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« Paysans », du XIXe au XXIe siècle: Aspects politiques, sociaux et culturels du passé et du présent
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Conord Fabien. 2024. La terre des autres. Le métayage en France depuis 1889. Montrouge : Éditions du Bourg.
Legoy, Corinne. 2020. Le monde de l’Angle. Voix paysannes 1915-2020. Préface Alain Corbin, films sonores et photographies Philippe Busser. Saint-Pourçain-sur-Sioule : Bleu autour.
Morena, Édouard. 2024. Paysan. Paris : anamosa.
Moriceau, Jean-Marc. 2023. La mémoire des gens de la terre. Chroniques de la France des campagnes, 1789-1914. Paris : Tallandier.Literature review:
Conord Fabien. 2024. La terre des autres. Le métayage en France depuis 1889. Montrouge : Éditions du Bourg.
Legoy, Corinne. 2020. Le monde de l’Angle. Voix paysannes 1915-2020. Préface Alain Corbin, films sonores et photographies Philippe Busser. Saint-Pourçain-sur-Sioule : Bleu autour.
Morena, Édouard. 2024. Paysan. Paris : anamosa.
Moriceau, Jean-Marc. 2023. La mémoire des gens de la terre. Chroniques de la France des campagnes, 1789-1914. Paris : Tallandier.À propos de
Conord Fabien. 2024. La terre des autres. Le métayage en France depuis 1889. Montrouge : Éditions du Bourg.
Legoy, Corinne. 2020. Le monde de l’Angle. Voix paysannes 1915-2020. Préface Alain Corbin, films sonores et photographies Philippe Busser. Saint-Pourçain-sur-Sioule : Bleu autour.
Morena, Édouard. 2024. Paysan. Paris : anamosa.
Moriceau, Jean-Marc. 2023. La mémoire des gens de la terre. Chroniques de la France des campagnes, 1789-1914. Paris : Tallandier
Grindr Wars: Race, Caste, and Class Inequalities on Dating Apps in India and South Africa
Full text linkThe rapid digitalisation, neoliberalisation, and globalisation in countries like India and South Africa are profoundly transforming the sexual identities and sexual politics of these Global South contexts. In particular, dating apps like Grindr are changing the ways in which young gay men’s identities and relationships are formed, mediated, and embodied. In this article, I ethnographically explore the ways in which Grindr offers much needed visibility to young middle-class gay men in India and South Africa where powerful heteropatriarchies marginalise their sexualities and masculinities. Yet at the same time, the inequality that marks this digital and neoliberal expansion means that gay dating applications like Grindr also reproduce these very inequalities of race, caste, and class. I reveal in particular the growing commodification of gay identities and sexualities that is mediated through digital platforms, producing a hierarchy between ‘classy gays’ and ‘poor gays’. Desire itself becomes commodified wherein ‘poor gays’ are not desirable bodies or identities and the performance of class and consumption becomes central to claims of sexual desirability. Grindr’s geolocating technology allows middle-class gay men to discriminate against ‘poor gays’ through the spatial and urban inequalities of cities like Delhi and Johannesburg, further amplifying the inequalities of race, caste, and class. In this context, ‘Grindr Wars’ take place, which reveal the social and symbolic tensions, clashes, and violences that shape queer life in India and South Africa today
D\u27eau et de sang: Le Nouveau Monde au XVIe siècle à travers l\u27Isolario de Benedetto Bordone
Full text linkBenedetto Bordone, a 16th-century Italian cartographer and navigator, embodies the captivating charm of the history of cartography and navigation. Among his most renowned works is the Isolario (or The Book of Islands), first published in Venice in 1528. This collection of maps meticulously depicts the known islands of the time. Serving as a valuable guide for navigators and a remarkable geographical document, it is filled with detailed information on these wondrous islands, including their ports, climate, flora, and fauna, effectively making these mysterious lands accessible not only to readers but also to future explorers. Although today Bordone is primarily studied for his innovative use of polar projection in his maps, replacing the older Ptolemaic projection, the attention his work deserves as an inspiration for readers and navigators fascinated by unknown lands is surprisingly overlooked. This aspect becomes even more significant when considering the Isolario and its in-depth exploration of the islands of the New World.Benedetto Bordone, cartographe et navigateur italien du XVIe siècle, incarne à lui seul le charme captivant de l’histoire de la cartographie et de la navigation. Parmi ses réalisations les plus renommées, on compte sans conteste l’Isolario (l’Insulaire), publié pour la première fois à Venise en 1528. Ce recueil de cartes dépeint avec minutie les îles du monde connues à l’époque. Véritable guide précieux pour les navigateurs et document géographique d’exception, il regorge d’informations détaillées sur ces îles merveilleuses, leurs ports, leur climat, ainsi que leur faune et leur flore permettant, en quelque sorte, d’apprivoiser ces contrées mystérieuses en les rendant accessibles non seulement aux lecteurs de l’œuvre, mais aussi aux futurs explorateurs. Bien que de nos jours Bordone soit principalement étudié pour son utilisation novatrice de la projection polaire dans l’élaboration de ses cartes remplaçant ainsi l’ancienne projection de Ptolémée, l’attention portée à son œuvre en tant que source d’inspiration pour tout lecteur ou navigateur fasciné par ces terres inconnues est étonnamment négligée. Cet aspect revêt une importance encore plus grande lorsque l’on considère l’Isolario et son exploration approfondie des îles du Nouveau Monde
Desde las palabras del poder hacia el poder de las palabras: Presentación del proyecto «Exploraciones y propuestas en torno a la justicia restaurativa. Encuentro entre el derecho, la psicología y la lingüística»
Full text linkThe aim of this work is to present the main lines of the project Explorations and Proposals on Restorative Justice: An Encounter between Law, Psychology and Linguistics. The project arises in a context where, faced with a predominantly punitive legal system, the paradigm of restorative justice is gaining increasing traction. This movement entails scientific challenges to be considered within a framework of interdisciplinary and intersectoral research. The research paradigm is interpretivist, the theoretical approach is interdisciplinary, and the methodology is predominantly inductive and qualitative.
The specific analysis of the project focuses on sociodiscursive representations of justice and responsibility in: 1) Facebook comments generated from posts related to criminal court cases, and 2) responses from participants in a restorative justice program (within the criminal justice system) to an open, anonymous questionnaire administered prior to their interaction with facilitators.
Building upon (1) and (2), the project seeks to generate theoretical and practical proposals to: a) enhance the effectiveness of restorative justice programs, and b) raise awareness about the benefits of restorative justice, as it involves a different approach to addressing conflict and crime, as well as prevention methods aimed at social peace.El objetivo de este trabajo es presentar las líneas principales del proyecto Exploraciones y propuestas en torno a la justicia restaurativa. Encuentro entre el derecho, la psicología y la lingüística. El proyecto surge en un contexto en cual, frente a un sistema jurídico hegemónicamente punitivo, se encuentra tomando cada vez más fuerza el paradigma de la justicia restaurativa. Este movimiento implica desafíos científicos a considerar dentro de un marco de investigación interdisciplinario e intersectorial. El paradigma de investigación es interpretativista, el enfoque teórico es interdisciplinario y la metodología es predominantemente inductiva y cualitativa.
El análisis concreto del proyecto se centra en las representaciones sociodiscursivas sobre la justicia y sobre la responsabilidad en: 1) comentarios de Facebook producidos a partir de publicaciones vinculadas a casos judiciales penales y 2) en respuestas producidas por participantes de un dispositivo restaurativo (dentro del sistema penal) a un cuestionario opcional, abierto, anónimo y previo al contacto con los/las facilitadores/as.
Sobre la base de (1) y (2), el proyecto busca generar propuestas teóricas y prácticas para: a) mejorar la eficacia de los dispositivos restaurativos y b) crear conciencia sobre los beneficios que aporta la justicia restaurativa, dado que esta implica una forma distinta de abordar el conflicto y el delito, así como modos de prevención en pos de la paz social
Zur Selbstpositionierung der Surrealisten um 1924: Anarchistinnen, Mörderinnen und Kulturakteurinnen als Vor- und Feindbilder
Full text linkWie sähe die (Literatur-)Geschichte des Surrealismus und der historischen Avantgarden insgesamt aus, schriebe man diese konsequent aus einer Genderperspektive? Dies ist die Frage, die die vorliegenden Überlegungen motiviert. In ihnen wird der Surrealismus der Jahre 1924/1925 in den Blick genommen, in denen Breton mit der Publikation des ersten Manifeste du surréalisme (1924) seine Version des Begriffs Surrealismus gegen konkurrierende Akteure durchsetzt und im kulturellen Feld seiner Zeit positioniert.
In der bisherigen Forschung zur Selbstpositionierung des Surrealismus in den Gründungsjahren wurde die Funktion ‚weiblicher‘ Vor- und Feindbilder zumeist nur am Rande behandelt oder ins Anekdotische abgedrängt. Demgegenüber soll hier am Beispiel dreier politisch und/oder künstlerisch aktiver Frauen – der Anarchistin Germaine Berton sowie der Schriftstellerinnen Aurel und Rachilde – gezeigt werden, wie sich die zunächst noch vage Bewegung durch die symbolische Aneignung oder Delegitimierung der politischen und kulturellen Leistungen von Aktivistinnen und Künstlerinnen ihre spezifischen Konturen als Surrealismus verlieh.What would the literary history of Surrealism – and the historical avant-gardes as a whole – look like if it were consistently written from a gender perspective? Prompted by this question, these reflections focus on Surrealism between 1924 and 1925, when Breton asserted his version of the term Surrealism against those of competing actors and positioned it within the cultural field of his time through the publication of the first Manifeste du surréalisme (1924).
Previous research on the self-positioning of Surrealism in its founding years has tended to marginalize or reduce to mere anecdote the function of ‚female‘ role models and antagonists. By contrast, this study takes three politically and/or artisti-cally engaged women – the anarchist Germaine Berton as well as the authors Aurel and Rachilde – as examples to show how the initially indistinct movement took on the specific contours of Surrealism through the symbolical appropriation or delegitimization of the political and cultural achievements of women activists and artists
Didier Daeninckx, chroniqueur de la culture populaire et coloniale
Full text linkDidier Daeninckx\u27s work spans more than three decades, with a multitude of novels, adaptations, short stories and more. We are going to focus on his output at the turn of the 1990s, marked by the end of the cycle of detective novels devoted to Inspector Cadin and the opening up of new genres (the short story, for example) and new themes (colonial culture, for example). Although Daeninckx was not an iconic representative of pop culture at the time, he nevertheless played an important role in the emergence of popular culture in the French literary and broader cultural landscape, in three different ways.
From a generic point of view, Daeninckx helped give new impetus to the crime fiction genre, often referred to as para-literature, popular literature or mass literature. Moving away from the narrative characterizes the works of Agatha Christie or Gaston Leroux, and taking up and elaborating the darker vein of the roman noir developed by American novelists (Hammet, Chandler) and, in the French-speaking world, by Georges Simenon, Daeninckx writes his detective novels in a more realistic tone.
Through this contemporary realist approach to detective fiction, Daeninckx is often working with memory, as the police investigation uncovers more than just the reasons and responsibilities behind an individual crime. While Daeninckx can thus target and denounce persistent political silences on the subject of collaboration or colonization, he also wants to write about a popular, working-class, socialist or communist culture that is in the process of disappearing.
Finally, Daeninckx\u27s contribution to pop culture consists in opening up his work to adaptations in media characteristic of this culture. His aim is not to confine crime fiction to a search for symbolic capital within the field of restricted production, and he readily supports adaptations of his work for cinema, radio or comics.L’œuvre de Didier Daeninckx s’étend sur plus de trois décennies, avec une multitude de romans, d’adaptations, de nouvelles, etc. Nous allons focaliser sa production au tournant des années 1990, qui est marquée par la fin du cycle de roman policiers consacrés à l’inspecteur Cadin et par l’ouverture sur de nouveaux genres (la nouvelle par exemple) et de nouveaux thèmes (la culture coloniale par exemple). Même si Daeninckx n’est pas un représentant iconique de la culture pop à cette époque, il joue néanmoins un rôle important dans l’émergence de la culture populaire dans le paysage littéraire et plus largement culturel français et ce de trois façons différentes.
Du point de vue générique, Daeninckx contribue à donner au genre du roman policier, souvent qualifié de paralittérature, de littérature populaire ou de littérature de masse, une nouvelle impulsion. En s’éloignant du roman à énigme qui caractérise les œuvres d’Agatha Christie ou de Gaston Leroux et en reprenant et élaborant la veine plus sombre du roman noir élaborée par les romanciers américains (Hammet, Chandler) et, dans le domaine francophone, par Georges Simenon, Daeninckx écrit ses romans policiers dans une tonalité plus réaliste.
A travers cette approche réaliste contemporaine du roman policier, Daeninckx opère souvent un travail de mémoire, puisque l’enquête policière ne découvre pas seulement les raisons et les responsabilités d’un crime individuel. Si Daeninckx peut de la sorte viser et dénoncer les silences politiques persistants au sujet de la collaboration ou de la colonisation, il veut aussi écrire une culture (de front) populaire, ouvrière, socialiste ou communiste, en voie de disparition.
Pour finir, la contribution de Daeninckx à la culture pop consiste à ouvrir son œuvre à des adaptations dans des supports caractéristiques de cette culture. Il n’a pas pour but d’enfermer le roman policier dans une logique de recherche de capital symbolique au sein du champ de la production restreinte et soutient volontiers des adaptations de son œuvre au cinéma, à la radio ou dans des bandes dessinées
How to align objectives of practitioners and scientists in DBR projects?
Full text linkThe interaction of scientists and practitioners is an essential component within Design-Based Research. Their close collaboration is assumed to hold the potential to increase the quality of both the innovative solution of educational problems and the generation of scientific knowledge. At the same time, there are some challenges associated with realizing this potential. This paper explores the opportunities and challenges of collaboration between researchers and practitioners in DBR projects. After a broader description of the problem situation, an in-depth discussion of the interests, perspectives, and frame conditions of the project actors from science and practice takes place using the example of the determination of project goals. The paper ends with the recommendation of design principles for the cooperation of scientists and practitioners
Is this systematic enough? Systematicity and openness in the implementation phase of DBR
Full text linkWithin Design Based Research (DBR), designing and implementing an intervention in order to improve an educational practice become part of the research process. This represents a unique feature of DBR. Though the innovative nature of DBR raises questions that have not yet been answered. This paper focuses on the extent to which systematicity, as principle of scientific research, and openness, as essential prerequisite of teaching practice, can be both fulfilled within the implementation phase of DBR studies. By presenting an investigation in the field of German as a foreign language I will offer an example of the challenges that researchers face regarding the tension between systematicity and openness. Besides the discussion about DBR standards, the aim of this paper is to delineate concrete requirements for the further development of this research approach. Guidelines helping researchers to use DBR appropriately represent an important step which could clarify still controversial aspects of DBR and also lead to an increase in its use. In this paper, I suggest that concepts discussed within the implementation research, like for instance Fidelity of Implementation, can help to develop such guidelines
Jeffrey M. Shaw, The Ethiopian–Adal War 1529–1543: The Conquest of Abyssinia
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Bibliography of Ethiopian Semitic, Cushitic, and Omotic Linguistics XXVI: 2022
Full text linkBibliography of Ethiopian Semitic, Cushitic, and Omotic Linguistics XXVI: 2022