Film-Philosophy
Not a member yet
607 research outputs found
Sort by
It is Never a Decision to Choose Between This and That: A Response to Herwitz
No full textDaniel Herwitz
\'The Defence of Extreme Realities\'
_Film-Philosophy_, vol. 6 no. 45, November 200
Response to Tepper
No full textCraig Tepper
\'The Cavell Cavil\'
_Film-Philosophy_, vol. 6 no. 12, June 200
The Shifting Identities of French Popular Cinema
No full text_France on Film: Reflections on Popular French Cinema_ Edited by Lucy Mazdon London: Wallflower Press, 2001 ISBN 1 903364-08-6 pbk 180 pp
In Search of Frenchness Lost?
No full text_French Cinema in the 1990s: Continuity and Difference_
Edited by Phil Powrie
Oxford: Oxford University Press, 1999
ISBN 0-19-815958-7
286 pp
This Special Mystique of Interview Politics: A Flow Between Fact and Fiction
No full textTrinh T. Minh-ha
_Cinema Interval_
New York and London: Routledge, 1999
ISBN 0-415-92200-3 (hbk) 0-415-92201-1 (pbk.)
274 pp
Calm - On Terrence Malick's The Thin Red Line
No full textWittgenstein asks a question, which sounds like the first line of a joke: 'How does one philosopher address another?' To which the unfunny and perplexing riposte is: 'Take your time'. Terrence Malick is evidently someone who takes his time. Since his first movie, Badlands, was premiered at the New York Film Festival in 1973, he has directed just two more: Days of Heaven, in 1979, and then nearly a 20 year gap until the long-awaited 1998 movie, The Thin Red Line, which is the topic of this essa
Emergent Senses: A Response to Swalwell
No full textMelanie Swalwell
\'The Senses and Memory in Intercultural Cinema\'
_Film-Philosophy_, vol. 6 no. 32, October 200
Photography Into Motion
No full text_Fugitive Images: From Photography to Video_
Edited by Patrice Petro
Bloomington: Indiana University Press, 1995
ISBN 0-253-20890-4
314 pp
The Life and Death of Superimposition (1946)
No full textTranslated by Bert Cardullo
University of Michigan, Ann Arbor, Missouri, USA
This essay first appeared in French in Écran Français in 1946, then was included in Volume 1 (\'Ontologie et langage\') of Qu\'est-ce que le cinéma? (Paris: Éditions du Cerf, 1958-1962), pp. 22-30. Translated here, for the first time, with the permission of Madame Janine Bazin
Will CinemaScope Save the Film Industry? (1953)
No full textTranslated by Bert Cardullo
University of Michigan, Ann Arbor, Missouri, USA
This article first appeared in French in Esprit, vol. 21 no. 207-208, October-November 1953, pp. 672-683. Translated here, for the first time, with the permission of Madame Janine Bazin