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MUSIK ODROT DI KABUPATEN PONOROGO
Get PDFOdrot music is the art of music featured in Ponorogo, existing end centuries of Dutch colonialism in Indonesia, but its development was started in 1958. From then on stand several music groups Odrot, but that survive today are a group of music Odrot Kelana Ria. Although there are other groups who also manages Music Odrot, but the players invited players in Kelana group Ria. Music Odrot is a musical ensemble consisting of instruments trumpet, Euphonium 1, Euphonium 2, flugel, sousaphone (which by the player music Odrot called a piston, tenor 1, tenor 2, kaltu, bass), drums, kendang ciblon, ketipung dangdut, jidor and cer, keyboard and electric bass.Odrot Music initially brought the songs of preaching Islamic nuance. Furthermore, Odrot music was developed in accordance with the times so that the songs were not limited to propaganda songs where tailored to the needs of supporters. This study aimed to describe a way of presenting Odrot music and explain its function in society in detail. Odrot Music ensemble distinguished by traditional and modern terms: so-called traditional because of the instruments used is a piston, tenor 1, tenor 2, kaltu, bass, drums, kendang ciblon, ketipung dangdut, jidor and cer; called modern because coupled with keyboard instruments and electric bass. If the ensemble Odrot Music brings the songs styles (langgam), the instruments which are used namely kendang ciblon, while dangdut songs accompanied by ketipung dangdut.There is a basic song which (if not in special circumstances) is always played the name of that song is Ponoragan Kebo Giro. In addition, this song further characterize Odrot. Ponoragan songs Kebo Giro consists of 8 (eight) bars are played repeatedly in accordance with the cue trumpet. The song is sung to the rhythm of the Odrot's mars and traditional. Therefore, the ordot main function is as an entertainment in addition to other functions as an aesthetic presentation, the physical response, local cultural identity, informal educational facilities, media propaganda, cultural continuity, communication, and community integration
Gereja Karismatik dan Inkulturasi Musik di Dalam Sistem Ibadahnya
Get PDFThe charismatic movement is an embryo of the birth of charismatic church in the world. The movement was began before the World War where the situation was marked by the economical decadence, particularly in the United States of America that caused uneasiness in several live of young community. The church model based on the power of Holly Spirit in the comprehension of Christian traditional faith. It is differenced from another church that grows in Europe. The church has been developing and finally, it is taking root on Western culture tradition, and then it appeared gospel music tradition. Unfortunately the members of this religious community are disposed another musical tradition that lives around them whereas they are something important to the success of progress of cultural dialog, so the charismatic chruch seem exclusive. By mean of historical studies, the writer try to critise on the prospect dialog between charismatic church and local tradition. The dialog will open the posibility of cultural spirit to furnish, support, and appreciate one to another. Keywords: charismatic, local music tradition, dialog, religious
KESINAMBUNGAN DAN PROSES TRANSMISI KELENTANGAN DALAM KONTEKS RITUAL MASYARAKAT DAYAK BENUAQ DI KALIMANTAN TIMUR
Get PDFTransmission is one of the notable issues due to its role in the continuity of local-traditional musical practices across the globe. This paper aims to explore the transmission of kelentangan music and its link with the continuity of the music.Using ethnographic approach, this study deal with kelentangan not merely as musical sound but as a results of music making and varius activities in the daily life of Benuaq people. This study shows that, firstly, transmission of knowledge and skilss od kelentangan occurred between penu’ung to penu’ung and between penu’ung and its audiences. The second, kelentangan is closely tied with the extra-musical contexts. There has been no specific learning institution in Dayak Benuaq culture to the teaching and learning of the music. The third, the transmission of kelentangan not only generates the regenerations of its musicians, but also of its audiences. Last but not least, transmission has been one of notable elemets of the continuity of music. Transmission however cannot be operating in itself. It instead closely tied to various extra-musical context and activities in the life of Benuaq people, ranging from profane to the sacred one. In other words, it is located in the ecosystem of culture of Benuaq people. The transmission of kelentangan takes place in part due Benuaq peopleare still remain conduct their culture in line with their ancestors life in the past. Thus, to maintain the continuity of kelentangan music means to maintain the ecosystem of culture of Benuaq people. Keywords: Kelentangan, Transmission, Continuity, Contexts, Ecosystem of Cultur
Nyanggem
Get PDFComposition called nyanggem or in terms of another nyarios in language Sunda which means talk is a form of music resulting from logat, using a way that is at jangka and wirahma, then logat the conversation someone will be able as melody.Composition is expected to to be an early stage to make logat as one of objects could become work better. But based on logat in west java, composition it also took the story the author personal about mom have a struggle to become the backbone of family
KREATIVITAS MUSIK GAMBANG SEMARANG STUDI KASUS KOMUNITAS GAMBANG SEMARANG ART COMPANY
Get PDFGambang Semarang is one of the original art Gambang Semarang are adopting Kromong Betawi arts. Gambang Semarang was born in 1930 on the initiative of Lie Soen Hoo who is a member Volkstraad (House of Representatives during the reign of the Netherlands). At present Gambang Semarang has created a form that has a factor in creativity. Creativity is an aspect of human qualities which currently play an important role in supporting the development of the nation Indonesian who are experiencing problems are complex, because creativity will have the ability, the creative adaptation and expertise imaginative, so that people will be able to find a resolution problems in a new way in follow the changes that occur that will continue to move towards progress for not float and sink in competition between nations and countries, especially in this era of globalization. Gambang Semarang Art Company is a community of young people who are active in preserving the arts Gambang Semarang with attractive feature, which will follow the tastes of the market in contemporary times, a rendition of the popular and also add some western instruments in the ensemble. Their communities Gambang Semarang Art Company is very important to introduce art Gambang Semarang are increasingly recognized by the people of Semarang. Research Gambang Semarang Art Company uses the description of the analysis method with the approach of ethnomusicology. The results obtained in these studies is a form of imitation of Gambang Semarang are packed in Gambang Semarang Art Company can produce and the continued existence of Gambang Semarang as regional identity. Keywords: Gambang Semarang, Creativity, Community Gambang Semarang Art Company
Sakralisasi VS Desakralisasi, Takhayul VS Rasionalisme Dalam Studi Sejarah Kesenian Berutuk Dari Desa Trunyan, Bali
Get PDFThis paper answer the question of what a Berutuk Art from the Trunyan village of Bali is seen from historic there the art was once very sacred, then how the implementation of art and why now that started from the year 1997 experienced desacralization. To answer questions, the research method used is literature study. The result of the research, the art of berutuk originally is a very sacred art, because it can bring prosperity that is realized with the coming rain. In the execution of art is played by a males who still virgin with an odd number, then two of them act as a Batara Berutuk and queen. Today the art of berutuk desacralization due to modernisation which refers to the approach of rationalism which is contrary to superstition or unreasonable.Keywords: the art of berutuk, execution, desacralization, modernization, rationalism, superstitio
Ghuwai Cetik
Get PDFCetik is a traditional tool Lampung derived from Skala kingdom Brak Lampung West. Estimated to have existed since centuries 485sm. While the word comes from Lampung ghuwai which means create, make, do a job. Two words into ghuwai cetik, the musical instrument made of bamboo. Stylist interest by making cetik instrument is the source of the sound produced.Ghuwai cetik or how to make traditional musical instruments Lampung is an inspiration to stylists to be a theme in the musical composition. After finding inspiration in realizing further various stages such as stages of selection, cutting, tunings and finishing. The method used in the work of this musical composition using the Re-Interpretation and contemporary approach.Keywords: Ghuwai cetik, Process
Musik Dewa-Dewa Dalam Upacara Erau Pelas Benua di Guntung Kota Bontang Kalimantan Timur
Get PDFErau Pelas Benua Guntung is the ritual ceremony that held by Kutai Guntung society Bontang, East Borneo. Erau will be held for seven days. In this ceremony, the erau ritual can’t be held if they are not doing the Pelas Benua. Pelas Benua is a ritual that sorrounds the four direction of the wind in Guntung as the form to clean up from the negative things. This ritual using Dewa-Dewa music as accompanist, the belian communicate to Dewa Semega, He is The God who control the universe. This research using qualitative method with ethnomusicology perspective. Music Dewa-Dewa is ritual music which is specially used in Pelas Benua procession. Music Dewa-Dewa is an ansamble which consist Klentangan, Gong, Gendang and Gimar instrument. There are three function of Dewa-Dewa music in this ceremony, as communication, ritual function, and physical response. The form of presentation music Dewa-Dewa always can not be separated with form the context of Pelas Benua ceremony and presenting as the ansamble
Ansambel Musik Nggo Lamba Dalam Upacara Pati Ka Du’a Bapu Ata Mata Di Danau Kelimutu Ende Flores Nusa Tenggara Timur
Get PDFPerformance of art in a community is a part from community culture it self. Community as the owner of culture has a role to preserve it. Performance of art has different shape from each other. Performance of art it self has a special meaning and this is corresponding with it’s context. Nggo Lamba music performancein Lio Ende Flores East Nusa Tenggara is a folk performing arts that’s used to accompany custom dance at many kinds of custom ceremony like thanksgiving ceremony, wedding ceremony, Pati Ka ceremonyand etc. This writing is a discription of the series process of a Pati Ka ceremonies at Kelimutu lake from preparing until peak of the event ceremonies.Keywords: Nggo Lamba, Pati Ka Du’a Bapu Ata Mata
Nyanyian Raego Dalam Pernikahan Adat Golongan Maradika Kulawi Di Sulawesi Tengah
Get PDFRaego is traditional song in Kulawi etnis, Central Sulawesi. Reago song is used at traditional wedding maradika people. This study using kualitatif method with ethnomusicologists approach. Raego song at wedding's maradika people have distinct function, there are primer and secundary. All of those functions address to support society and society which have its culture. Raego song have their own way to show. Start from the way they perfom their song which dont have direct connection with the song and how they perform it. Keyword : music, function, raego song