k@ta
Not a member yet
362 research outputs found
Sort by
Ecocritical Reunion of Man and Nature in The Ruined Cottage
While the previous researches on Romanticism, especially Wordsworth (1770-1850), and Ecocriticism are quite far-ranging, the inherent ecocritical echoes of Wordsworth’s oeuvre are yet to be surveyed. This study is an endeavor to examine the ecocritical aspects of William Wordsworth’s The Ruined Cottage (1797-ca.1799) with the aim of bringing into focus the inner link between Nature and Ecocriticism in the above-mentioned poem. With that issue in mind, the researcher intends to take the viewpoints of the Yale School critics, the New Historicists, and those of the ecologists into consideration to prove the previous critics’ inability in rendering a thorough reading of The Ruined Cottage and will examine the poem through the lens of Ecocriticism by focusing on the correspondence between the gradual withering of Nature and the gradual demise of Margaret’s soul in order to reach a comprehensive examination of the poem in the end
Genre and Register of Antagonist’s Language in Media: An Appraisal Study of Indonesian Newspapers
This research explores how the language of the antagonists is unfolded in print Indonesian media. The analysis is focused on the exploitation of types of texts (genres) and the register. These are explored through the lexis, transitivity, appraisal systems, and text structure. The data were news, editorials, and letters to editors, collected from Kompas, Jawa Pos, Solopos, and Suara Merdeka from May to October 2012. Further selected using criterion-based sampling techniques, the data resulted in eight texts to analyze. In addition to the linguistic analysis, interviews were conducted with the stakeholders of the social issues. The results show that antagonists used the three types of macro genres to express their ideologies in the newspapers. At the level of register, the antagonists develop their attitudes through their feeling (affect), as well as evaluation about other participants (judgment) or things (appreciation). They even amplify and align their attitude through graduation and engagement
A Deconstructive Reading of Yasmina Reza’s Art
This article is an investigation of Derrida‟s deconstructive strategies on Yazmina's Reza's Art in which concepts such as floating signifier, différance, paradoxes, and decentralization have been applied. Here the question of aesthetic values of modern abstract art is raised. Reza confronts us with a miscommunication as a shortcoming of the language and therefore a rift in a longstanding friendship. The play is about a white painting, but each character in the play observes the painting in a different color. It seems that the color acts as a sign which is caught up in a chain of signifiers that never rest on a definite signified. In addition, the painting which is the centre of the play is decentred and replaced by one of the characters of the play. At the end, it is demonstrated that the text of this play is indeterminate without giving us any definite meaning
Entrapment in Relationships in August Strindberg’s The Father and Harold Pinter’s The Collection
Modern drama is replete with different forms of entrapment in relationships and that is August Strindberg. Some authors have acknowledged their indebtedness to him and some have never mentioned it; Pinter is among the latter group. Though this paper does not investigate the influence of Strindberg on Pinter, studying these two plays, one can see the footsteps of Strindberg in Pinter's play. Employing Watzlawick and Laing's communication theory, this paper tries to investigate the shared concept of entrapment in relationships and the resemblance between these two playwrights
Halting a Wilful Degeneration into the Abyss: Rhapsodizing the Morass of Despair in Esiaba Irobi’s Inflorescence and Cotyledons
An examination of Nigeria‟s nationhood in the themes of Inflorescence (1989) and Cotyledons (2009) reveals a dogged inscription of Esiaba Irobi‟s poems within the context of Nigeria‟s interweaving socio-political tragedies: the rapacious rape of her resources by the successive political class, the continuous violation of her humanistic ethos by the rampaging military institution, and the ignoble dispossession of her hopeless downtrodden masses. Irobi portrays a dialectical juxtaposition of the fragmented and haunted existentialism in Nigeria against the sanity and sanctity for human rights obtainable in the Western nations. The grounding of Nigeria‟s disillusionment further underscores Nigeria‟s stand on the brink of a political precipice. The paper aims to evaluate how Esiaba Irobi‟s Inflorescence and Cotyledons have implicitly challenged Nigeria‟s inability to live up to its expectations of fulfilling the present and future aspirations of its teeming population in the areas of human and infrastructural developments
The Dehumanizing American Dream in David Mamet’s Glengarry Glen Ross
The American Dream is a recurrent theme in American literature. In this response, this paper is an attempt to expose the destructive effects of the dream on the human spirit. It is also shown, through the analysis of David Mamet‟s glengarry Glen Ross, that despite the promise of the dream it contains many contradictions. Beneath the seeming simple surface of the play lies a deep current of meanings that reflect the calamities of modern American life, and in a broader sense, the modern world. This article indicates how capitalism inculcates ideologies in the mind of individuals in order to facilitate the exploiting process and unquestioning subordination. Ragged individualism, for instance, as the most prominent of these ideologies, disrupts all communal bonds and even exceeds to the disintegration of friendship and family life
Aggression or Regression: A Comparative Study of Heroines in The Mill on the Floss and Pride and Prejudice
The basic formula in the English Victorian novel seems to be an individual standing against the world (of the Victorian society). George Eliot‟s The Mill on the Floss (1860) and Jane Austen‟s Pride and Prejudice (1833) are two excellent examples of intellectual heroines standing against social expectations. This paper, as a comparative study, shows that in the former written by a romantic and modern novelist, the heroine drowns which signifies her self-renunciation and submission to the expectations of the society as well as her revenge of a body being shaped by Victorian ideologies. In the latter written by a conservative and realist writer, the heroine begins a process of education and transformation just to resolve her conflict in marriage. The paper concludes that in such novels the intellectual woman has to either submit to survive, or is wiped out which implies both the heroine‟s self-destruction of a Victorian body (aggression) or her drowning in the waters of ideology (regression)
Perceptual Dialectology: Northerners and Southerners’ View of Different American Dialects
American English, also known as US English, is a set of dialects in the English language mostly used in the United States. It has considerable variations in terminology, phrasing and syntax. The differences are mostly on regional basis. The three major regional dialects are: Northern, Midland, and Southern. Generally, dialect varieties are acceptable in society; however, some of them are more stigmatized than others. The present study has been done to examine American English speakers‟ perceptions towards regional American varieties in terms of correctness, pleasantness, and difference from their own speech
Joyce the Postmodernist: A Glance at Finnegans Wake
Postmodernism criticizes metanarratives. Modern metanarratives including Enlightenment, Hegelianism, and Marxism present general claims about knowledge and truth. Under postmodern condition metanarratives are damageable, criticizable, and finally negligible. In this essay metanarratives are explained and the incredulity towards them is traced. In Finnegans Wake, which is under postmodern condition, metanarratives are targets of Joyce's parody. In this novel, religion is bitterly criticized, Enlightenment is mocked, and Hegelianism and Marxism are disfigured. Joyce shows his incredulity towards metanarratives and employs postmodernist techniques. Finnegans Wake's world is postmodern
Critical Multiculturalism and the Politics of Identity in Academic Writing
This article discusses the critiques of critical multiculturalism of the well-established notion of liberal multiculturalism. Drawing insights from a critical theory, critical multiculturalism attempts to challenge and deconstruct the basic constructs such as culture and knowledge from the perspective of liberal multiculturalism. From this line of inquiry, I proceed to argue that English language education in the Indonesian context still clings to the spirit of liberal multicultural orthodoxy, which is evident from the English pedagogy policy, teaching and research. I then suggest that by adopting a critical perspective of multiculturalism, and hence critical multiculturalism as a framework of thinking, we can help raise teachers‟ awareness to adopt critical teaching and research practices that not only value the multiplicity of students‟ cultures but also resist linguistic and cultural determinism prevalent especially in academic writing practice. To demonstrate the possibility of resistance against the hegemonic forces of linguistic and cultural determinism, I present case studies of multilingual student writers in their search of the politics of identity in academic writing