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Lettera al fratello Karl (I gennaio 1799). Traduzione di Elena Polledri
Friedrich Hölderlin’s letter to his brother Carl (January 1st 1799), a major biographical and poetological document for scholars, in the very first Italian translation by Elena Polledri
Ancora su Hölderlin e gli scrittori di lingua italiana (da Giosue Carducci a Fabio Pusterla). In appendice: Giosue Carducci: [Achille]. Ms. Casa Carducci, Bologna, Cart. II, 56, 1r.
A discussion of the long-term “Hölderlinism” of Italian poets, starting from Vigolo’s essay on Hölderlin and the music (1966), moving back to Carducci’s translations, with a critical edition of his version of Hölderlin’s Achill (1874, see the leaf reproduced in the appendix), and concluding with a look at later Italian poets up to Pusterla (2004)
Cent’anni di consuetudine. Studi italiani su Hölderlin dal 1915 a oggi
Italian scholars have been reading Hölderlin since 1915. The present contribution outlines this century of literary and philosophical criticism, with its diverse stages and its connections to the parallel histories of Italian translations and transformations of Hölderlin’s work, up to the “new wave” in our millennium
Hölderlin, Subjektivität und Moderne
Moving from Schiller’s rebuke about Hölderlin’s «wild subjectivity», the contribution briefly discusses this concept in a late 18th century context. Hölderlin’s poetry is then analyzed in the light of his modern understanding of subjectivity, with particular regard to the late hymns Remembrance and Mnemosyne
Hölderlin – der Dichter des Dichters. Im Anhang: Grundzüge von Hölderlins Homburger Poetologie
Revising Heidegger’s dictum about Hölderlin being «the poet’s poet» and the philosopher’s remarks on the «essence» of poetry, the emphasis is shifted on the “method” of poetry, a crucial question for Hölderlin, which is here analyzed on the basis of his “Homburg poetology” (cfr. the table in the appendix) as well as of his poetry and prose
L’utilità della poesia: la lettera di Hölderlin al fratello Karl del I gennaio 1799. Una proposta di lettura
After depicting the core function of correspondence for understanding Hölderlin, as well as contextualizing the letter to his brother Carl (January 1st 1799) in both his life and work, a close reading of this document focuses step by step on its political, philosophical and first and foremost poetological issues
Quali musiche suonò Hölderlin? (28 aprile 1966). A cura di Giovanna Cordibella
Giorgio Vigolo’s lecture Quali musiche suonò Hölderlin? (Which Pieces of Music Did Hölderlin Play?), which the Italian poet held in Rome on April 28th 1966, here edited for the first time, with notes, by Giovanna Cordibella
Reviews by Barbara Santini, Andrea Mecacci, Mariagrazia Portera, Francesca Zugno, and Alberto Ricci
Review of Daniele Goldoni’s book Gratitudine. Voci di Hölderlin (2013), by Barbara Santini.Review of Laura Anna Macor’s book La fragilità delle virtù. Dall’antropologia alla morale e ritorno nell’epoca di Kant (2011), by Andrea Mecacci.Review of the collection of essays Friedrich Hölderlin. Pensiero e poesia, ed. by Elena Polledri (special volume of the journal «Humanitas», 2012), by Mariagrazia Portera.Review of Barbara Santini’s book Soggetto e fondamento in Hölderlin tra filosofia trascendentale e pensiero speculativo (2013), by Francesca Zugno.Review of Francesca Zugno’s book Hölderlin oltre Kant. Verso Hyperion. 1794-1797 (2011), by Alberto Ricci