Jurnal Dimensi Seni Rupa dan Desain
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PENERAPAN KONSEP SOCIAL SUSTAINABILITY PADA RUMAH TINGGAL ORANG MINANGKABAU PERANTAUAN: The Application Of Social Sustainability Concept In The House Of The Overseas Minangkabau People
Full text linkThe culture of gathering is still practiced by the Minangkabau people, both those who still live in hometowns and those who have migrated. A number of traditions are still carried out by Minangkabau people today. The culture and traditions must be maintained and preserved for the sake of social interaction (social sustainability). The concept of social sustainability is a link between design of the physical world and social world, which means that although comfortable housing is important, residential design that is able to maintain social relations, social networks, and cultural development must also be considered. This study aims to classify zoning and grouping to produce recommendations for layouts. That way, the scope of interior design in solving residential problems is expected to be solved systematically so as to produce a layout that facilitates the needs of its inhabitants. The method used is qualitative with cultural approach (cultural studies) to describe spatial divisions in residential houses based on cultural activities of the overseas Minangkabau people. Data was collected using documentation and interviews. The findings of this study are related to spatial arrangements in the house of the overseas Minangkabau people in providing space to fulfill the activities carried out by Minangkabau people today. The layout of the overseas Minangkabau people has a shape in the front has an area of space that can accommodate the number of residents and relatives of same clan. This research is able to become the basis for criticism and evaluation for developers to design housing in the future
PENGEMBANGAN MODUL MATA KULIAH DESAIN KOMUNIKASI VISUAL I BERBASIS MEDIA DI PROGRAM STUDI DESAIN KOMUNIKASI VISUAL: Media-based Development of Visual Communication Design I Subject Module in the Visual Communication Study Program
Full text linkThe learning process in Visual Communication Design I has not been supported by pre-requisite courses that focus on visual communication problems. So that students in the learning process require longer adaptation to master the theory and practice of work. One of the visible symptoms is that the design work designed by students displays aesthetic functions more dominant than their communication functions. Based on this, it is necessary to support teaching materials in the form of modules as an effective and efficient learning medium that can motivate students to learn more independently as well as be creative and innovative in designing visual communication design works. Module development is carried out by research methods using a development model by adapting from the stages of the Four-D Model referenced from Thiagarajan (1974). The development model was later modified into 5-D. Data collection techniques through interviews, observation and documentation. Making modules based on criteria or principles that show the characteristics of a good module, which includes: self instructional, self contained, independent, self assessed, and user friendly. The module development process goes through the stages of needs analysis, determination of concept maps, formats and writing systematics, followed by making modules consisting of four module units. After that, validation is carried out to determine the feasibility of the module as a development product. Then a revision is carried out whose results can be directly used as a learning medium in the module trial stage. The responses of graphic design lecturers and students show that in essence, the modules developed are suitable to be used to support learning about visual language. Besides being able to be used for independent learning in visual communication design lectures, it can also be used for material enrichment in learning Graphic Design or Visual Communication Design
ANALISIS HERMENEUTIK MOTIF GUIRLANDE PADA PELIPIT CANDI-CANDI PENINGGALAN MATARAM KUNO : Hermeneutical Analysis of Garland Motifs in the Spiral Ornamentation of Ancient Mataram Era Temples
Full text linkThe temple is considered as a homage to the gods. As gods reverence, the building is decorated with numerous beautiful motifs. Each decoration presents a value, either symbolic or aesthetic. Some previous studies have only explored the decorative motifs depicted on the roof, body, and base. The temple also consists of a cornice and plinth. They serve as separators between those three main parts of the temple. Some decorative motifs are also depicted on those parts. This essay discusses one of the decorative motifs usually applied on cornices and plinths, namely garland motifs. This research aims to identify various garland motifs in the ancient Mataram temple buildings (8-10C). The method used in this research is Wilhelm Dilthey\u27s hermeneutics. It explains that in empirical data, there are patterns connected. Those patterns give meaning to experience and life. Dilthey\u27s hermeneutics is carried out by looking at those patterns, understanding them, and interpreting their means. This research will reveal the meaning of the elements that form the garland motif. By understanding the interconnectedness of each element\u27s intention, we can also understand the universal value of the garland motif in the temple building
PERANCANGAN STRUKTUR KEMASAN MAKANAN AKAR KELAPA: Design of Packaging Structure for Coconut Root Food
Full text linkPackaging is one of the keys for MSMEs to further increase the selling value of the product. Packaging has an important role because it relates to the product it packs and is the selling point of the product and displays the product image. This selling value increases when the product gets added value from an attractive packaging design. One of the attractions of a packaging is its practical or functional appeal. The packaging design variable consists of 3 dimensions, namely: graphic design, structure design, and product information. The design structure is related to the physical features of the packaging, and consists of 3 sub-dimensions, namely shape, size, and material. Folding cardboard is one of the packaging materials included in the packaging structure. Paper and cardboard packaging are the most favored by the global market segment which accounts for up to 31% because they have many functions such as means for protection and food products. This study uses a descriptive qualitative approach with the Design Thinking method which includes Define, Research, Ideate, Prototype, Select, Implement, and Learn to get the results of the packaging structure design design including the shape and material or packaging material to add value to the product with its unique packaging form. The result of this design is a packaging structure with a prism shape and a lock using a tuck end at the top and a bottom lock for the bottom of the package. The structure is able to provide efficient use of packaging from the ease of opening and closing the packaging and packaging ergonomics
ETNOMATEMATIKA DALAM PENCIPTAAN WAYANG GUNUNGAN JAWA: ETHNOMATHEMATICS IN THE CREATION OF JAVANESE GUNUNGAN WAYANG
Full text linkWayang gunungan is a figure that is always there and needed in every puppet show. However, the shape and size of wayang gunungan knowledge is still limited by the adaptation. Therefore, this study seeks to explain the basis for measuring wayang gunungan. The theory used to explain the measurement technique of wayang gunungan is ethnomathematics. The method used in this study is qualitative with an experimental approach. This study resulted that wayang gunungan has three size variations, that are small with high of three spawns more than one palm and width of two spawns, medium with high of four spawns and width of two spawns more than one palm, and large with height of five spawns and width of three feet. The results of this research are expected to be used as a reference in the process of creating mountain puppets, especially in determining their size
REPRESENTASI DESAIN INTERIOR PUSAT KEBUDAYAAN KOREA SELATAN DI JAKARTA UNTUK MENDUKUNG PENDIDIKAN BERKUALITAS : Representation of Interior Design at the South Korean Cultural Center in Jakarta to Support Quality Education
Full text linkSouth Korean culture, such as history, K-pop, K-drama, K-beauty, K-food, and so on, has gained the attention of Indonesian people of various communities and ages. Simultaneously with the increasing interest of the Indonesian people in entertainment, beauty, food & beverage, and other sectors from South Korea, the Korean industry in Indonesia is also increasing. The existence of the South Korean Cultural Center is currently still limited to being a Korean language center and does not yet present South Korean history, art, and technology which are of great interest to the Indonesian public today.This study aims to create an interior design concept for the South Korean Cultural Centerthat complies withits vision and mission, create a space and circulation program that suits the activities and behavior of users, and create a green design concept. This study adapts the 4th point of the Sustainable Development Goals regarding the Quality of Education and uses a qualitative descriptive research method.This design carries a concept with the theme "Two sides of Korea" which shows two sides of South Korea from two different eras: the past and present, by displaying a natural, warm, and dynamic image. In this design, the author chooses a contemporary South Korean style while still paying attention to green design
PERANCANGAN DISPLAY PERHIASAN UNTUK MENINGKATKAN KEMUDAHAN MEMBAWA DAN MENATA PRODUK DALAM PERSIAPAN PAMERAN: JEWELRY DISPLAY DESIGN TO INCREASE THE EASE OF CARRYING AND ARRANGING PRODUCTS IN PREPARATION FOR AN EXHIBITION
Full text linkProduct exhibitions are a very effective strategy in helping Small and Medium Enterprises (SMEs). Data from the Ministry of Tourism and Creative Economy in 2019 shows the significant role of jewelry in the economy, reaching 31.5%. Design goals involved portability, dual function as storage, modularity, and aesthetics. The research method used is qualitative with data triangulation techniques from observation, interviews and documentation. Data analysis was carried out by considering the needs of jewelry exhibition displays. The design uses the SCAMPER method and design thinking with a focus on practical and creative solutions. The research results showed obstacles such as a less sturdy structure, display weight, difficulty in arranging, and long preparation time. Design recommendations involving portable, product storage, collapsible and modular displays aim to increase the ease of preparing exhibitions and attract consumer attention
PERANCANGAN BUSANA SIAP PAKAI DENGAN MATERIAL UTAMA TENUN SUMBA LAU PAHIKUNG BERDASARKAN ANALISIS KEBUTUHAN PASAR URBAN: DESIGNING READY-TO-WEAR CLOTHING WITH SUMBA LAU PAHIKUNG WOVEN MAIN MATERIAL BASED ON URBAN MARKET NEEDS ANALYSIS
Full text linkIndonesia\u27s diverse handicrafts include Lau Pahikung woven cloth from Sumba Island, East Nusa Tenggara. Lau means sarong in the local language, and Pahikung is a weaving technique for fabric patterns. This cloth, made using ikat and Pahikung dyeing, is crafted into sarongs for Sumba women. The research partners with the Sekar Kawung Foundation, supported by weavers in East Sumba, who use sustainable methods to create Lau Pahikung fabrics. These fabrics are transformed into urban product displays through market analysis. The analysis, incorporating Maslow\u27s needs theory and Indonesia Trend Forecasting, leads to ready-to-wear fashion designs that cater to specific formal clothing needs, offering versatile contemporary styles
KAJIAN BENTUK DAN MAKNA PADA LOGO DESA VISESA: Study of The Form and Meaning of The Desa Visesa Logo
Full text linkDesa Visesa is accommodation and a tourist destination that applies traditional Balinese permaculture into a modern package with the Panca Visesa concept. The implementation of the concept is carried out thoroughly and harmoniously between local residents, companies and tourists. The logo is designed based on the company concept. This research examines the form of illustrations and letters in the Desa Visesa logo based on the meaning of denotation and connotation, thereby revealing the effectiveness of the logo. The research method is descriptive qualitative with an interpretive approach. The illustration is composed by geometric, natural and abstract, but not yet able to reflect the kayon. Letters are composed of several types of letter anatomy. The connotation meanings are able to represent the values of Panca Visesa. The effectiveness of the logo hasn’t been optimal because it isn’t able to describe the company in its entirety
PEMETAAN PEMANGKU KEPENTINGAN: ANALISIS VISUAL BRANDING UNTUK MENINGKATKAN KETERLIBATAN MASYARAKAT DI KOTA CIREBON: Stakeholder Mapping: Visual Analysis of Branding to Enhance Community Engagement in the City of Cirebon
Full text linkTourism in Cirebon City, Indonesia, is an important focus in supporting economic growth. The foreign exchange contribution of the tourism sector reached 18.4 billion USD in 2019, showing great potential. The government has taken policy steps, utilizing regional autonomy. Analysis of branding strategies shows that the involvement of stakeholders, including local communities, is important in shaping the destination\u27s image. This research explores the role of visual branding in Cirebon City, focusing on stakeholder collaboration as the key to success. Stakeholders\u27 expectations and views were the subject of questions. The results are expected to provide insights to improve community engagement and sustainable tourism development