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Belonging and friction – how tradition is negotiated within two Pentecostal congregations in post-colonial Windhoek, Namibia
Get PDFReligion has the potential to preserve collective memory and can therefore establish belonging. In colonial and imperial settings, religion was often used as a legitimation of inequalities and therefore as tool of oppression. At the same time, religion, and especially Pentecostal belief systems, can be employed as politicized and de-colonizing efforts in struggles of liberation and empowerment. In Windhoek, a distinction is drawn between the so called “traditional” mainline churches, which are pre-dominantly Protestant and the Pentecostal ones. Main markers of distinctions are worship practices. It can lead to a sense of belonging, but on the other hand to frictions with members of mainline congregations. Within this discourse the meaning of “tradition” is negotiated by members of Pentecostal congregations. In this paper, the different meanings, and consequences of the use of the word “tradition” in the context of pentecostal believe systems in Windhoek will be shown
Walking, Memory, Storytelling, Decolonisation Werkstattbericht: Zwei kollaborative Workshops zur Erprobung von Methoden der Dekolonisierung, Windhoek 2019
Get PDFMit dem Ziel, im Dialog zwischen Kolleg*innen aus Windhoek und Bremen an didaktischen Strategien zur Dekolonisierung von Wissensbeständen zu arbeiten, wurden im September 2019 zwei Workshops an der University of Namibia durchgeführt. Im folgenden Artikel wird zunächst über die Methodik einer Walking-Tour zu Orten der vorkolonialen, kolonialen und postkolonialen Geschichte in Windhoek reflektiert, bei der durch kollaborative und kreative Deutungsarbeit bislang verdrängte Zusammenhänge bewusster und durch visuelles Storytelling sichtbar gemacht wurden. Zudem wird über einen partizipativen Film-Workshop für Studierende am Department of Visual Arts berichtet, durch den Themen der jungen Generation, der sog. „free borns“ nach der Unabhängigkeit Namibias 1990, erarbeitet und filmisch umgesetzt wurden
L\u27 Europe latine dans les olympismes alternatifs
Get PDFDuring the interwar period, the Olympic movement have difficulties to integrate women and workers into its midst. These are structured into national and international federations that organised alternative games to defend the legitimacy of women’s sport and promote the worker’s sport culture. This article proposes to consider the social, cultural and political dimension of this competitions by taking Latin Europe as a framework for analysis. The organisation of the games reveals the link between the associative, institutional and political network and the importance of sports infrastructures. The analysis of the results and the composition of the delegation supports a comparative history of sports margins in countries with different political trajectories. As a field for sports expression of the margins, alternative games bring out fears and disapproving speeches and reveal the social and political tensions of the interwar period : the place of women, the struggle of worker’s movements against fascism.Durant l’entre-deux-guerres, le mouvement olympique peine à intégrer en son sein les marges féminines et ouvrières. Ces dernières se structurent en fédérations nationales et internationales qui organisent des jeux alternatifs pour défendre la légitimité du sport féminin et promouvoir la culture sportive ouvrière. Cet article propose d’envisager la dimension sociale, culturelle et politique de ces compétitions en prenant l’Europe latine comme cadre d’analyse. L’organisation des jeux permet de révéler le lien entre réseau associatif, institutionnel, politique, et l’importance des infrastructures sportives. L’analyse des résultats et de la composition des délégations appuie une histoire comparée de la situation des marges sportives dans des pays aux trajectoires politiques différentes. Espace d’expression sportive des marges, les jeux alternatifs font rejaillir les craintes et les discours réprobateurs et sont révélateurs des tensions sociales et politiques de l’entre-deux-guerres : la place de la femme, le combat des mouvements ouvriers contre le fascisme. 
Outline of a holistic design-based research model for higher education
Get PDFDesign-Based Research (DBR) is not yet an established methodological framework in the context of higher education; nevertheless, it is increasingly used in projects in order to develop and explore new teaching/learning methods or scenarios and being taught in degree programs. The article presents the outline of a holistic DBR model and unfolds its construction in several steps based on practical experiences in applying DBR by means of existing models. The DBR cycle is visualized as a circle with five semantic fields; the choose modelling especially considers different forms of part-whole relationships in the DBR process. The model is also used to reflect on methodological issues in DBR and to consider the role of design objects
Entwicklung von Gestaltungsprinzipien zur Förderung interkultureller Lehrkompetenz
Get PDFLehrpersonen benötigen immer häufiger interkulturelle Lehrkompetenzen, um mit der zunehmenden ethnisch-kulturellen Heterogenität der Lernenden in ihren Klassen umgehen zu können. Der Artikel beschreibt eine Untersuchung, in der mittels eines Design-Based Research-Ansatzes eine innovative Praxislösung für die Förderung interkultureller Lehrkompetenz in der universitären Lehrerbildung umgesetzt wurde. Der Fokus des Artikels liegt auf der Reflexion des Evaluationsprozesses, wobei die Entwicklung der ursprünglichen vorläufigen Gestaltungsannahmen über zwei Evaluationszyklen hinweg zu Gestaltungsprinzipien näher aufgezeigt wird
AFONSO, Raquel. 2019. Homossexualidade e Resistência no Estado Novo. Lisboa: Lua Eléctrica.
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Discursos brujescos ambivalentes : La bruja como delincuente y como víctima en la serie de televisión El ministerio del tiempo
Get PDFLa bruja ocupa una posición destacada entre las figuras históricamente marginadas. Como representante de creencias heterodoxas, es perseguida por la Iglesia Católica sin piedad y, debido a su comportamiento a menudo desviado como, por ejemplo, a sus conocimientos ‘extraordinarios’, es excluida de la sociedad por la masa (rural). Centrándose en el contexto moderno temprano, por un lado, y, por otro lado, en la serie televisiva contemporánea El ministerio del tiempo, este artículo revela que el estatus marginal de las mujeres acusadas de brujería fue el resultado de una construcción social. El análisis de las fuentes históricas, así como del episodio “Tiempo de hechizos” demuestran cómo habitualmente se generan y se utilizan los rumores. Además, se atiende a la complejidad de la imagen de la bruja, que – como presenta claramente el episodio – puede desempeñar ambos papeles en disputa de interpretación: el de la víctima y el de la delincuente.
Among the historical outsider figures, the witch occupies a prominent position. As a representative of heterodox beliefs, she is persecuted by the Catholic Church without any mercy and, due to her often deviant behavior – for example her extraordinary knowledge – she is excluded from society by the mass of the rural population. The article reveals the outsider status of women accused of being witches as a social construct, taking into account the early modern context on the one hand and a modern TV series, El ministerio del tiempo, on the other. The analysis of historical sources and the episode “Tiempo de hechizos” shows how rumors are created and used. In addition, the complexity of the witch’s image is taken into account: As the episode makes clear, the witch can fulfill both roles in the dispute of interpretation: that of the victim and that of the offender.La bruja ocupa una posición destacada entre las figuras históricamente marginadas. Como representante de creencias heterodoxas, es perseguida por la Iglesia Católica sin piedad y, debido a su comportamiento a menudo desviado como, por ejemplo, a sus conocimientos ‘extraordinarios’, es excluida de la sociedad por la masa (rural). Centrándose en el contexto moderno temprano, por un lado, y, por otro lado, en la serie televisiva contemporánea El ministerio del tiempo, este artículo revela que el estatus marginal de las mujeres acusadas de brujería fue el resultado de una construcción social. El análisis de las fuentes históricas, así como del episodio “Tiempo de hechizos” demuestran cómo habitualmente se generan y se utilizan los rumores. Además, se atiende a la complejidad de la imagen de la bruja, que – como presenta claramente el episodio – puede desempeñar ambos papeles en disputa de interpretación: el de la víctima y el de la delincuente
apropos: [Perspektiverweiterung auf die Romania und darüber hinaus]
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SWAPO and the appropriation of history. Memory politics and resulting conflicts of remembrance in the post-colony
Get PDFThis paper illustrates the significance of memory culture in the post-colony. The analyses of the “Independence Memorial Museum” in Windhoek will show different aspects of Namibian memory culture and how the SWAPO dominated government uses history to define a national Namibian identity – an approach that leads to tensions between the government and several communities, like the Nama and the German-speaking Namibians. Their conflicts with the state will be discussed in the cases of the Witbooi Bible and the Bismarck Street, and shown how they are connected with questions about property, heritage, and identity in the post-colonial setting
« Le petit Mahorais apprend à écrire de droite à gauche à l´école coranique. Ensuite de gauche à droite avec l´alphabet Latin »: Entretien avec Nassur Attoumani
No full textWriter-actor-composer-playwright-founder of cultural institutions-former DJ of African dance parties, Nassur Attoumani, a multifaceted man wearing his notorious pith helmet is one of the most important artistic voices of the Comoros Archipelago. In this interview, Nassur Attoumani talks about a literary language and identities, literature networks, the „postcolonial“ writer as (un)conscious translator, the absent reader, the humanitarian crisis related with the „migration“ from the islands of Anjouan, Mohéli and Grande Comore to Mayotte and the myth of the pith helmet he has been proudly wearing for several decades.Auteur-Acteur-Compositeur-Dramaturge-Fondateur de maison de culture-Ancien Dj de bals poussière, Nassur Attoumani, le porteur de multiples casquettes fidèle à son casque colonial est l’une des voix artistiques les plus importantes de l’archipel des Comores. Dans cet entretien Nassur Attoumani parle des langues d’écriture et des identités littéraires, des réseaux littéraires, de l’écrivain « postcolonial » comme traducteur (in)conscient, du lectorat absent, de la crise humanitaire liée à la « migration » des îles d’Anjouan, de Mohéli et de la Grande-Comore vers Mayotte et du mythe du casque colonial qu’il porte fièrement depuis plusieurs décennies.