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Verification of Teaching Methods for the Development of a Critical Reading Method for Japanese Language Arts (2) ：Focusing on a Micro Approach
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The Formation of Keizo Shibusawa as a Person and His Academia ： The Attic Museum Toy Collection Period
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The research on Korean church architecture: The expression of tradition in “Han-ok church” built in prewar
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Development of a Scheduling Method for Engineer-To-Order Design Engineering and Manufacturing Functions Considering Employee Skill
Full text link神奈川大学博士（工学）doctoral thesi
Framed Solitude ： Certain Frames in Kelly Reichardtʼs Certain Women
Full text linkBy interweaving three otherwise independent short stories into an ensemble narrative, Certain Women （2016） accentuates the pervasive sense of isolation experienced by its protagonists, rendering their solitude all the more palpable to the viewer. Christopher Blauvelt, Reichardtʼs long-time collaborator and cinematographer, repeatedly employs compositions that isolate a single figure within the frame, often emphasizing the claustrophobic tension of the frame-within-a-frame technique. These aesthetic choices serve to underscore, in visual terms, the womenʼs disconnection from their surrounding environments.
Focusing primarily on the filmʼs third segment, this paper begins by identifying the aesthetic and thematic elements that permeate the entirety of the work, while also drawing comparisons with the original short stories. It then turns to an analysis of how the film articulates the possibility of connection and the faint glimmers of hope that emerge between otherwise isolated individuals. By examining both the specific predicaments each character faces and the fleeting moments of relational resonance that surface across the three narratives, this study seeks to reconsider how Reichardt directs her gaze toward the forms of solitude and vulnerability that remain incommunicable―singular and unshared―between characters.departmental bulletin pape
