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Death’s Horizon as the Foundation of Eros
Full text linkIn the present paper, we will attempt to navigate the experience of grief philosophically, with the aim of developing a vitalism from it. Rather than viewing death as an interruption, denial, or annulment of love, we propose interpreting it as the basis for love to permeate and constitute us in a more intense, profound, and transformative manner. Understanding death as the tragic awareness of our finitude provides the necessary wisdom to live and love differently. With the help of several philosophers, we will explore the tension between love and death as a reciprocal resonance, not an antagonism. We will examine Eros not as a promise of eternity but as an impulse that finds its immanent meaning in the finitude of the other, as in one's own.In the present paper, we will attempt to navigate the experience of grief philosophically, with the aim of developing a vitalism from it. Rather than viewing death as an interruption, denial, or annulment of love, we propose interpreting it as the basis for love to permeate and constitute us in a more intense, profound, and transformative manner. Understanding death as the tragic awareness of our finitude provides the necessary wisdom to live and love differently. With the help of several philosophers, we will explore the tension between love and death as a reciprocal resonance, not an antagonism. We will examine Eros not as a promise of eternity but as an impulse that finds its immanent meaning in the finitude of the other, as in one's own
Edizioni (critiche) e no. Sull’ultracrepidarismo nell’ecdotica dei testi sardi medievali
No full textL’autore prende in considerazione alcune recenti edizioni di testi sardi medievali di valore diverso, e ciò avviene riguardo all’etica della Quellenkunde: si sottolineano, cioè, la necessità e il dovere, per storici e giuristi, di fondare le proprie riflessioni su edizioni che restituiscano con rigore la forma linguistica dei testi studiati, evitando di invocare la filologia come legittimazione, pur restando nell’ambito di ‘trascrizioni funzionali’ che, non di rado, offrono svariati problemi di metodo
L’arte come filtro poetico: intervista a Chiara Gatti, direttrice del MAN- Museo d’Arte Provincia di Nuoro
Full text linkIl presente contributo propone un'intervista alla direttrice del museo MAN di Nuoro, Chiara Gatti
Patrizia Monaco
Full text linkThe volume offers a broad and articulated survey of the dramatic work of Patrizia Monaco, one of the most significant voices in contemporary Italian theatre, through a critical itinerary that intertwines textual analysis, historical and cultural reflection, and first-hand testimony from the theatrical world. The thematic and formal variety of the author’s oeuvre has shaped the structure of the book into five sections: Rewriting Myth, Rewriting History, Theatre and Literature, Theatre and Contemporary Issues, and Dramaturgy on Stage: Interpretation and Memory.Il volume offre un’ampia e articolata ricognizione dell’opera drammaturgica di Patrizia Monaco, una delle voci più significative del teatro italiano contemporaneo, attraverso un percorso critico che intreccia analisi testuale, riflessione storico-culturale e testimonianze dirette del mondo teatrale. La varietà tematica e formale della produzione dell’autrice ha orientato la struttura del libro in cinque sezioni: Riscrivere il mito, Riscrivere la storia, Teatro e letteratura, Teatro e attualità e La drammaturgia in scena: interpretazione e memorie
Search for Meaning, Narrative, and Change
Full text linkThis paper addresses the question of the argumentative consistency of philosophical discourse when confronted with the problem of the meaning of human existence. According to the author, the contemporary traditions that are most appropriate to investigate for this purpose are those of phenomenology, hermeneutics and reflective philosophy
La trasformazione del rapporto musica-poesia dal madrigale cinquecentesco agli esordi del melodramma
Full text linkThis essay traces the transformations in the relationship between music and poetry during the transition from the sixteenth-century madrigal to the early melodrama. From Bembo’s linguistic reflections and the musical theories of Zarlino and Vicentino emerges a new sensitivity to the bond between word and sound, preparing the shift theorized by Galilei and the Camerata, with the affirmation of monody and the principle of «recitar cantando». Between Humanism and the Baroque, with Peri and Caccini (Euridice), the word guides but does not subdue music: recitative and aria articulate affections and action, while the audience becomes a decisive referent, and melodrama takes shape as a synthesis of languages capable of renewing the legacy of Renaissance polyphony.Questo saggio ricostruisce le trasformazioni del rapporto musica-poesia nella transizione dal madrigale cinquecentesco al nascente melodramma. Dalle riflessioni linguistiche e metriche di Bembo e dalle teorie musicali di Zarlino e Vicentino nasce una nuova sensibilità per il legame tra parola e suono, che prepara la svolta teorizzata da Galilei e dalla Camerata, con l’affermazione della monodia e del principio del «recitar cantando». Tra Umanesimo e Barocco, con Peri e Caccini (Euridice), la parola orienta senza soggiogare la musica: recitativo e aria modulano affetti e azione, mentre il pubblico diventa referente decisivo e il melodramma si configura come sintesi di linguaggi capaci di rinnovare l’eredità della polifonia rinascimentale
The Transcendence that Emerges from the Poetic Word
Full text linkThe present study aims to explore the mode of being of the poetic word by analyzing the type of transcendence that emerges from it, with the goal of uncovering a defining feature of the ontological constitution of language. To this end, we will briefly point to Heidegger's influence on the question of why language is more expressive in poetic works. The eminent work of art will be an opening of being, where language can be born, with poetic language preceding its everyday and commonly shared condition among mortals. Thus, we must distinguish the saying of the poetic word from that of the word spoken in everyday life, since, following Heidegger, the poem brings the world into Dasein through its authentic saying. This becomes possible through writing as a fundamental possibility of language, a theme developed by Gadamer. When what is written has the hermeneutic structure of a text, the word becomes truly expressive. We will see that in writing – as a characteristic feature of the poetic work of art – its truth can emerge as a unity or play between sound and meaning, a thesis we find in Gadamer’s thought.The present study aims to explore the mode of being of the poetic word by analyzing the type of transcendence that emerges from it, with the goal of uncovering a defining feature of the ontological constitution of language. To this end, we will briefly point to Heidegger's influence on the question of why language is more expressive in poetic works. The eminent work of art will be an opening of being, where language can be born, with poetic language preceding its everyday and commonly shared condition among mortals. Thus, we must distinguish the saying of the poetic word from that of the word spoken in everyday life, since, following Heidegger, the poem brings the world into Dasein through its authentic saying. This becomes possible through writing as a fundamental possibility of language, a theme developed by Gadamer. When what is written has the hermeneutic structure of a text, the word becomes truly expressive. We will see that in writing – as a characteristic feature of the poetic work of art – its truth can emerge as a unity or play between sound and meaning, a thesis we find in Gadamer’s thought
L’abrogazione dell’Amministrazione delle torri del regno di Sardegna (1842). Aspetti organizzativi, militari e finanziari
No full textL’Amministrazione delle torri del regno di Sardegna è istituita da Filippo II, negli anni Ottanta del XVI secolo, con l’intento di uniformare il sistema difensivo dell’isola a quello degli altri possedimenti mediterranei della corona ispanica, secondo un progetto che prevede l’integrazione delle moderne piazzeforti con una cintura di torri costiere e i reparti della milizia territoriale. L’istituto garantisce la sorveglianza di larga parte del litorale dell’isola per oltre due secoli e dopo una crisi finanziaria protrattasi per un ventennio viene infine abrogato da Carlo Alberto nel 1842. I motivi che ne hanno dettato la soppressione sono molteplici: il declino delle reggenze barbaresche, la cessazione della guerra di corsa, l’evolversi dei modi di fare la guerra sul mare e la volontà del governo sabaudo di cancellare un organo dotato di autonomia decisionale in materia di difesa per attribuirne le funzioni alle forze armate reali
El espíritu de la Revolución dule de 1925
Full text linkAs part of the commemoration of the centenary of the Dule Revolution of 1925, we present a brief paper to highlight its background, especially the Panamanian government's attempts to eliminate Guna culture through repressive strategies. On the one hand, we will analyze the causes and consequences of this event in Panamanian history. On the other hand, we will highlight the strategy of the 1925 revolutionaries. In addition, we will address the challenges faced by the Dule Revolution of 1925. Next, we will briefly mention the bloody incidents that occurred. Finally, we will focus on the aspirations of the Guna people in the post-revolution period.En el marco de la conmemoración del centenario de la Revolución Dule de 1925, presentamos un breve artículo de reflexión para resaltar sus antecedentes, especialmente los intentos del gobierno panameño por eliminar la cultura guna mediante estrategias represivas. Por un lado, analizaremos las causas y consecuencias de este acontecimiento en la historia panameña. Por otro, destacaremos la estrategia de los revolucionarios de 1925. Además, abordaremos los retos y desafíos que enfrentó la Revolución Dule de 1925. A continuación, mencionaremos brevemente los incidentes sangrientos que ocurrieron. Finalmente, nos centraremos en las aspiraciones del pueblo guna en el periodo posterior a la revolución