Film-Philosophy
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Identification of a Journal: Studies in French Cinema
_Studies in French Cinema_
Volume 1 Number 1
Bristol: Intellect Press, 2001
ISSN 1471-5880
64 pp
Television as the Centre of the Universe
_Television and Common Knowledge_
Edited by Jostein Gripsrud
London: Routledge, 1999
ISBN 0-415-18929-2
209 pp
Cinematic Media in the Age of the Quantum Particle
Paul Virilio
_Polar Inertia_
London: Sage Publications, 2000
ISBN 0-7619-5802-9 (hb) 0-7619-5803-7 (pbk)
103 pp
An Infrared Vision of the World: Deleuze, the Sign, and In the Mood for Love
I often imagine how good it would be to have a pair of those infrared binoculars -- the ones always used by the hero in movies to see what\'s ordinarily hidden by darkness. Similar is the alien\'s vision of warmth in _Predator_. In this film the commandos, led by Arnold Schwarzenegger, cannot escape the prying eyes that see the warmth of their bodies (no matter how much guerrilla is in their warfare
Review of Paul Virilio's 'Ce qui arrive' / 'Unknown Quantity'
'Ce qui arrive' / 'Unknown Quantity' An Exhibition Conceived by Paul Virilio November 29th 2002 till March 30th 2003 Fondation Cartier pour l'art contemporain 261 Boulevard Raspail, 75014 Paris, Franc
Revisiting the Philosophy of Horror
_Film and Philosophy_
Special Edition on Horror, 2000
Edited by Daniel Shaw
ISSN 1073-0427
142 pp
Haunting the House from Within: Disbelief Mitigation and Spatial Experience
_The Haunting_
Directed by Robert Wise
MGM/Argyle, 1963
112m, B
A Non-Replying Reply to Kretzschmar
Laurent Kretzschmar
\'Is Cinema Renewing Itself?\'
_Film-Philosophy_, vol. 6 no. 15, July 200
After Photography: Deconstructing the Era of the Image
Scott McQuire
_Visions of Modernity_
London: Sage Publications, 1998
ISBN 0-7619-5301-9
270 pp
Fatal Strategies and Film Studies
Jean Baudrillard
_Fatal Strategies_
Translated by Philip Beitchman and W. G. J. Niesluchowski
Edited by Jim Fleming
London: Pluto Press, 1999
ISBN 0-7453-1453-8
191 pp