Film-Philosophy
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Good Vibrations
No full textJames Lastra
_Sound Technology and the American Cinema: Perception, Representation, Modernity_
New York: Columbia University Press, 2000
ISBN 0-231-11516-4 Hbk; 0-231-11517-2 Pbk
270 pp
The Cutting Edge Between Trash Cinema and High Art
No full textJoan Hawkins
_Cutting Edge: Art-Horror and the Horrific Avant-garde_
Minneapolis: University of Minnesota Press, 2000
ISBN 0-8166-3414-9
326 p
The Bad and the Beautiful
No full textColin McGinn
_Ethics, Evil, and Fiction_
Oxford: Clarendon Press, 1997
ISBN 0198237162 (hb) 0198238770 (pb)
x + 186 pp
How Heavy Light Can Be
No full textCathryn Vasseleu
_Textures of Light: Vision and Touch in Irigaray, Levinas, and Merleau-Ponty_
London: Routledge, 1997
ISBN 041514233 (hbk) 0415142741 (pbk)
157 pp
When Too Many Puns Are Never Enough: A Response to Wurgaft's and Shaw's Reviews of Textures of Light
No full textBenjamin Wurgaft \'How Heavy Light Can Be\' _Film-Philosophy_, vol. 6 no. 9, May 2002 Joshua Shaw \'Struggling to See the Light\' _Film-Philosophy_, vol. 6 no. 10, May 200
The Cavell Cavil
No full textWilliam Rothman and Marian Keane
_Reading Cavell\'s The World Viewed: A Philosophical Perspective on Film_
Detroit, Michigan: Wayne State University Press, 2000
ISBN 0-8143-2896-2
320 pp
Darke Reading Light
No full textChris Darke
_Light Readings: Film Criticism and Screen Arts_
London: Wallflower Press, 2000
ISBN 1903364078
206 pp
Narrowing the 'Wider Issues' in Fuery's New Developments in Film Theory
No full textPatrick Fuery _New Developments in Film Theory_ London: MacMillan Press, 2000 ISBN 0-333-74490-X HB; 0-333-74491-8 PB 211 pp
Avant-Garde Meat
No full textStephen Barber
_Artaud: The Screaming Body_
London: Creation Books, 1999
ISBN 1840680091
126 pp
Godardiana: A Reply to Marcia Landy
No full textMarcia Landy
\'Godard: Thinking Media\'
_Film-Philosophy_, vol. 6 no. 30, September 200