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    Rules and Codes: Digital Regulation Between Technical Architectures and Vulnerable Subjectivities

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    Il saggio analizza, da una prospettiva sociologico-giuridica, la trasformazione della normatività nella società digitale, assumendo il codice informatico come vettore primario di regolazione sociale. L’indagine si colloca nel solco del code-based approach sviluppato da Lawrence Lessig, riformulandone criticamente i presupposti attraverso l’apporto della teoria dei sistemi di Niklas Luhmann e della teoria degli agenti software di Gunther Teubner, con particolare attenzione ai concetti di autopoiesi normativa, collisione tra razionalità parziali e attanti tecnici non umani. Viene proposta una tassonomia dei modelli di regolazione tecno-digitale – Lex Informatica, Lex Algorithmica, Lex ex Machina, Lex Cryptographica – ed esaminate le ricadute normative di tale trasformazione, interrogando l’efficacia delle recenti risposte legislative europee (GDPR, DSA, DMA, AI Act), interpretate come tentativi di riappropriazione giuridica dello spazio digitale. Nella parte conclusiva, l’attenzione si sposta verso il profilo soggettivo di Code is Law, concentrandosi sulla figura del minore, intesa come soggettività fragile, computazionalmente costruita e normata da dispositivi performativi. Il minore, in quanto attante esposto e punto funzionale di una normatività opaca, rappresenta dunque oggi il luogo critico in cui si misura la tenuta del diritto come istituzione capace di nominare, proteggere e riconoscere la persona. L’obiettivo è descrivere l’efficacia conformativa degli ambienti digitali nella formazione dell’identità minorile e nella riconfigurazione della tutela giuridica.This essay examines, from a socio-legal perspective, the transformation of normativity in the digital society, considering computer code as the primary vector of social regulation. The analysis builds on the code-based approach developed by Lawrence Lessig, while critically reformulating its assumptions through the contributions of Niklas Luhmann’s systems theory and Gunther Teubner’s theory of software agents, with a particular focus on the concepts of normative autopoiesis, collision of partial rationalities, and non-human technical actants. A taxonomy of techno-digital regulatory models— Lex Informatica, Lex Algorithmica, Lex ex Machina, and Lex Cryptographica — is proposed, and the normative implications of this transformation are explored, assessing the effectiveness of recent European legislative solutions (GDPR, DSA, DMA, AI Act) as attempts to reclaim legal authority within the digital space. In the concluding section, the focus shifts to the subjective dimension of Code is Law, centering on the figure of the minor as a vulnerable subjectivity, computationally constructed and regulated by performative digital devices. The minor, as an exposed actant and functional node within an opaque normative system, emerges as the critical site for assessing the resilience of law as an institution capable of naming, protecting, and recognizing the person. The aim is to describe the conformative power of digital environments in shaping minor’s identity and in the reconfiguring legal protection

    From Tierra del Fuego to Post-Unification Italy: Fuegian Collections and the Making of a Nation

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    The contribution offers an anthropological reflection starting from the Italian ethnological museum collections originating from Tierra del Fuego. These objects are examined as artefacts capable of speaking not only about the past but also about tensions, claims, and possibilities of the present. The aim is to observe how the histories connected to these objects reflect – and at times help to shape – the historical memory of a nation-state in search of legitimation and identity, as well as to explore how they might be re-signified today through participatory and dialogical practices with source communities.Il contributo offre una riflessione di carattere antropologico a partire dalle collezioni museali italiane di interesse etnologico provenienti dalla Terra del Fuoco, interrogandole come oggetti in grado di parlare non solo del passato, ma anche delle tensioni, rivendicazioni e possibilità del presente. L’obiettivo è osservare in che modo le storie connesse a questi oggetti riflettano, e a volte contribuiscano a costruire, la memoria storica di uno Stato nazionale in cerca di legittimazione e identità, ma anche come possano oggi essere risignificati attraverso pratiche partecipative e dialogiche con le comunità di interesse

    Greece 1821

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    Interventi a cura di Antonio D’Alessandri (Università degli Studi Roma Tre) e Michalis Sotiropoulos (The University of Edinburgh) sul volume di Mark Mazower, The Greek Revolution: 1821 and the Making of Modern Europe, London, Allen Lane, 2021, ora disponibile anche in traduzione italiana con il titolo: Grecia 1821. La rivoluzione che cambiò l’Europa, Roma-Bari, Laterza, 2024

    On the Soundness of S5

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    We prove the characteristic S5 axiom under the assumption that the modal operators are logical operators

    Special Issue on the "Milan Logic and Philosophy of Science Network Conference”

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    Introduction to the contributions arising from the First Milan Logic and Philosophy of Science Network Conference, held at Politecnico of Milan on the 12th March 2025.

    COSMOS: The History and Philosophy of Cosmology Network

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    Overview of the aims, scope and results obtained within the CARIPLO funded COSMOS research project (2021-2026

    Perspectives in philosophy of Artificial Intelligence, robotics and cognition

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    This feature reports on the Philosophical Perspectives on Artificial Intelligence (AI), robotics and cognition  session of the first Milan Logic and Philosophy of Science Network workshop (12th March 2025).  Giuseppe Primiero introduced PhilTech’s agenda. Giacomo Zanotti presented the multidisciplinary approach to AI adopted by philosophers at Politecnico di Milano; Silvia Larghi discussed research on mental states attribution to robots conducted at the RobotiCSS Lab, University of Milano-Bicocca; and Ilaria Alfieri presented IULM’s lines on synthetic modeling, the sustainability of social robotics, and the robosphere

    Science Meets the Human Condition: Values and Uncertainties in Science

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    This feature reports on the first meeting of the Milano Logic and Philosophy of Science Network, held at Politecnico di Milano (12 March 2025). It focusses on the contributions investigating the roles of values and uncertainty in contemporary scientific practice. The five contributions presented by the authors are summarized, spanning climate science, medicine, measurement theory, and scientific classification

    1832-1842: a Crucial but Forgotten Decade in the Life of Manuel García Jr.

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    Manuel García Jr. is probably the most renowned among the singing teachers of the 19th century. Such fame, however, is not matched by an in-depth knowledge of his life history, especially regarding the crucial ten-year period between 1832-1842, which starts with the death of his father in 1832 and ends with his achievement as a fully established teacher at the Paris Conservatory in 1842. During this decade, he published two works that had a revolutionary impact on the history of singing: Mémoire sur la voix humaine and Traité Complet de l\u27Art du Chant. García conceived these works to assert his primacy in the knowledge and teaching of the so-called \u27voix sombrée\u27, the vocal emission that was considered highly topical in Paris after Duprez\u27s return from Italy. The link between García, Duprez, the operatic repertoire of the 1830s and the \u27voix sombrée\u27 can be found in the life and work of Manuel and his first famous pupil and first wife, Eugénie, in Italy from 1835 to 1839. In Italy, they became acquainted with the works of Bellini and Donizetti in the early days of their dissemination. The literature on García has long ignored many of the key events of this crucial period and has often assigned incorrect dates to both the publication of his teaching works and the start of his professorship at the conservatory. This study aims to fill this significant gap, in order to fully highlight the role played by García during the period that saw the transition of vocal art from bel canto to melodrama.Manuel García Jr. is probably the most renowned among the singing teachers of the 19th century. Such fame, however, is not matched by an in-depth knowledge of his life history, especially regarding the crucial ten-year period between 1832-1842, which starts with the death of his father in 1832 and ends with his achievement as a fully established teacher at the Paris Conservatory in 1842. During this decade, he published two works that had a revolutionary impact on the history of singing: Mémoire sur la voix humaine and Traité Complet de l\u27Art du Chant. García conceived these works to assert his primacy in the knowledge and teaching of the so-called “voix sombrée”, the vocal emission that was considered highly topical in Paris after Duprez\u27s return from Italy. The link between García, Duprez, the operatic repertoire of the 1830s and the “voix sombrée” can be found in the life and work of Manuel and his first famous pupil and first wife, Eugénie, in Italy from 1835 to 1839. In Italy, they became acquainted with the works of Bellini and Donizetti in the early days of their dissemination. The literature on García has long ignored many of the key events of this crucial period and has often assigned incorrect dates to both the publication of his teaching works and the start of his professorship at the conservatory. This study aims to fill this significant gap, in order to fully highlight the role played by García during the period that saw the transition of vocal art from bel canto to melodrama

    Mallarmé e il modernismo musicale. Percorsi tra Debussy, Ravel e Milhaud — LIM, 2025

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