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Assertive Speech Acts in Donald Trump’s Presidential Speeches
This research investigates assertive speech acts in Donald Trump’s presidential speeches. It classifies the assertive speech acts based on their illocutionary forces according to Bach and Harnish (1979). The data were taken from three speeches by Donald Trump. The results show that the illocutionary forces of assertive speech acts found in the speeches are affirming, alleging, asserting, avowing, claiming, declaring, denying, maintaining, propounding, saying, and stating. The act of stating is the most commonly used (44%). The findings suggest that Trump uses the act of stating mostly because he wants the hearer to believe him that the policies he has made are the best for the United States
Joan’s Neurotic Trends and Idealized Image in Margaret Atwood’s Lady Oracle
This research attempts to figure out the development of neurosis in Joan Elizabeth Delacourt’s case, the leading character of Margaret Atwood’s Lady Oracle. It applies Karen Horney’s theory of neurosis as the basis to determine whether the main character of the novel is adequately portrayed as a neurotic person. This research focuses on four basic elements of neurosis: basic anxiety and hostility, neurotic trends, neurotic conflict, and idealized image. It begins with the analysis of Joan’s childhood and teenage experiences which are believed to be the primary step of her basic anxiety and hostility formation. The next part is Joan’s neurotic trends development which will be analyzed at the moment when she finally met her future husband, Arthur. Accordingly, neurotic conflict and idealized image appear to complete the evidences that Joan is a neurotic
Sarcastic Expressions and the Influence of Social Distance and Relative Power in The TV Series Friends
This research aims to identify and classify the sarcastic expressions found in the TV Series Friends. It applies the theory proposed by Camp (2011) which categorized sarcasm into four classes: Propositional, Lexical, Like-Prefixed, and Illocutionary Sarcasm. Considering sarcasm as a Face Threatening Act (FTA), it also analyzes the influence of relative power and social distance to see how these two social variables influence the delivery of sarcastic expressions. The findings show that Illocutionary Sarcasm is the most frequently used class of sarcasm with 30 utterances (45%) followed by Propositional Sarcasm which consists of 25 utterances (37%), Lexical Sarcasm with 10 utterances (15%) and lastly Like-Prefixed Sarcasm that have 2 utterances (3%). With Illocutionary and Propositional Sarcasm are known to be the most straightforward class of sarcasm, the results also show that these two classes of sarcasm are mainly used when the social distance (D) is negative where the interlocutors does not have the obligation to be polite due to their close intimacy. In cases where the social distance has positive value, the value of power (P) helps to determine which class of sarcasm is used. Furthermore, a clear context and common ground is essential to help identify sarcastic expressions and the intention underlying it
Dialectic of Myth and Enlightenment: Rethinking Scientific Progress and Humanity through The Shape of Water
Since the Scientific Revolution, the clash between myths, science, and humanity has been a recurring theme found in literary works. In the midst of today’s rapid, massive, and disruptive technological development, Guillermo del Torro and Daniel Kraus collaboratively present a historical fantasy novel, The Shape of Water, which features the issues of scientific progress and humanity in a romance between a mute lower-class woman Elisa Esposito and a mystical amphibian creature from South America, Deus Brânquia. The novel portrays Deus Brânquia as an experimental asset of the American government to be studied for the Cold War military advancement. This study aims to analyze the representation of destructive science in the novel and examine the demythologization of Deus Brânquia as a depiction of Enlightenment's impact on the modern worldview. Using critical theory on the dialectic of myth and enlightenment proposed by Max Horkheimer and Theodor W. Adorno, this study finds that The Shape of Water articulates a cynical notion to Enlightenment’s legacy as it portrays how the progress of modern science can lead to horrific domination upon the marginalized human and nonhuman creature
Indonesian-English Code-Switching of Sacha Stevenson as a Canadian Bilingual Speaker on YouTube
Code-switching or language alternation is one of the linguistic strategies that is widely used in bilingual community, including Indonesia. This study attempts to find out the types and reasons of code-switching on YouTube as employed by a Canadian bilingual speaker, Sacha Stevenson. The data used for this study were transcripts of five videos about Indonesian culture taken from Sacha’s YouTube channel. Based on the analysis, there are a total of 313 occurrences of code-switching from Indonesian to English. Poplack’s theory (1980) was applied for the classification of code-switching. The findings showed that the most frequent type is inter-sentential code-switching (42%), followed by intra-sentential code-switching (34%), and the least is tag-switching (24%). This study also explored the reasons for code-switching by applying the theory proposed by Grosjean (1984). It was found that all code-switching occurrences fit into the 11 categorizations of code-switching reasons. This shows a variety of different factors that influence the use of code-switching. The most frequent reason which triggered code-switching is to fill a linguistic need for lexical item, set phrase, discourse marker, or sentence filler (31%). In addition to the 11 reasons proposed by Grojean (1984), another reason for code-switching was found, i.e., to gain popularity
The Flouting of Grice’s Conversational Maxims in Pirates of the Caribbean 1-5
This research is aimed to investigate maxim floutings uttered by the pirate characters in Pirates of the Caribbean movie series. The goals of this research are to identify and classify the maxim flouting within the movie series, to describe how the pirate characters flout the Grice’s maxim, and also to discover the purpose of the maxim flouting itself. Qualitative and quantitative methods are used to analyze the data. The result shows that there are 39 cases of maxim flouting with 4 cases (10.3%) of flouting the maxim of Quantity, 13 cases (33.3%) of flouting the maxim of Quality, 16 cases (41.0%) of flouting the maxim of Relation, and 6 cases (15.4%) of flouting the maxim of Manner. The pirates tend to give too much information, simply say something which does not represent what they think by using: metaphor, irony, sarcasm, and hyperbole, give irrelevant answers, and also give ambiguous answers. There are several purposes of maxim flouting found in this movie series. They are: insulting, giving warning, challenging other characters, boasting about oneself, telling about facts, informing plans, convincing, expressing seriousness, demanding respect, expressing insincerity, expressing love, expressing disappointment, giving advice, expressing happiness, creating fear, creating humor, and avoiding making others sad
Trauma in Washington Black’s Character as Seen in Esi Edugyan’s Washington Black
This research analyzes the effect of trauma on Washington Black, the main character in Esi Edugyan’s Washington Black. Joy DeGruy’s theory of Post Traumatic Slave Syndrome is applied in order to understand how Black’s past experiences, trauma, and slavery affect his life. The primary data used in this research are taken from the novel Washington Black by Esi Edugyan, which includes characterization and description of the character Washington Black found in sentences and paragraphs in the novel. This research shows that Washington Black’s traumatic experiences are the main driving force of his actions which indicates the inability to separate his past from his decisions. The character Washington Black is a perfect model of someone who possesses Post Traumatic Slave Syndrome
Translation Strategies in Tempo English Magazine
This research aims at identifying and examining the translation strategies applied in Tempo English magazine, the English edition of Tempo magazine. The data were gathered from 10 selected articles of the source magazine, Tempo, and its translated magazine, Tempo English, both of which belonged to the edition of April 30 – May 6, 2018. The analysis and categorization were based on the news translation theory proposed by Bielsa and Bassnett and supported by Joan Cutting’s context theory as well. The result of this research shows that the translators of Tempo English magazine used all of the news translation strategies in translating the Indonesian news articles to English. There were 199 data found in the research with 77 data of the Addition strategy, 68 data of the Elimination, 25 data of the strategy of Summarizing Information, 15 data of the Change in the Order of Paragraphs, and the other 14 data using the Change of Title and Lead. The research analysis concludes that in the strategy of the Change in the Order of Paragraphs, Tempo English magazine tended to apply the change of order at the phrase and sentence level rather than at the paragraph level
Elite Domination and Lower Class Resistance in Ernest Cline’s Ready Player One
This research examines Ernest Cline’s Ready Player One (2011), a popular science fiction novel. The objective of this research is to find out how a massive company called IOI (Innovative Online Industries) runs its domination against people in the novel. Furthermore, this paper also studies how the people resist the company’s domination. This study uses Marxist Theory since it investigates class, class conflict and struggle, domination, and resistance. The elements of the theory are identified in the novel and therefore analyzed to reach the objectives. The results of the analysis show that conflict is the reason of class grouping. In Ready Player One, the capitalist wants to expand its domination by winning the easter egg hunt while the proletariat resists it. It is concluded that class struggle and conflicts brings the proletariat to work together to resist the capitalist’s domination
Resistance against Women’s Objectification Portrayed in Zora Neale Hurston’s Their Eyes Were Watching God
In the early twentieth century, African-American women in the southern United States faced double oppression as a result of patriarchy and racism. They strive to reclaim their independence, all the more so when they are bound by their marriage. Their Eyes Were Watching God (1937) is Zora Neale Hurston's magnum opus, which chronicles the objectification of a young African-American woman called Janie Crawford during her marriage. Through the lens of Black Feminism, this research aims to identify the many forms of female objectification present in the novel and to ascertain the responses taken by the main character in response to the objectification. This research makes use of Martha Nussbaum's and Rae Langton's objectification ideas. Additionally, this study employs Kumea Shorter-Gooden's resistance strategies to evaluate the main character's strategies for resisting objectification. Janie Crawford was subjected to nine distinct forms of objectification by both her first and second husbands, Logan and Jody, according to this study. Additionally, this research illustrates how Janie Crawford's opposition to objectification is fueled by the concept of self-definition. In general, the findings indicate that the novel is centered on the problem of women's objectification and is a timely representation of African American women's lives in the early twentieth century