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A STUDY ON GENERALIZATION OF TASTE SENSOR WITH LIPID POLYMER MEMBRANE
Get PDF近畿大学Kindai University博士（工学）主査：白土 浩 教授
学内授与番号：産第54号八尋 美希, 都甲 潔, 飯山 悟. "マルチチャネル味覚センサを用いた米の味の識別"
電気学会論文誌Ｅ（センサ・マイクロマシン部門誌), 1997, 117(4), p.187-194.
https://doi.org/10.1541/ieejsmas.117.187 掲載
八尋 美希, 都甲 潔, 吉川 由紀子, 八尋 剛規. "味覚センサによる牛乳の味の計測"
電気学会論文誌Ｅ(センサ・マイクロマシン部門誌), 2000, 120(1), p.20-25.
https://doi.org/10.1541/ieejsmas.120.20 掲載
Miki Yahiro, Shu Ezaki, Ryuji Takamatsu, Kiyoshi Toko "Temperature Dependence of Bitter Taste and Output Characteristics of Taste Sensor" Sensors and Materials, Vol. 20, No. 4 (2008) 161–169
https://doi.org/10.18494/SAM.2008.534 掲載
Miki Yahiro, Shu Ezaki, Satoru Iiyama ”Characteristics of Response to Extracted Solution of Rice using Multichannel Taste Sensor” 電気学会論文誌Ｅ(センサ・マイクロマシン部門誌), 2023, 143(4), p. 62-67
https://doi.org/10.1541/ieejsmas.143.62 掲載doctoral thesi
클래식 피아노곡에 대한 한・일 번역제목의 유사성 고찰
Get PDFThis paper began with a small observation I made while playing the piano as a hobby in both Korea and Japan, namely that the translated titles of classical piano pieces in Korean and Japanese are remarkably similar. The purpose of this paper is to find out whether this similarity is due to mere chance or based on some concrete cause. I conclude that the reason for the similarity is to be found in the influence that Japan brought to bear on the process of acceptance of Western music in Korea.departmental bulletin pape
表紙・目次・ほか 72(1・2・3) 2024
Get PDF[注記]近畿大學法學 第72巻第1・2・3号（通巻第197号）, 近畿大学法学投稿規程, 前号目次[第71巻第1・2号（通巻第195号), 第71第3・4号（通巻第196号)], 執筆者紹介othe
子ども達と墨流しを行って
Get PDF2021年から「墨流しを用いた作品制作」について研究を行ってきたが，この度園児に対して研究実践を行うことができたのでここで報告する。墨流しの実技体験を園児に対して実施した結果、広がる模様を不思議そうに眺める様子や，楽しみながら模様を作り出す姿が見られた。自らが施した模様から発想して描いた作品からは，おばけや人，ヘビを描いている園児が多く見られた。模様の形や色彩から，自分なりに見立てた事柄を描きこむことで、想像力豊かに表現された作品が多数見られた。Research on “Creating Artwork Using the Suminagashi (marbling) Technique” has been conducted since 2021. This time we have implemented research practice on preschoolers and the results are outlined in this report. As a result of carrying out the Suminagashi practice experience on preschoolers, we were able to observe their gazing intently with awe at the design in front of them and joyfully creating patterns. From the patterns that were formed, many children imagined and came up with artwork featuring ghosts, people and snakes. From the shapes and colors of the pattern, they used their artistic interpretation to create their own images and many drawings manifesting their vivid imaginations.departmental bulletin pape