Jurnal Dimensi Seni Rupa dan Desain
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IMPLEMENTASI GAYA DAN TEMA KONTEKSTUAL DALAM PERANCANGAN INTERIOR ERA PASCA MODERN
No full textAbstractDesign is still growing relatively as a new discipline. Now Design has already left its old paradigm, as an ornament embellishment of the product or space, to gain a new responsibility to solve advanced and complex needs of humankind behind a designed object. This change, also in the field of inten~or design, acted its design process which must combine both aesthetical and rational ability. Design concept, included a theme in it, is one important step of the design process and play a role as a problem solving anticipation that can direct the whole design process to the right goal or criteria which already stated in early phase. Styles must response physically the theme establls"lzed before. In the age of pluralism with a more complex growlh of space categories and thetr~ requirements, determim\u27ng themes creatively and recombim"ng and recontextualizing styles are needed to achieve a close relationship between space structures and their meam\u27ng or content.Ke ywords . design, interior design, design concept, implementation theme and style AbstrakDesain kini terus berkembang sebagai disiplin ilmu yang relatif baru. Hingga saat ini desain telah meninggalkan paradigma lama sebagai suatu penghias dan ruang atau produk untuk memperoleh suatu peran baru, yaitu memecahkan masalah kebutuhan manusia yang kian kompleks yang berada di bank suatu obyek desain. Perubahan ini juga terasa dalam desain interior, pengaruhnya pada proses desain mengkombinasikan kepekaan estetis dan kemampuan rasional. Konsep desain, termasuk didalamnya tema merupakan salah satu langkah penting dalam proses desain dan memainkan peran sebagai antisipasi pemecahan masalah yang dapat mengarahkan keseluru
PRINSIP SKETSA DAN VISUALISASI PADA PROSES DESAIN
No full textAbstractAny design task requires a very complicated process of searching for an aesthetic as well as functional solution that can be reached in a practical and effective way. Designing involves various elements that must be considered and related to each other within the constraints, in order to create a satisfying solution. According to Michael Angello\u27s analysis, the design process consist of two basic types of activity ; problemstructu ring and problem-solving. They argued that the ill-structured nature of the design-task environment influences the extensive use of problem- structuring during design sketching and visualization. Design is an iterative process in which solutions emerge gradually as a process of structuring, composing and decomposing the problem as a basic of sketching.Keywords: design process, problem-solving, sketchnisAbstrakUntuk menyiapkan suatu tugas desain dibutuhkan proses yang sangat kompleks dan rumit untuk mencari pemecahan dalam segi keindahan maupun dalam segi fungsional baik secara praktis maupun efisien. Desain mencakup berbagai macam elemen yang merupakan satu kesatuan yang saling berkaitan, bahkan terkadang sating bertentangan dalam usaha mendapatkan solusi yang terbaik serta menyenangkan. Menu rut analisa Michael Angello, proses desain mencakup dua jenis kegiatan dasar, yaitu penyusunan problema dan pemecahan problema. Ada pendapat bahwa lingkungan desain yang tidak terstruktur dengan balk akan mempengaruhi proses penyusunan problerna selama proses sketsa desain dan visualisasi. Desain adalah suatu proses interaktif, di mana pemecahan masalah muncul secara bertahap dalarn proses menyusun serta mengubah berbagai problema sebagai dasar sketsa
GAYA SENI, PATRONASE DAN PROSES PELEMBAGAAN SENI KERAJINAN DI JEPARA DAN BALI
No full textAbstractArt product is based on between the line meaning divided into four categories, which are: (1) art which is made as cultural symbol product, (2) have a meaning of faith in God, (3) have a meaning of local cultures, and ( 4) have a meaning of economics. From the four aspect, the writer is trying to compare, symbolic meaning which is implied in public art in Bali with industrial carving in Jepara, and also trying to know the form of the social construction of art.keywords: social structure afar!, comparisonAbstrakProduk seni berdasarkan makna yang tersirat dibagi menjadi empat kategori, yaitu: (1) seni yang dibuat sebagai produk simbol budaya, (2) bermakna kepercayaan, (3) bermakna adat istiadat setempat, dan (4) bermakna ekonomi. Dan i ke empat aspek tersebut penulis mencoba membandingkan, makna simbolis yang terkandung da lam karya seni masyarakat di Bali dengan industri kerajinan ukir di Jepara, serta mencoba mengetahui ben tuk konstruksi sosial seninya. Kata kunci: struktur sosial seni, perbandinga
ESTETIK DALAM PERANCANGAN PRODUK: ANTARA YANG KONKRIT DAN YANG ABSTRAK
No full textAbstractAesthetic has been a word with many meanings. The common one means beauty. Actually, a branch of philosophy in the field of axiology, a realm of values. As a discipline it is usually confused with the philosophy of art. The idea that aesthetic always concern with beatify and art, makes the term exhausted. in this paper, in relation with the product design, I proposed to use the original meaning of aesthetic, in Greek, aesthetic, means sensation, perception or feeling. Starting from the clear ground of the term, we can move into the idea of aesthetic of product design. In this case we are now free to use any kind of aesthetic criteria in designing or making a product, as long it accommodates people need and images, such as identity, ideology, culture, class etc. No one can dictate or judge any other person \u27s aesthetic, in the name of high culture, or whatever, so this is to be a knowledge by the product designer, or first by the design institution, and the students at large. Though the value of classical products can be still high in your wind and in reality, but now it is at the same level with the ethilic, for example both are aesthetic. It is a matter of understanding and reconciling between the concrete and the abstract. Between the thing, the product, and the ideas or values you would like to attribute to it.Keywords: aesthetic, art, sensation, experienceAbstrakEstetika acialah kata dengan banyak arti. Umumnya adalah keindahan. Sebagai suatu disiplin ilmu, estetika sering tertukar dengan filsafat seni. Pendapat bahwa estetika selalu menyangkut keindahan dan seni membuat istilah estetika menjadi samar. Dalam Hubungannya dengan desain produk saya mengajukan untuk menggunakan pengertian estetika sebenarnya, yang dalam bahasa Yunani berarti sensasi, persepsi atayu perasaan. Dimulai dari kaidah yang berlaku, dalam bahasa ini , kaitan estetika dengan desain produk. Dalam kasus ini kita bebas menggunakan kriteria estetika dalam mendesain atau membuat produk, selama hal itu tetap memberi gambaran identitas, ideologi , kebudayaan, golongan dan sebagainya. Tidak ada orang yang bisa menilai estetika orang lain, biarpun atas nama kebudayaan tinggi, jadi ini merupakan ilmu bagi deainer produk/institusi desain, dan mayoritas sisw
HOW TO GET A PhD: A HANDBOOK FOR STUDENTS AND THEIR SUPERVISORS
No full textAbstractThl\u27s artl\u27cle I\u27S compilatl\u27on of book w!\u27l\u27tten by Estelle M. Phillips concerning guidance for readers interested in continuing to study in doctoral program or S3, moreover this book is simple and can be used for every educational purposes of manktnd hankeringto develop one self.AbstractTulisan mi merupakan saduran dari buku yang ditulis oleh Estelle M. Phillips mengenai panduan bagi pembaca yang berminat melanjutkan studi ke program doktoral atau S3,lebih dari itu buku ini temyata juga dapat dipakai oleh setiap nlsan pendidikan yang berminat mengembangkan diri
SENIKERAJINAN BATIK DI INDONESIA
No full textAbtractBatik is one of the hzdonesian indentities which is diHerwzt from othercountries long time ago. Batik used to be wom by sultmz, his family and friends- Nozu, everyone can wear batik to go to work and special event it proves that people have been loving the beauty of Batik for hundred of year. All we have to do is preserving the existence of batik so that our generation will not lose Batik as one of the Indonesian identities.AbstrakBatik Lelah lama dikenal sebagai kesenian khas Indonesia yang merupakan salah satu identitas bangsa Indonesia yang berbeda dengan Negara-negara lain. Batik pada awalnya dipakai oleh kerabat dan keluarga Sultan, saat ini batik banyak dipakai untuk pergi bekerja dan pada acara-acara pesta, hal ini membuktikan bahwa orang telah tertarik akan keindahan batik sejak ratusan tahun.
SIFAT MEKANIS LAMINASI LENGKUNGAN BAMBU BETUNG (Dendrocalamus asper (Schulters f.) Backer ex Heyne) dan TALI (Gigantochloa apus (J.A. & J.H. Schultes) Kurz).
No full textAbstractPreface study shows a possibility of bamboo to be bent and also proves that species affects to the results of mechanical properties. Bamboo was bent with the radius of curvature of 28 CM, as an example, used PVAc (industrial specification), and _formed manually in cold pressed at pressure setting at room temperature for 24 hours. In order to examine the best composition of optimal laminate effect, influence of node existing, and effect of shape; 24 samples of 2 cm x 2 cm x 30 cm were made and three replicates were prepared. In order to compare species influence were selected Dendrocalamus asper (Schultes f) Backer ex Heyne and Gigantochloa apus (J.A. & Schultes) Kurz that have different anatomical structure.Results indicate that node presence not significantly affects mechanical properties of Betting bamboo but significantly for Tali bamboo. To get the optimum mechanical properties, thickness of laminate is about 4 mm to 5 min. Decreasing of mechanical properties of laminated bended bamboo is not caused by node presence but by shape influence. The modulus of elasticity (MOE) value of Belling bamboo is decreasing almost 50% from the mechanical properties. Meanwhile, the MOE value of laminated straight bamboo of Tali decreases until 5 times from its mechanical properties, and the MOE value of laminated [\u27ended bamboo of decreases until 25% from laminated straight bamboo. Conversely, the modulus of rupture (MOR) of both of laminated bamboo is not significantly
ARTI RUMAH TINGGAL BAGI ORANG SUNDA
No full textAbstractMostly house structures for living are based on the concept from the roots of nature (cosmos) which is depicted through myths, religions or beliefs. Reflection of strenght outside the human being are frequcntly realized in so ninny aspects, for example in the shape of buildings, space arrangements and also the implementation of the element of decoration.This article is aniffbrt to express the meaning of house structures for the Sundanese like the one told by Romo Mangunwijaya , a cultural observer, the houses we are building are house for human beings. Therefore it is actually something that always reflects the breath of human life by tendencies and character, by the aspirations and passions. In general traditional architectural device which is based on the concept of the Sundanese people has integrated with nature. Nature is strength or potency which must be wisely accurately in everyday life.keyword: Stmdanese housesAbstrakSebagian besar konsep dasar bangunan rumah tinggal bersumber dari alam (kosmos) yang digambarkan melalui mitos-mitos, kepercayaan atau agama. Refleksi kekuatan di luar manusia tersebut acapkali diwujudkan d a la m berbagai hal, misalnya dalam wujud bangunan, penataan ruang maupun penggunaan elemen dekorasi.Tulisan ini acialah upaya mengungkap arti bangunan rumah tinggal bagi orang Sunda seperti yang dikatakan oleh Romo Mangunwijaya seorang Budayawan, bahwa rurnah yang kita bang-un ialah rumah manusia. Oleh karena itu merupakan sesuatu yang sebenarnya selalu dinapasi oleh kehidupan manusia, oleh watak dan kecenderungan-kecenderungan, oleh nafsu dan cita‑citanya. Secara Umum konsep dasar rancangan arsitektur tradisional masyarakat Sunda adalah menyatu dengan alam. Alam meripakan sebuah potensi atau kekuatan yang mesti dihormati serta dimanfaatkan secara tepat di dalam kehidupan sehari-har
PERANAN KAYU SEBAGAI MATERIAL PADA DESAIN PRODUK DAN DESAIN INTERIOR
No full textAbstractAs you know wood is natural material as acomposite material is usingfor construction building, interior need, household equipment and (Act; that\u27s way we are talking about wood. We were descript ing woods for a tropical wood as tropical hard wood and tropical soft wood. The process production of it\u27s are variaties, many of processes like\u27s tradi timid processes and modern process style has been knew and now we are talking about the type of wood, the characteristic of wood and special properties of wood. I hope the discription above can opened mind of the product designer for looking more deeply to wood material\u27s. Therefore a professional ity thinking and practice skill for material matters especially wood material\u27s are very importance and should be decided for the future .Abstrak.Seperti kita ketahui kayu adalah bahan alami non komposit, yang banyak digunakan untuk berbagai kebutuhan, antara lain: konstruksi bangunan, kebutuhan interior, peralatanrumah tangga clan sebagainya. Tulisan mi membahas mengenai keberadaan kayu tropis, jenis hard wood clan soft wood. Proses produksi / pengolahan kayu sangat bervariasi, yaitu dengan cara tradisional dan cara modern. Disamping itu juga dibahas jenis, karakter kayu clan manfaatnya. Tulisan ini diharapkan dapat rnembuka wawasan bagi para perancang interior dan perancang produk dalam memanfaatkan bahan kayu untuk kepentingan masa depan
ERGONOMI DALAM BIDANG PERENCANAAN ARSITEKTUR DAN INTERIOR
No full textAbstract:Usage of mind and mind of being* taking care of continuity of life hear culture as we know now. From here grows various norms institutions, behaviour pattern, image of human being, including in its the process of scheme of interior and architecture. To pass off interaction and communications with the environment of human beings is provided by 3 fundamental abilities namely: structural body/anatomy, physical ability, and physichological ability. Ergonomi as applied sciences which is in altidisiplined can be entangled further as part ofscheme process.Keywords: ergonomic, hit man beings, space and environmentAbstrakPenggunaan akal dan pikiran manusia untuk menjaga kelangsungan hidupnya melahirkan apa yang kita kenal sebagai kebudayaan dari sinilah berkernbang berbagai pranata norma, pola tingkah laku, citra manusia, termasuk pula didalamnya proses perancangan arsitektur dan interior. Untuk melangsungkan komunikasi dan interaksi dengan lingkungannya manusia dibekali dengan 3 kemampuan pokok yakni: struktur tubuh/anatomi, kemampuan fisik, dan kemampuan psikis. Ergonomi sebagaiterapan yang multidisiplin dapat dilibatkan lebih jauh lagi sebagai bagian dari proses perancangan