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Keberadaan Seni Gejog Lesung Mukti Lestari di Desa Pendowoharjo Bantul Yogyakarta
Get PDFArt evolves with the dynamics of society. The reflection of the geographical region through the form of an art is a picture that a form of art can not be separated from the elements of life and nature that surrounds the community. In agrarian society in Krandohan Pendowoharjo Sewon Bantul village, the community is close to an art form that is characterized by agrarian art of Gejog Lesung. Art is well developed in the area because the people still put Gejog Lesung as a form of entertainment performances. Along with the development of a dynamic era, then Gejog Lesung decadence in continuity. On the one hand the generation of mothers who are getting older as main supporters of Gejog Lesung art feel not as energetic as before in his appearance. On the other hand the younger generation are reluctant to learn and engage in art activities Gejog Lesung. Such problems often occur in the existence of a traditional performing arts. Feminism in the show Gejog Lesung with the role of mothers, making the art has its own specifications, given the busyness owned by most of the mothers either as housewives or other workers still take the time to engage in such activities. The degrading view of the potential possessed by a woman can be avoided by seeing the activities of these mothers. Etnomusikologis a form of art can be seen a manifestation in the system contained in a society. Through the art Gejog Lesung can be seen from the pattern of a form of society in appreciating the arts
FUNGSI PAJIDOR DALAM PESTA PA’BUNTINGANG
Get PDFPajidor is a musical art performance that uses flutes, jidor, and ropolo (drums or tambourines). As one of the traditional types of Makassar ethnic music, pajidor has quite an important function in community activities as evidenced by its frequent use in pa’buntingang. Based on this phenomenon, the focus of the research is to describe the function of pajidor in the pa’buntingang.This study uses qualitative methods sourced from library research, interviews, observations, documentation, which is equipped with data analysis.This research shows that pajidor is a musical performance art at pa'buntingang event with a function as a means of entertainment and aesthetic pleasure.
Kelentangan Dalam Ritual Merangin Pada Upacara Erau di Tenggarong Kutai Kartanegara Kalimantan Timur
Get PDFMerangin is one of the ritual stages in erau ceremony. Erau is a ceremony that held once a year to celebrate anniversary Tenggarong city. In this ceremony, there some rituals that should be held, one of them is merangin, that include in pra erau stage which have purpose to open the communicate with the unseen world. Ritual merangin is held in Serapo belian and done by belian (people who can talks the spell) for three nights. Merangin in implemetation presenting kelentangan ansamble that will be played from the beginning till the end ritual. The main purpose from ritual merangin is to telling the unseen things to attend the erau ceremony and to guard Kutai Kartanegara during the ceremony. This research using descriptive method of analysis with anthropological and ethnomusicology approach. Then, the next step is collecting the data with literature review, observation, interview and documentation to ritual merangin that held on 19th till 22nd of July 2017. This research also using theory of music function by Alan P. Merriam, cultural theory by Clifford Geertz and form of music science by Karl Edmund Prier SJ to analize the data and the answering the formulation problem. The result of this research is ritual merangin that presenting kelentangan ansamble having linkages that cant be separated because the ansamble is the part of the ritual. Kelentangan in ritual merangin have some function, that is ritual function, communication media function, and physical response function. The song that played by kelentangan ansamble having pattern which is the simple one and sounded repeated to create magical atmosphere so the message in the communication can be delivered to the unseen things
Popularitas Gamelan Gong Kebyar Dalam Arena Pertarungan Kekuasaan Gamelan Bali
Get PDFGong kebyar is the most popular Balinese gamelan ensemble. Gong kebyar is a new class of Balinese gamelan created between 1910 and 1915 in the north of Bali. The popularity of gong kebyar is used as a medium in the arena of power struggles. The analysis of this study uses the ethnomusicology point of view in discussing gong kebyar in the context of Balinese culture and sociology discipline to discuss gong kebyar in social scope critically. "Kebyar" refers to the Bourdieu power theory that used as a cultural capital in the arena of Balinese gamelan power struggle. Gong kebyar through cultural capital of the symbolic value "kebyar" gained dominance in the arena of Balinese gamelan power struggle. Balinese gamelan outside gong kebyar experiencing changes in the form of “tabuh gong” is the inclusion of the “tabuh gong” which is the identity of musical character of Gong kebyar. Keywords: gong kebyar, kebyar, cultural capital, Balinese gamelan
Penggunaan Instrumen Cello Dalam Langgam Jawa
Get PDFKeroncong music is the result of a mixture of Portuguese culture and Indonesian culture around the year 1498. Java Javanese style which is one part of keroncong music develops well in Java as a form of community creativity. In 1934 was used pitchicato cello instrument that is picked the technique of strumming with fingers, by Tjok Shinsu. The cello instrument in its native country is a string instrument, by the Indonesians being transformed into a string instrument now known as "cello keroncong". Thanks to the creativity of the artists keroncong, then came the form of Langgam Jawa Keroncong, because according to Gesang that Langgam Jawa was born in 1950. While the Javanese Gamelan affects the original Keroncong, Macapat leads to the verses in Keroncong Langgam introduced by Gesang. The style of singing keroncong with Java elements is usually not displayed in the notation. The phenomenon is very interesting to explore further about the use of cello instruments in Langgam Keroncong. Research conducted with the object uses qualitative methods that rely on direct observation in the field in the pattern of cello instrument play. During the play Langgam Jawa the cello instrument plays a pattern of kendangan. The instrument gives an accentuation that gives the color of its own voice in a dish. The characteristic that stands out in Keroncong Javanese Langgam is located in the cello instrument game because in the form of the game imitate ciblon kendang. According to its function cello in Langgam Jawa Keroncong play a role as ritmis. The role of the cello instrument is the same as the kendang instrument that acts as a rhythm holder having the authority to carry the direction of the song to be performed, such as using ankle rhythm or double, or in karawitan called weled and rangkep
SIGN OF MORSE #2
Get PDFSign of Morse # 2 is a creation of ethnic musical composition inspired by the empirical experience of the author, that is overseas trip undertaken from their hometown to the other areas to seek new experiences.Sign of Morse # 2 sourced with three ethnic groups in Indonesia, namelyPadang, Berau and Yogyakarta. The authors add textual idea of using Morse as the cultivation of the material so that the concept more interesting creation.The background of the birth of a creation based on the basic functions and interests as well as the hearts of the composer itself. Social criticism, natural phenomena, even outpouring composer a wide variety of content contained in a creation. Sign of Morse # 2 has a goal to provide a reference musical ideas through Morse and hope to contribute to the community or audience of creation in order to become a lighter to always create. The author hopes that the birth of this creation, Morse could serve as an example for contextual idea of making the work of musical composition.Each symbol is a result of word processing Padang, Berau and Jogja given beats to determine measures of which will be used in every part of the composition. As for the tone processing, the author uses the pentatonic represents Javanese (Pelog), Hijaz represent Berau and Minang represented by imitation and Bansi talempong technique that has been processed into a musical composition
MUSIK OGLOR DALAM RITUAL SUNATAN DI DESA WONOKARTO KECAMATAN NGADIROJO KABUPATEN PACITAN
Get PDFOglor is one of the traditional arts that developed in the village community Wonokarto, in this case Oglor music is used as a means of circumcision ritual in the village Wonokarto. Where the owner of the intent more believes with chanting poem played Oglor music will be faster delivered to God. The form of music presentation Oglor in the ceremony sunatan as a means of accompaniment, bringing many songs and Islamic poems taken from the book barzanji. Oglor music has always been used as a medium of prayer in the great days of religion and especially for traditional ceremonies in the village of Wonokarto. The call of poetry containing prayers with the accompaniment of kendang, centrifugal and flying instruments into an inseparable unity. Thus it can be concluded that Oglor as a means of ritual circumcision ceremony in Wonokarto village is one of the tradition of Wonokarto villagers, where the owner chooses to bring Oglor music in every ritual ceremony of sunatan ceremony. Because every verse of the song that is sung has meaning for the good of the child in the future and is celebrated as gratitude to God Almighty
Story of Love
Get PDFThe work of art has the goal of music as a form of application of enculturation as idium cultural phenomenon in the making. Story of Love is a work of art inspired by the journey of love two people who have different cultural backgrounds, the process of melting a man against a culture. This musical artwork has three parts form with the translation of each individual human being into the idea of cultivating to the union of two human beings. This musical artwork using idium tradition as a basic foundation with an emphasis on Java and Minangkabau culture. Methods of augmentation, retrobasi, harmony, and dynamics is the method used in the process of cultivating a work entitled Story of Love. This work is one manifestation of which music is a universal means of communication. This music works also as a form of art conservation teradisi as a form of respect to the local culture.Keywords: cultural phenomenon enculturation, the journey of love, music universal means of communication, cultural preservation
Iringan Musik Dalam Pantomim
Get PDFPantomime is one of the oldest theater arts, where mime artists tell something just using their body, without talking. Pantomime artists are known for their white makeup and black pigtails, as well as other facial features to exaggerate their emotions. Black and white striped tops, white gloves and black hats are also complete with traditional Pantomime artist costumes. These clothes and makeup have become a tradition of many Pantomime artists. In adding the atmosphere of the movement displayed, a music illustration is given to bring the atmosphere to life.This study uses qualitative methods and action research methods which is a reflective research method. This type of research is able to offer new ways and procedures to improve and enhance the professionalism of pantomime presentation techniques. The approach used is structural and educative. The structure approach is used to solve something related to the arrangement or building of multi-level pantomime presentations, while the educational approach is used to solve those relating to pantomime education.Music illustrations in the Pantomime show can support the atmosphere of the show. The music played can be adjusted to the theme of the movement played by a Pantomime. Keywords: Pantomime, Illustration of Music, Atmosphere
FUNGSI MUSIK NDOTO DALAM RITUAL NGAGHA MERE
Get PDFNdoto is one of the musical instruments that is quite important in the Ngagha Mere ritual, a ritual of giving thanks and giving sweet potato as an offering to the ancestors, namely ine ebu kaju, by the Wajo people in Nagekeo District, Flores, East Nusa Tenggara. The importance of Ndoto's function in rituals also did not allow the indigenous people to play after the ceremony was completed and even the photos had to be split and burned to become a source of fire for Sweet Potatoes. This fact becomes an interesting phenomenon to be explored.The phenomenon of making photographs that should not be played and become a source of fire in the ritual procession of Ngagha Mere in the context of culture is a case of problems so that this type of research uses qualitative case studies with data collection techniques in the form of observation and interviews.The results show that the function ndoto in the Ngagha Mere ritual is a means of communication