ETNOSIA : Jurnal Etnografi Indonesia
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DINAMIKA MASYARAKAT MULTI ETNIK DAN MENTALITAS PETANI DALAM MEMBANGUN KETAHANAN PANGAN DI KOLAKA TIMUR
This research explores the cooperation of multiethnic communities and the formation of a farmer mentality in East Kolaka District, Southeast Sulawesi Province, in building food security. The purpose of this study is to understand how the interaction between diverse ethnic groups in East Kolaka society affects the way farmers manage agricultural resources and shape their mentality regarding agriculture so as to realize food security. The cultural interaction among multi-ethnic communities serves as a collective strength in East Kolaka District to address food scarcity and to build a food security system, which has not been optimally examined and elucidated in previous studies. Using qualitative approach, data was collected using in-depth interview and observation. This study was conducted in East Kolaka District, Southeast Sulawesi Province. The total number of informants is fourteen, including rice farmers, community leaders, members of farmer groups, agricultural extension workers, and village and sub-district government officials. The study shows that various ethnic groups have unique agricultural practices, traditional techniques, and different local knowledge. The interaction between these groups has resulted in an exchange of knowledge and experience, which in turn affects the mentality of farmers positively in the face of environmental and social changes, and can build their food security and even surplus. These findings have important implications in efforts to improve food security and agricultural sustainability in East Kolaka, as well as encourage inter-ethnic cooperation in the context of agriculture. This research contributes to a deeper understanding of the complexities of multi-ethnic societies and how interactions between these groups can shape peasant mentalities. The findings of this study can be an input for policymakers in designing more inclusive and sustainable strategies in agricultural resource management in similar regions.Penelitian ini mengeksplorasi tentang kerjasama masyarakat multietnik dan terbentuknya mentalitas petani di Kabupaten Kolaka Timur Provinsi Sulawesi Tenggara dalam membangun ketahanan pangan. Tujuan penelitian ini adalah untuk memahami bagaimana interaksi antara beragam kelompok etnis dalam masyarakat Kolaka Timur mempengaruhi cara petani mengelola sumber daya pertanian dan membentuk mentalitas mereka terkait pertanian sehingga dapat mewujudkan ketahanan pangan. Menggunakan metode kualitatif, dengan teknik utama wawancara dan observasi, hasil penelitian menunjukkan bahwa berbagai kelompok etnis memiliki praktik-praktik pertanian yang unik, teknik-teknik tradisional, dan pengetahuan lokal yang berbeda. Interaksi antara kelompok-kelompok ini telah menghasilkan pertukaran pengetahuan dan pengalaman, yang pada gilirannya mempengaruhi mentalitas petani secara positif dalam menghadapi perubahan lingkungan dan sosial, serta dapat membangun ketahanan pangannya bahkan surplus. Temuan ini memiliki implikasi penting dalam upaya untuk meningkatkan ketahanan pangan dan keberlanjutan pertanian di Kolaka Timur, serta mendorong kerja sama antar etnis dalam konteks pertanian. Penelitian ini berkontribusi pada pemahaman yang lebih dalam tentang kompleksitas masyarakat multi etnik dan bagaimana interaksi antara kelompok-kelompok ini dapat membentuk mentalitas petani. Temuan penelitian ini dapat menjadi masukan bagi pembuat kebijakan dalam merancang strategi yang lebih inklusif dan berkelanjutan dalam pengelolaan sumber daya pertanian di wilayah-wilayah serupa
Semanda, Metudau, and Tekhang: Marriage and Construction of Ethnic Identity among Belunguh People’s in Tanggamus, Lampung
The Reformation era in Indonesia has resulted in changes in local politics, particularly in relation to ethnic-based groups or adat politics. However, previous studies that have focused on the rise of adat or tradition in local politics have paid limited attention to the dynamics of cultural expression and representation. This article aims to shed light on the reconstruction of ethnic identity among the Belunguh people in Lampung within multiethnic society. To achieve this, an ethnographic inquiry was conducted with the Belunguh people of the Lampung Sai Batin sub-ethnic group, specifically exploring their marriage patterns and rituals. The data collection methods consisted of interview, focus group discussions (FGD), and observation involving twelve informants from traditional leaders (penyimbang adat). The findings of the study highlight the significance of marriage systems and rituals in the construction of Belunguh ethnic identity. While intra-ethnic relations are shaped by marriage practices and rituals of semanda and metudau, the practice of tekhang emerges to facilitate inter-ethnic marriages, particularly with the Javanese. The Belunguh people strive to enhance their awareness of identity by modifying marriage rituals, which reflect their social status, hierarchy, and cultural adaptation in a multiethnic society
The Variety of Lengger Banyumas’ Performances
This article aims to center on the variety of styles of lengger - a traditional art found in Banyumas, Central Java, Indonesia. The article offers a new approach towards understanding lengger by indicating the development that underwent in the performance structure. The study was conducted in Banyumas, Central Java, Indonesia for the period of over a year, between 2022 and early 2024. Using qualitative approach, this study is aimed to explore the variety of the dance practiced by local actors. By using qualitative approach, data was collected using in-depth and semi-structured interviews and participatory observation. There are 13 participants that participated in this study, consisting of local figures engaged in various lengger activities, such as dancers, teachers, and owners of dance studios. The study indicates that lengger evolved greatly in terms of its dance performance. In order to demonstrate this, I use “dance fragments” – a specific moments of performance, time and space to indicate the development of the art’s structure, based on personal etnographic study. Nine varieties of lengger were identified – lengger klasik, lengger barangan, lengger resmi, lengger muslimah, lengger garapan, lengger calung barasai, lengger selingan, lengger campursari, and lengger modern. Pointing out the various styles of lengger helps further understand the cultural processes and current trends of the society in Banyumas. Having these changes in its structure where dominant trends overshadow the traditional understanding is a way of keeping the art alive, while lengger’s peaceful cohabitation with other arts speaks about the tolerant nature of people in Banyumas.
Development of Creative Industries as A Multiplier Effect of Shadow Puppet Performances Resists the Plague in Pandanan Village, Soropaten, Klaten District
Leather puppets performances have been carried out for generations in Pandanan Village, Klaten Regency as a ritual to repel disease outbreaks. Regular performances are held every month of Sura, but leather puppet performance ia also held every Friday Pon night. Local people are involved as ritual performers, spectators, and traders in the leather puppet performance. Along with suggestion of UNESCO to develop economy based on local culture, the leather puppets performance is developed in any creative industries. This study aims to explore leather puppet performance and the strategies for vitalizing the potential of leather puppets into the creative industry. Using qualitative approach, this study was conducted in Padanan village, Kabupaten Klaten, Central Java, Indonesia. Data collection methods include observation and interview. Those who participated in this study consists of village head, local figures, dalang (puppeter), pengrawit (gamelan players), souvenir sellers, and spectators. The result shows that leather puppets performance that has changed their function from ritual tradition to repel disease outbreaks into tradition to “asking blessed” by the puppeters (dalang), and finally it turns to traditional performance that brings not only culture entertainment but also creating market economy. This situation is potential to develop creative economy based on local culture by developing creative industries as stated by UNESCO in order to enhance local economy.Shadow puppets performances have been carried out for generations in Pandanan Village, Klaten Regency as a ritual to repel disease outbreaks. The performance ritual was suggested by Kyai Karsoredjo to Pandanan residents as a request to God for the disease outbreak to be eliminated. Regular performances are held every month of Sura, but over time based on the character bugs, shadow puppet performances are also held every Friday Pound night. Local people are involved as spectators, ritual performers, and traders in shadow puppet performances. Along with the development of the economy, UNESCO which was then translated by the Ministry of Tourism and Creative Economy launching the development of a creative economy based on local culture, which can be manifested through various subsectors of the creative industry. This research uses ethnographic methods by collecting data from various library sources and supplemented with field data through interviews, observations, and participation. The purpose of the study was to find out the background of the shadow puppet performance from the ritual side and show strategies for vitalizing the potential of shadow puppets into the creative industry. Research is carried out by ethnographic methods, namely by observation, review, and data analysis. The results showed that shadow puppet performances carried out for generations have begun to shift their functions; From a disease repellent to a performance to "ngalap blessings" of the masterminds. Furthermore, along with the times, shadow puppets in Pandanan Village have the potential to be developed through various subsectors of the creative industry based on shadow puppets. The participation of MSMEs and local governments needs to be further improved to make it happen. Thus, the vitalization of the creative industry based on shadow puppets in Pandanan Village will be realized in various products, such as fashion, crafts, culinary, films, and so on
The dialectic of globalization and social transformation of Silariang in Makassar, Indonesia
Globalization contribute to the socio-cultural construction and transformation of society. This study aims to analyze the construction and social transformation of silariang among Makassar people in South Sulawesi Province, Indonesia. The research uses a case study approach. Data were obtained through in-depth interviews, participant observation, and documentation studies. The results of the study show that siri’ (means dignity or shame or both at the same time) as the core value of Makassar people has a prominent relationship with silariang cases. Further, the globalization has changed the the world of view of the local community, particularly the younger generations, making them started to open minded. This change has lead them into a socio-cultural transformation. If in the past Makassar people extremely uphold the siri’ value exemplified by silariang, nowadays, people are more open to the alternative option called nikah siri or unregistered marriage. It also shows that the siri’ concept is fluid
The symbolic meaning of the Akkatere tradition for the indigenous people of the Kajang community
This research aims to describe the empirical reality surrounding the implementation of unique traditions. Unique because Akkatere (cutting hair) is claimed as a ritual activity that is aligned with the implementation of the pilgrimage. All individuals or families who have performed Akkatere are considered to have performed the pilgrimage. This research is qualitative with a phenomenological approach. Data sources include village heads, traditional leaders, and community leaders who understand this tradition. Methods of data collection include observation, interviews, and documentation. Data analysis techniques are carried out through data reduction, data presentation, and drawing conclusions. The results of the study show that the Akkattere tradition is carried out by individuals who are economically capable, of traditional descent, and still obedient to the tide. The implementation process begins with apparungrungi and ends with the distribution of dallekang. The meaning of the Akkattere tradition includes; rituals of worshiping God, respecting ancestors, respecting customs, strengthening ties of friendship, and giving alms
The exploration of corporate image sustainability: A Netnography study
This study aims to investigate the corporate image of six significant online organizational communities and their efforts to achieve sustainability. The research focuses on exploring the communication, interaction, and connection strategies employed by these companies on social media platforms to build their corporate image. The study adopts a Netnography approach, employing thematic content analysis, sentiment analysis, and social network analysis to analyze the collected data. The findings of the analysis reveal various patterns in companies\u27 communication approaches on social media, emphasizing their commitment to sustainability. The study also highlights the importance of transparency and collaboration in building a positive corporate image and fostering stakeholder engagement. Overall, the research contributes to the growing body of knowledge on sustainability communication and social media\u27s role in shaping corporate sustainability image
Peaceful journalism in reporting conflict in Papua on the news portals
The aims of this study are to describe the framing and journalism of peace conducted by the media portals Suarapapua.com and Kompas.com and the framing and journalism of peace reporting on the conflict in Papua. This research was conducted for approximately 3 months, from May to July 2022. The method used in this study is a qualitative method using framing analysis by Robert E. Entman, namely, the selection of issues and highlighting certain aspects of reality or issues. The results of the analysis are presented in the form of the Entman model, then reviewed from the perspective of Johan Galtung\u27s Peaceful Journalism. The results of this study indicate that the framing carried out by Suarapapua.com and Kompas.com has an impact on maintaining security stability in Papua. And the application of peace journalism carried out by both of them provides prevention of the ongoing adverse effects on conflicting groups in Papua
The New Sakai: Efforts to construct the Sakai identity
This study is about the transformation of the Sakai tribe regarding changes in the natural, socio-economic and political environment. The Sakai tribe has blended in with the community, owning companies, and holding political as well as government positions. Sakai now is the ‘new Sakai’ that is different from the ‘old Sakai’ stereotyped as backward, stupid, and introvert. The purpose of this paper is to describe the response of the Sakai tribe towards changes through their identity construction. We used ethnography as a method and the data was obtained by living in five kebatinan. The researcher lived at the research location, observed the situation, conducted in-depth interviews and had continuous discussions with the participant to deepen their understanding of the data. The data obtained was then then analyzed descriptively by discussing Warren\u27s theory of identity construction and adaptation theory. This study found that the Sakai people adapt significantly to changes in the natural, socio-economic and political environment. One of the sources of this adaptability comes from education, that since the reformation, the Sakai people have massively made educational efforts for their younger generation. This study concludes that every community has the ability to adapt to changes in its environment based on the knowledge possessed by that community
From listening to curating: Anthropological curatorship toward music playlist practices
Currently, the curatorial approach is expanding its influence beyond the limitations of museums and art galleries, transforming the experiences and significance of our daily existence. That is embodied, for example, in the curatorial practices of music playlists. In making a music playlist there must be a sound curation process where the songs to listen to are selected and included in the music playlist. Accordingly, this study aims to describe how users of analog (mixtapes) and digital (Spotify playlist) music playlists conduct their music curation process and perceive the relationships behind them. The curation process is analyzed using curatorial and anthropological frameworks, which also attempt to provide a fascinating background on preference formation and the curation process. Qualitative data was collected from a virtual ethnographic approach, with observations and unstructured-semi-structured interviews—offline and online—of 19 informants aged 21–55 living in Yogyakarta and Bandung and a literature review. The data obtained through this study focuses on two outcomes. First, sociocultural circumstances provide the basis for preference formation in selecting, curating, and making music playlists. Second, the particulars of each user\u27s music playlist are related to self-discovery and individual identity. As a result, sociocultural circumstances persuade music playlist users\u27 habits that attach to the curation process