The Indonesian Journal Of Communication Studies
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The Content Analysis of the Kompas Daily Headlines Concerning the Cases of Polri and KPK in the Period of October to December 2009
No full textThe results of this study indicate that the SKH Kompas tends to portray the way Police and the Commission reviews the problems using the political dimension and the dimension combinations. Topics canopies tend to review SKH Kompas legal process, provided information and the combi- nation is more dominant on the use of canopies in SKH Kompas, techniques tend to be dominated by discussion of editorial excerpts, but also combine with technical explanations, examples, statis- tics, and combinations. While for the type of editorials, many use a type of giving of information and types of combinations. It shows that the SKH Kompas more comprehensive media in conveying the editorial policies of the problems police and KPK
Women and Culinary: From Domestic to Public Kitchen
No full textThe widespread ulinary programs in television has brought domestic activity into the public sphere. When start to be shown at public domain, such as shops, hotel, restaurant and even televi- sion, the activity which was originally conceived as women’s work in the house begin to be possesed by men. The emergence of men as host chef in the culinary program confirms the dominance of men in public spaces, which is packaged as a television performance that shown how men as it is but also show their ability in food processing. This is different when we enter the era which women host no longer placed as a mother who cooked for the family, but as chef and host with ‘catchy’ packaging. This paper highlights how the culinary program seen from the sex based job classification, how male dominance in the culinary program on television, as well as how women compete to fight for culinary stage on screen
Community-Driven Development, Collective Action and Empowerment: Effective Communication Matters (A Lesson from the KDP and the UPP in Indonesia)
No full textCommunity-driven development (CDD) has become the most important strategy of the World Bank’s development assistance for poverty alleviation. It supported propositions that more Participatory element in community-driven development would allow development process more inclusive to poor people, enhancing social cohesion based on trust and social capital and bring about collective action that considered necessary to solve poverty problem. This paper attempts to ex- plore the impacts of CDD to collective action and empowerment particularly in the context of Kecamatan Development Program (KDP) and Urban Poverty Project (UPP). Drawing literature study as supporting evidence, it argues that collective action and empowerment emerged from the KDP and the UPP has not achieved the substantial level to address poverty problem because there are inherent problems in the participatory development design and various social challenges. This paper, therefore, suggests that effective communication is needed in community development as it will enhance the community ownership feeling to the development rather than considering them- selves as solely the beneficiaries of the community development proces
Movie as a Social Critique Symbol of Polygamy: A Semiotic Analysis of “Berbagi Suami” Movie
No full textWithin man-woman relations contexts, polygamy is still pros and cons. Based on the Holy Qur’an, polygamy can be tolerated by additional note if they can behave equal and in just. But the others said that the practice of polygamy is manifestation to marginalize a woman. Polygamy can open the violence toward woman more frequently than monogamy at any level of aspects. Movie “Berbagi Suami” depicts this situation. It seems to illustrating that polygamy raises some problems for woman within the domestic life especially within man-woman relations contexts. Starting point from this view, this is to analyze the “Berbagi Suami” Movie by applying the Barthes’s semiology. By Barthes’s method, “Berbagi Suami” movie was scrutinized into two level of analysis. The results was found that Berbagi Suami Movie echoed the voice of critism through woman perspectives albeit not completely. This film also principally brought polygamy into discourse to audience and let them to judge the discourse
The Perceptions of Gender Bias as a Communication Constraint in the Implementation of Gender Mainstreaming within the Context of Regional Autonomy of the Province of Yogyakarta Special Region
No full textThis study aims to determine the communication constraints in implementing gendermainstreaming programin the province of Yogyakarta within the era of regional autonomy. The program which was initiated in 2000 has not been brought encouraging results. The qualitative research method was used with focus group data collection techniques. Head of the Office of Yogyakarta’s Women Empowerment, head of government in the province of Yogyakarta, members of parliament as well as women activists of several women’s NGOs were theinformants. The data from the interviews equipped with secondary data collected from the annual report from the Office of Women’s Empowerment and all government agencies in the province of Yogyakarta. All data was then analyzed using descriptive-qualitative analysis. The results of this study found that implementa- tion of mainstreaming in all offices in Yogyakarta were not optimized, but the Education Department has a good gender responsive planning, implementation, and evaluation of programs. This study also identified a variety of communication barriers in the implementation of Gender Mainstreaming in Yogyakarta Province agencies, namely: cultural aspects of society’s perception that support patriar- chy, perception of gender, resulting in work programs and behaviors that gender bias, the absence of data between men and women as a basis for making the program work, the unuse of gender analysis tools in the planning, implementation, and evaluation of work programs, the existence of mutations that are less concerned employee PUG experience, and budget issues that have not been gender responsive. Thus, this study suggests that the government should have the same perception of gender as a basis for making the program work and implemented in a gender responsive planning, implementation, and evaluation of programs. It needs to be supported by personnel in all offices that have a correct perception of the gender mainstreaming, for the sake of harmony and well-being of society, especially in the government of Yogyakarta
Marketable Branding In Political Marketing
No full textThe method used was the CDA (Critical Discourse Analysis) from the perspective of com- municative event. This research involved the analysis of the relationship between three dimensions: text, the practice of discourse (discourse practice, namely the process of production and consump- tion of text), and sociocultural practices (sociocultural practices, namely the level of society or culture). To dismantle the ideology behind the text, Van Dijk’s framing model was used. The results showed that candidates with high popularity did not necessarily marketable figure for the party. The result of this research confirms that the Brand that is sellable in a place may not be sellable else- where. It depends on who the customers (constituents) and what products to offer. Hence the logic of the market more effectively in the mechanism of political trading became a perspective in analysing celebrity politician phenomenon
Semiotic Analysis of Characteristic Image of Jogja Society in the film of “Jagad X-Code”
No full textThe object of the research is the film of Jagad X-Code. The film of Jagad X-Code took DI Yogyakarta as the setting of this film. The people of Jogja maintain the strong characteristic of Java which is represented in this comedy film. It conveyed the cultural values which started to fade away. The aim of the research is to identify the symbols and the sign used and the characteristic of the Jogja people presented in the film ‘Jagad X-Code’, and to identify the meaning of the film. The data source helped the writer in the process of interpretation and significance of the film was obtained through observation to the film, information from the book, internet and informants who understood the javanese culture. It is concluded that film is one of media which convey the cultural value which should be maintained by the society. The characteristics of Javanese People represented in this film are submissive, polite, respectful to the elderly, helpful, and innocent. These characteristics are symbolized by the director of the film through the attitude and behavior of the actor in the film
Mass Media and Political Disinformation in Indonesia
No full textThis paper is the result of study that focus to media practices and disinformation especially to political disinformation in Indonesia. There are four factors that push this study so it was done seriously. First, information has the important role that can shape and color the reality. Second, freedom of information and expression require the accountable and transparency. Therefore it needs the responsibility for implementation. Third, information can be controlled by any kind of interests. Fourth, the spread of information can be limited, stored and deviated. The production and reproduction of information can be designed in according to any differences interests. Finally the gap to access of informationcanmakeitmisusingandmisleading. Inthiscontextmassmediahassignificantposition to make disinformation through selecting and drawing to the events in the line with the interests. Mass media can be controlled by the owner, parties, NGO (Non-Government Organization), and any factions that involve the competition. Then disinformation took place when communications conflict show up through giving false and mistaken information
Marketing Communication Strategies of Cultural and Tourism Departments of Gunungk Kidul and Sleman Regencies: A Comparative Analysis
No full textYogyakarta Special Province has several attractive destinations for tourist. Bantul, Sleman, Kulon Progo, and Gunungkidul regencies have been developing many ways to attract tourists so they desire to come its regency own places. As long as we know, each regency has been working hard to promote and persuade tourists to visit some places that was offere But, in the fact, the result or the amount of tourists that visited each regency was different. Accroding data, the number of tourist who visit Sleman regency is more numerous than Gunungkidul regency. In 2010 for example, the number of tourist who visited Sleman regency reached 3,595,924. While Gunungkidul regency just reached 352 244 tourists at the same time. That why, this research was intended to find out the marketing communication strategies that conducted by Cultural and Tourist Department of Sleman and of Gunungkidul. At the least, this research was aimed to undertand how Sleman and Gunungkidul regencies developthe strategical marekting communication for increase and catch more tourist to visit Sleman and Gunungkidul. Data was obtained by interviews and observation as well as literatures analysis. And the result showed us that Cultural and Tourist Department of Gunungkidul was still not optimum doing marketing communication acitivites. It lack sufficient human resources who can develop creatively to attract tourists. While, Sleman regencies was more experience and could develop marketing communication more diverse
Political Economy, Television Industry, and Media Ethics: Case Commodification and structurization in Infotainment Programs in Indonesian Television
No full textSince the last 5 years, television in Indonesia has grown very rapidly. The more television stations, is also increasing production of television shows. Infotainment is one of the television program alternatives. The business side of media should not always be in conflict with ethics. There is constant relationship exists between economic and ethical factors. This research study about the commodification and structuration and associated with media ethics. The formulation of research questions about how the commodification and structuration infotainment programs on Indonesian television industry, and how the media ethics apply to these infotainment programs. In this research will study a causal relationship between structure and agency in the production and consumption of infotainment programs on the television industry in the Indonesia media ethics perspective. This research uses critical paradigm with qualitative methodology. Data collection techniques performed by depth interviews, observation, and analysis of the tape and paperwork. Data analysis using intertextuality. The results show, the television industry is the industry capital-intensive mass media so that more priority to profits than the public interest. A television program aired was not representative of the interests of viewers, including infotainment programs. Commodification of audiences who made the television industry is reflected through the rating. Rating is a tool used to offer the viewers to advertisers. Interplay between structure and agency interests occurs. From the perspective of media ethics, many violations committed by the journalist code of ethics infotainment of the Code of Conduct of Journalism also Broadcasting and Press Standards Program