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Men rejoice! [Phillips arr. Hesketh]
An arrangement by Kenneth Hesketh of the carol by John C. Phillips. For chorus and orchestra, duration 2 minutes.
This piece was first performed on 16 December 2018 at Symphony Hall, Birmingham, by the City of Birmingham Symphony Orchestra, conducted by Simon Halsey.
A piano reduction is available to purchase at: https://www.musicroom.com/product/musnov297447/john-c-arr-hesketh-phillips-men-rejoice-arr-hesketh-2-part-choir.aspx
Frescobaldi, Girolamo Alessandro; Gasparini; Moscheles, Ignaz (Isaac); Neidhardt, Johann Georg; Suzuki, Masaaki
Entries in the Cambridge Encyclopedia of Historical Performance in Music as follows: Frescobaldi, Girolamo Alessandro (pp.248-249); Gasparini (pp.262-263); Moscheles, Ignaz (Isaac) (pp.414-415); Neidhardt, Johann Georg (p.432); Suzuki, Masaaki (pp.592-593).
Description of the Cambridge Encyclopedia of Historical Performance in Music: Recent decades have seen a major increase of interest in historical performance practice, but until now there has been no comprehensive reference tool available on the subject. This fully up-to-date, illuminating and accessible volume will assist readers in rediscovering and recreating as closely as possible how musical works may originally have sounded. Focusing on performance, this Encyclopedia contains entries in categories including issues of style, techniques and practices, the history and development of musical instruments, and the work of performers, scholars, theorists, composers and editors. It features contributions from more than 100 leading experts who provide a geographically varied survey of both theory and practice, as well as evaluation of and opinions on the resolution of problems in period performance. This timely and ground breaking book will be an essential resource for students, scholars, teachers, performers and audiences
Recorder
Description of the Cambridge Encyclopedia of Historical Performance in Music: Recent decades have seen a major increase of interest in historical performance practice, but until now there has been no comprehensive reference tool available on the subject. This fully up-to-date, illuminating and accessible volume will assist readers in rediscovering and recreating as closely as possible how musical works may originally have sounded. Focusing on performance, this Encyclopedia contains entries in categories including issues of style, techniques and practices, the history and development of musical instruments, and the work of performers, scholars, theorists, composers and editors. It features contributions from more than 100 leading experts who provide a geographically varied survey of both theory and practice, as well as evaluation of and opinions on the resolution of problems in period performance. This timely and ground breaking book will be an essential resource for students, scholars, teachers, performers and audiences
The arrival of tango in Japan: allure, fear, and morality in early twentieth century Japan
An open access version of this article is available at https://pure.hud.ac.uk/ws/files/18084888/The_arrival_of_Tango_in_Japan_Allure_Fear_and_Morality_Yuiko_Asaba.pd
Book review: Elizabeth L. Wollman, A Critical Companion to the American Stage Musical (London: Bloomsbury, 2017)
Book review: Marc Edward Shaw and Holly Welker (eds.), Singing and dancing to The Book of Mormon: critical essays on the Broadway musical (Rowman & Littlefield, 2016)
Music for 'Through Lotte's Lens' directed by Tony Britten
Norbert Meyn acted as musical advisor and performed music for this film directed by Tony Britten.
Through Lotte’s Lens tells the extraordinary story of the ‘Hitler Émigrés’, the refugees – mainly Jewish who escaped the Nazi regime in the 1930s and found refuge in the UK. Despite many of them being interned on the Isle of Man after war broke out, they brought a richness of endeavour and achievement to this country that still resonates today. Musicians, actors, artists, architects, scientists, historians shared a belief in the power of democracy and a loyalty to the country that had welcomed them.
Told through the portal of Austrian portrait photographer; Lotte Meitner-Graf, this is a story which is both engaging and thought provoking and the film’s epilogue, featuring the extraordinary sculptures of Ana Maria Pacheco underlines the contemporary resonance of the plight of the immigrant and the importance of nations closing neither their eyes nor their doors.
Through Lotte's Lens has been screened on Sky Arts and is available now on DVD
Obituary: David Evans, harpsichord maker who paved the way for a revival in the instrument’s fortunes
Bülow, Hans von
Description of the Cambridge Encyclopedia of Historical Performance in Music: Recent decades have seen a major increase of interest in historical performance practice, but until now there has been no comprehensive reference tool available on the subject. This fully up-to-date, illuminating and accessible volume will assist readers in rediscovering and recreating as closely as possible how musical works may originally have sounded. Focusing on performance, this Encyclopedia contains entries in categories including issues of style, techniques and practices, the history and development of musical instruments, and the work of performers, scholars, theorists, composers and editors. It features contributions from more than 100 leading experts who provide a geographically varied survey of both theory and practice, as well as evaluation of and opinions on the resolution of problems in period performance. This timely and ground breaking book will be an essential resource for students, scholars, teachers, performers and audiences
Royal College of Music (London)
Description of the Cambridge Encyclopedia of Historical Performance in Music: Recent decades have seen a major increase of interest in historical performance practice, but until now there has been no comprehensive reference tool available on the subject. This fully up-to-date, illuminating and accessible volume will assist readers in rediscovering and recreating as closely as possible how musical works may originally have sounded. Focusing on performance, this Encyclopedia contains entries in categories including issues of style, techniques and practices, the history and development of musical instruments, and the work of performers, scholars, theorists, composers and editors. It features contributions from more than 100 leading experts who provide a geographically varied survey of both theory and practice, as well as evaluation of and opinions on the resolution of problems in period performance. This timely and ground breaking book will be an essential resource for students, scholars, teachers, performers and audiences