. The ethnic of Makassar believe that the lyric chanted by royong reciting singers represents the prayer for safety and protection to live the life of the one chanted with royong lyric. In the life-cycle ceremony of a wedding, the chanted lyric of royong implies a prayer for happiness and wellbeing. The lyric recited during the life-cycle ritual, especially attompolok and assuna, represents mythical story to incite good fortune, prevent turmoil, and salvation prayer. It is also intended to form a character based on existing norms, for the survival of their children later, and the recitation is in Makassar Turiolo (the anchestors). The story in the royong lyric, according to the people of Makassar, is a myth believed to bring wellbeing for the chanted child, and is praying for the child to grow in a healthy condition until his or her adulthood. Keywords: Royong, Initiation, Makasar peopl
MUSIK GAMBANG KROMONG SEBAGAI IRINGAN LENONG BETAWI
No full textGambang Kromong music of Batavian in Jakarta plays a vital role in directing the mood of a Lenong play scene. Each scene staged in Lenong is accompanied by Gambang Kromong music to illustrate the sad, happy, and other moods in the performance. The interactive process between Gambang Kromong players and the Lenong characters is manifested in a mutual understanding of each scene. The performance of Lenong Betawi needs the support the accompanying Gambang Kromong ensemble. Keywords: Gambang Kromong Music, Scene, Lenon
BERKARYA MUSIK: ANTARA HARAPAN DAN TANTANGAN
Get PDFIt is not easy to create musical works. It requires perseverance, toughness, broad knowledge and experience in addition to long creative process for musicians to pour their ideas into musical works that are intelligible and enjoyable. Different artists have different understanding of artistic works with certain theme and they have their own way to interpret the artistic works. There are various challenges they artists must face in creating good artistic works that are enjoyable by their audience or music lovers. The creative process is carried out by exploring, observing, improvising and arranging the results of the exploration, the observation and the improvisation in a good composition. It is the key for the artists to the success in their artistic creation. Keywords: Music, Creativity, Performanc
TEMBANG MACAPAT SEBAGAI SUMBER IDE GENDING-GENDING KARYA KI NARTOSABDO
Get PDFKi Nartasabda used Sekar Macapat as one of the inspirations in creating gamelan ensemble compositions. The expression of the Javanese traditional poetry was applied in the composition elements such as bawa, gerongan, and lelagon. Therefore, the elements were related to different ambiences of the traditional songs and cakepan did not completely follow the rimes of the Javanese poetry and also cengkok in the Sekar Macapat. The Sekar Macapat in the gamelan ensemble compositions created by Ki Nartasabda was expressed implicitly and explicitly in the bawa, the gerongan and the lelagon. The examples of the gamelan ensemble compositions were contained in the forms of Bawa Sekar Mijil, Ladrang Pocung, Lelagon Gambuh Pangatag, Lancaran Wira-wiri, and Lancaran Begadhang (Sinom). Keywords: Macapat, Gending, Composition
PENDIDIKAN NILAI LUHUR MELALUI TEMBANG (LAGU) DOLANAN ANAK
Get PDFEducation of children of play group and elementary school of age is absolutely required, especially education of affective aspect because it is at the age that they develop their emotional capacity. Continuously trained will develop their emotional capacity and also their ability to control it. Therefore, teachers play a frontline role in developing the character of the children who are not only good in their cognitive and motor aspects, but also in their affective aspect. Traditional children songs, especially the ones for children of schooling age are highly appropriate and it should have been introduced for long time ago. It is because the traditional children songs contain the teachings of noble values and the behavioral aspects that must be developed through real reinforcement, role model and identification. Thus, learning the traditional children song systematically along with teachers will enable the development of good attitude and conduct that they can practice in their family as obligation. Such good conduct and character of noble values must be developed into good behavior, attitude and character. The development of the character of human being plays a strategic role in developing a good conduct. Developing honesty, trust, transparency and wisdom is important for human being that they have high dignity. It is expected that good and right character education will result in high civilized and dignity society. Traditional children songs for the children of play group and elementary school of age play an important role in developing the affective aspect, psychomotor aspect and cognitive aspect of the children and it is a means to develop good character, attitude and behavior based on noble values. Key words: education, noble values and traditional children song
TARAWANGSA DAN JENTRENG DALAM UPACARA NGALAKSA DI RANCAKALONG SUMEDANG JAWA BARAT (Sebagai Sarana Komunikasi Warga)
No full textNgalaksa ceremony is an expression of thankfulness to the God for His gift allowing the the rice harvest. The ceremony is conducted by six villagers in district Rancakalong Sumedang regency and lasts six days and nights with the accompaniment of tarawangsa and jentreng music played countinously. This ceremony is held once in a year following the rice harvest and at the same time regarded as the preparation of the next plant season. Apart from the thankfulness expression, ngalaksa is also considered as an honour of people toward Dewi Sri (the rice Goddess) and as a meeting and communicating arena of the people. Ngalaksa is commenced with the making of laksa (a kind of porrage made of the rice flour, wrapped with congkok leaves {a sort of leaves similar to coconut leaves}, which have been steamed before). The certain people believe that if the number of laksa packages is more than those in the last year, the result of harvest in the next year would be better. There are usually hundreds o/laksa distributed to all participants of the ceremony. The process of making laksa spends four to five days. In the seventh day, regarded as the ultimate days, there is an activity to get the rice into the barn (lumbung) as a symbol of getting rice back to the higher place. At that time, the participants dance with spontaneous movement that is accompanied with tarawangsa am/jentreng music. They are sure that at the time, ancestor spirits including Dewi Sri get down to the earth and dance together with them