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« Alchimie de la douleur » : Vers une compréhension systématique de la place de la douleur dans l’œuvre de Baudelaire
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von Stein, Juana Christina. 2018. Melancholie als poetologische Allegorie. Zu Baudelaire und Flaubert. De Gruyter: Berlin/Boston.
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Westerwelle, Karin. 2020. Baudelaire und Paris. Flüchtige Gegenwart und Phantasmagorie. Fink-Brill: Paderborn.
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Rezension von BECKER, Lidia, Julia Kuhn, Christina Ossenkop, Anja Overbeck, Claudia Polzin-Haumann & Elton Prifti (ed.). 2020. Fachbewusstsein der Romanistik. Romanistisches Kolloquium XXXII. Tübingen: Narr Francke Attempto.
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Cultural Analysis in/of the Anthropocene
Get PDFRecalling George Marcus’s influential writing ›Ethnography In/Of the World System‹, this essay asks how cultural analysis needs to be conceptualized, practiced and infrastructured differently when it moves from a global to a planetary, late industrial frame. This contribution argues that ›the Anthropocene‹ is usefully understood as a particular way of making environmental sense within late industrialism – what industrialism has become as it has cohered, aged, ossified, degraded and retrenched over time, in different ways in different settings. The essay calls for cultural analysis of the Anthropocene as a scientific concept, environmental dynamic, representational challenge and prompt to action in different settings. It also pleads for interdisciplinary collaboration (with cultural analysts in formative roles) and for investment in technical infrastructure to underpin the cultural analysis needed to go forward.Recalling George Marcus’s influential writing ›Ethnography In/Of the World System‹, this essay asks how cultural analysis needs to be conceptualized, practiced and infrastructured differently when it moves from a global to a planetary, late industrial frame. This contribution argues that ›the Anthropocene‹ is usefully understood as a particular way of making environmental sense within late industrialism – what industrialism has become as it has cohered, aged, ossified, degraded and retrenched over time, in different ways in different settings. The essay calls for cultural analysis of the Anthropocene as a scientific concept, environmental dynamic, representational challenge and prompt to action in different settings. It also pleads for interdisciplinary collaboration (with cultural analysts in formative roles) and for investment in technical infrastructure to underpin the cultural analysis needed to go forward
S9_2 Curating (Counter-)Memories. A plea for conceptual emancipation
No full textDieser Beitrag plädiert für eine Emanzipation des Begriffs des Kuratierens von rein musealen Kontexten und seine Ausweitung auf verschiedene andere Phänomene und Formate, die sich mit mnemotischen Feldern auseinandersetzen. Anhand einiger Beispiele aus Bukarest wird die Bedeutung außerinstitutioneller Erinnerungs- und Aufarbeitungsdiskurse nachgezeichnet, die mit Gegenerinnerungen den öffentlichen Raum kuratieren und angesichts der zögerlichen öffentlichen Aufarbeitung der ›Revolution‹ von 1989 einen wichtigen Beitrag aus zivilgesellschaftlicher Perspektive leisten.This contribution advocates emancipating the concept of curating from strictly museal contexts and extending it to various other formats of representation that deal with mnemotic fields. Using some examples from Bucharest, the importance of extra-institutional remembrance and reappraisal discourses are traced, which curate public space with counter-memories and, in view of the hesitant public reappraisal, make an important contribution from a civil society perspective
PC_3 Anonymity-Sunset-Dance-Party: On Other Selves and other Others
No full textAnonymity-Sunset-Dance-Party provides a commentary on the essays ›Anonymität Tanzen‹ by Paula Helm and ›Crypto Parties‹ by Linda Monsee. It draws on Whitehead\u27s metaphor of the sunset, as an event that defies the bifurcation of nature, and the empirical material from the two essays to suggest that anonymity practices do not merely obscure identity but radically affect and potentially broaden subject formations. In doing so, it speaks to a politics of anonymity that goes beyond questions of identification.
Anonymity-Sunset-Dance-Party provides a commentary on the essays ›Anonymität Tanzen‹ by Paula Helm and ›Crypto Parties‹ by Linda Monsee. It draws on Whitehead\u27s metaphor of the sunset, as an event that defies the bifurcation of nature, and the empirical material from the two essays to suggest that anonymity practices do not merely obscure identity but radically affect and potentially broaden subject formations. In doing so, it speaks to a politics of anonymity that goes beyond questions of identification
PG Partisan struggles in northern Italy as contested cultural heritage: dissonances in public remembering in technosocial lifeworlds
No full textDie Partisanenkämpfe in Norditalien während des Zweiten Weltkriegs sind bis heute Gegenstand öffentlicher Aushandlungsprozesse. Dieser Beitrag untersucht die Dissonanzen bei der Produktion von Kulturerbe zwischen Heritagisierung und gelebter Erinnerung.
The partisan struggles in Northern Italy during World War II continue to be contested. This article examines dissonances in the process of producing cultural heritage between heritagisation and lived memory
PS Superstition and conspiracy theory as cultural techniques of risk avoidance
No full textAnalysiert werden die in Aberglauben und Verschwörungstheorie angelegten Praktiken und Wissensbestände zur Vermeidung von Risiken – im Fokus stehen dabei die konkreten Handlungspraktiken. Aberglaube und Verschwörungstheorie werden so als kulturelle Techniken der Risikovermeidung greifbar.The analysis covers the practices and elements of knowledge stemming from superstition and conspiracy theory, to avoid risks. The focus lies on the practices of action. Superstition and conspiracy theory are thus becoming tangible as cultural techniques of risk avoidance