362 research outputs found

    Shakespeare's Richard III and Macbeth: A Foucauldian Reading

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    Reading for signs of power and its function in the world of Shakespeare's plays under the light of Michel Foucault reveals to be in stark contrast from traditional notions of the operation of power. An important Renaissance critic, E. M. Tillyard, has declared that Shakespeare's plays reflect faithfully the Elizabethan world order, remaining loyal to the hierarchical concept of power and its function in Elizabethan England. Such readings engage mainly with the protagonist of the plays, revealing the various aspects in which the world of the play moves toward order and harmony. A Foucauldian reading of the plays however is able to unveil more than merely a one-dimensional reflection of power structures of the society of the time. By focusing on Foucault's notion of power relations at work in the society and also his emphasis on the marginalized aspects, this study aims to reveal how power relations in the two plays under consideration, Richard III and Macbeth, can reveal versatile experiences

    Paradise Lost: Difference between Adam and Eve’s Lament on Leaving Paradise - A Contrastive Analysis

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    The difference between Adam and Eve’s lament on leaving Paradise in Milton’s Paradise Lost is striking in its contrastive content and depth. This paper analyzes the difference that exists between the feelings and spiritual attitudes that Adam and Eve express on the occasion when they are informed by the angel Michael that they have to abandon the Garden of Eden. It is a comparison of their lament in order to understand the contrast of the two attitudes that Milton wove in the tapestry that Paradise Lost is. The paper also explores male and female roles in Paradise Lost and concludes that Adam and Eve are equal yet different, that difference being the cause of their contrastive ways of expressing their sorrow. Adam and Eve manifest two contrastive worldviews in opposition, one spiritual (heavenly), and the other material (earthly)

    With and Without ‘General’: The Representation of Wiranto in The Sydney Morning Herald during Indonesia’s 2004 General Election

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    This paper reports an analysis on the naming and title-giving practices of The Sydney Morning Herald toward General Wiranto in the news about Indonesia‟s 2004 General Election when he contested as a presidential candidate but failed. In the news data he was mostly related to the allegations of his responsibility as the Commander of Indonesia‟s armed forces for a number of atrocities committed by the Indonesian military and Jakarta-backed militias in East Timor. Honorification is one standard referencing in news. Its presence is believed to indicate respects, and its absence can be interpreted as either showing solidarity or less respect. However, Wiranto was negatively represented both when he was referred to with and without his military title. Such a representation suggests the newspaper‟s perception and stereotype it has had about Wiranto

    A Descriptive Study of Teacher’s Oral Feedback In an ESL Young Learner Classroom in Indonesia

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    This study reports the teacher‟s oral positive and corrective feedback in a classroom interaction in ESL young learner context in Indonesia. The study was conducted in a primary one class of a newly-established international school where English was used as the medium of instruction not only in English class but also in almost all subjects. It was revealed that the teacher employed more positive feedback than corrective feedback in the interaction, and in employing positive feedback the teacher preferred to utilize non-verbal cues (paralinguistic strategy) and praise markers. However, there was a potential ambiguity in employing praise markers. In employing negative/corrective feedback, the teacher tended to use explicit feedback rather than implicit feedback. Besides the above, corrective feedback was used to expand conversation, scaffold learning and negotiate meaning and form

    Dialogic Narrative Discourse in Austen's Emma: A Bakhtinian Review

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    Due to the inherent multiple-voicedness of the genre of novel, novelists, via taking oppositional textual positions, can create twofold narratives which serve to convey two different intentions simultaneously, the direct intention of the character who is speaking and the refracted intention of the author. Such narratives could be created through using the disguise of carnivalesque character whose discourse is intentionally dialogized by means of an ironic discourse which embeds a potential unfolded dialogue of two (opposing) world views. Austen draws on such potential inherent in novelistic discourse by creating carnivalesque characters, layering of masquerades, and multiple mimesis to disguise her real intention. Following Bakhtin's theories of dialogism and carnivalesque, the present research investigates Austen's Emma through tracing carnivalesque character, extremely mocked by the objective narrator in the novel, who serves to disguise the real intention of the author and to create a double-voiced discourse leading the readers towards a double reading of the narrativ

    The English Borrowings and the Indonesian-English Codeswitching in Two Collections of Blog Short-Stories

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    If one has ever read fiction works by prominent Indonesian authors from 1920‟s Abdul Muis, and Marah Rusli, 1930‟s Sutan Takdir Alisjahbana and Armijn Pane, 1945‟s Chairil Anwar and Achdiat K. Mihardja, 1950-1960‟s Pramoedya Ananta Toer, W. S. Rendra, and N. H. Dini, 1960-1970‟s Taufik Ismail, Goenawan Moehammad, and Sapardi Djoko Darmono, and compared their work with those of the 1990‟s Hilman Sriwijaya and Ayu Utami, and the 2000‟s Hirata, one must have found many differences among the works. More obvious distinction will be discovered if all of the works previously mentioned are contrasted with those of 2000‟s teen writers like Arunita, Mentari, Andries, and recently Dika, especially in terms of style and vocabulary. The most recent teen fictions have employed much colloquial Indonesian or Malay-Betawi dialect (Djenar, 2008), and English lexical items. This study shows that in Dika‟s blog short-stories alone, English borrowings and Indonesian-English code-switching were commonly found. English seems to be the third language after the colloquial and standard Indonesian with which the author think

    Driving Home Persuasive Messages in Barack Obama’s Closing Argument “One Week”

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    As Obama‟s speech entitled “One Week” signified the closing argument for all his presidential campaign speeches in the U.S. Presidential Election in 2008, Obama attempted to do his best to persuade the American voters to bring the important issues of his political agenda to the highest level of their consciousness. In that way the American voters were reminded of the important point of voting for him. For that purpose, to drive home his persuasive messages of unity and change, Obama delivered the speech making good use of some rhetorical devices. This paper is an attempt to explore and elucidate his outstanding use of those rhetorical devices such as sound bites for highlighting the messages, sound devices for appealing to his audience‟s ears about the messages being delivered, and the various means of message amplifications for magnifying powerfully the messages being delivered in his closing argument speech

    Two Green Poets: A Comparative Ecocritical Study of Sepehri and Emerson

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    Many similar subjects can be traced in world literature, among them is nature since it belongs to man/nature binary opposition. The American poet and philosopher, Ralph Waldo Emerson (1803-1882) employs nature in his works. Throughout his works, he discusses the affinity between man and nature, emphasizing how man takes advantage of it. The contemporary Iranian poet, Sohrab Sepehri (1928-1980), also makes intensive use of nature in his poems. Sepehri is proficient in using nature either in philosophical or emotional issues. Due to the significance of nature in the works or the two figures, an ecocritical reading of them is not only applicable but unavoidable. This comparative study aims at investigating different approaches towards nature employed by the two poets, emphasizing their points of difference. Although both poets employ nature in their works with romantic tendencies, the postmodern environmental ethics of Sepehri is in direct contrast to the instrumental value viewpoint held by his American counterpart

    The Translation of Indonesian Reduplication into English

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    Every language has its own way to communicate its expression. Indonesian has reduplication such as pagi-pagi, cantik-cantik, and jalan-jalan. The English translation of this reduplication is not *morning-morning, *beautiful-beautiful, and*walking-walking respectively. In this case, the translators should make an adjustment when they transfer the message of the Indonesian reduplication into English. This study investigates how Indonesian university students, teachers, and professionals translate the Indonesian reduplications into English. It explores the meaning and structure resulted from the translation. The participants are university students, lecturers and employees. They are given questionnaires in which they translate the Indonesian reduplication into English. The analysis involves the morphological, syntactic and semantic aspects of the translation, as well as the deviations that possibly occur in the translation

    Opera Jawa [Requiem from Java]: A Semiotic Narratology Perspective

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    Directed by Garin Nugroho in 2006, Opera Jawa is an opera film with a special status in Indonesian film history, either perceived as a newly established genre or seen from many of its other aspects. Analyzed through a semiotic narratology perspective, this musical film can put forth deeper meanings than that of a mere triangle love story between the characters. The unveiling narrativity of every layer of Opera Jawa enables us to identify both its patterns of narrative syntagm and its actantial relations with its underlying system of values. This system consists of a set of antagonistically correlating main values, namely faithfulness versus deceit, and suppression versus power

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