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    262 research outputs found

    Lettera al fratello Karl (I gennaio 1799). Traduzione di Elena Polledri

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    Friedrich Hölderlin’s letter to his brother Carl (January 1st 1799), a major biographical and poetological document for scholars, in the very first Italian translation by Elena Polledri

    Ancora su Hölderlin e gli scrittori di lingua italiana (da Giosue Carducci a Fabio Pusterla). In appendice: Giosue Carducci: [Achille]. Ms. Casa Carducci, Bologna, Cart. II, 56, 1r.

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    A discussion of the long-term “Hölderlinism” of Italian poets, starting from Vigolo’s essay on Hölderlin and the music (1966), moving back to Carducci’s translations, with a critical edition of his version of Hölderlin’s Achill (1874, see the leaf reproduced in the appendix), and concluding with a look at later Italian poets up to Pusterla (2004)

    Cent’anni di consuetudine. Studi italiani su Hölderlin dal 1915 a oggi

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    Italian scholars have been reading Hölderlin since 1915. The present contribution outlines this century of literary and philosophical criticism, with its diverse stages and its connections to the parallel histories of Italian translations and transformations of Hölderlin’s work, up to the “new wave” in our millennium

    Studia theodisca XXI (2014)

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    Studia theodisca XXI (2014) - The Entire Volum

    Hölderlin, Subjektivität und Moderne

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    Moving from Schiller’s rebuke about Hölderlin’s «wild subjectivity», the contribution briefly discusses this concept in a late 18th century context. Hölderlin’s poetry is then analyzed in the light of his modern understanding of subjectivity, with particular regard to the late hymns Remembrance and Mnemosyne

    Hölderlin – der Dichter des Dichters. Im Anhang: Grundzüge von Hölderlins Homburger Poetologie

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    Revising Heidegger’s dictum about Hölderlin being «the poet’s poet» and the philosopher’s remarks on the «essence» of poetry, the emphasis is shifted on the “method” of poetry, a crucial question for Hölderlin, which is here analyzed on the basis of his “Homburg poetology” (cfr. the table in the appendix) as well as of his poetry and prose

    L’utilità della poesia: la lettera di Hölderlin al fratello Karl del I gennaio 1799. Una proposta di lettura

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    After depicting the core function of correspondence for understanding Hölderlin, as well as contextualizing the letter to his brother Carl (January 1st 1799) in both his life and work, a close reading of this document focuses step by step on its political, philosophical and first and foremost poetological issues

    Quali musiche suonò Hölderlin? (28 aprile 1966). A cura di Giovanna Cordibella

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    Giorgio Vigolo’s lecture Quali musiche suonò Hölderlin? (Which Pieces of Music Did Hölderlin Play?), which the Italian poet held in Rome on April 28th 1966, here edited for the first time, with notes, by Giovanna Cordibella

    Call for papers

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    Studia theodisca XXI (2014) - Call for Paper

    Reviews by Barbara Santini, Andrea Mecacci, Mariagrazia Portera, Francesca Zugno, and Alberto Ricci

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    Review of Daniele Goldoni’s book Gratitudine. Voci di Hölderlin (2013), by Barbara Santini.Review of Laura Anna Macor’s book La fragilità delle virtù. Dall’antropologia alla morale e ritorno nell’epoca di Kant (2011), by Andrea Mecacci.Review of the collection of essays Friedrich Hölderlin. Pensiero e poesia, ed. by Elena Polledri (special volume of the journal «Humanitas», 2012), by Mariagrazia Portera.Review of Barbara Santini’s book Soggetto e fondamento in Hölderlin tra filosofia trascendentale e pensiero speculativo (2013), by Francesca Zugno.Review of Francesca Zugno’s book Hölderlin oltre Kant. Verso Hyperion. 1794-1797 (2011), by Alberto Ricci

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